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View Full Version : How much training needs to be shown?


Ivonia
08-21-2005, 05:05 AM
I'm in the middle of revising my novel now (I finished a first draft of it luckily, but it's really crappy hehe). It probably would be better in the Sci-Fi forum, but since more people come here, I think I'd get more responses here.

Anyway, I saw that I more or less skipped most of the training of the hero (he's a fighter pilot, and there's a huge space war going on, so he has to get training for both fighting in planetary atmospheres and in space). I show virtually none of the "atmospheric flight training" (basically I skip to the end of it, and just show him and other cadets flying to a space station to start learning space combat), because the majority of the combat the hero is involved in takes place in space anyway later in the book.

Is it a big deal if I basically "summarize" most of the hero's training? I will cover some parts of it, but I've been thinking about changing it to where his training is rushed, and he's booted out there into combat much sooner than he expected (in the story, the good guys are getting their butts kicked quite badly and as a result need everyone they can, so the training time is shortened, particularly for pilots), and it shows as a result (the hero does get beaten up pretty badly in his first real fight).

I decided to add this in after I saw that the previous draft the hero was simply "too powerful" and never had any real defeats, and therefore didn't seem as realistic. I think that if he does fail at times, despite his best efforts, readers will sympathize with him a little more (not because he's an idiot, but because the bad guys aren't idiots).

Another reason I want to skip it is largely because I don't think it's very important in the long run (heck, in Star Wars, Luke Skywalker never received any real training at all, despite his claims of being a good pilot, and suddenly he's already flying an X-wing hehe), and readers will probably want to see the hero in action as soon as possible (especially after reading the early chapter that leads to the war in the first place. I know I want to see the hero fighting after what happens in that chapter).

Do you think I could get away with skimping on a lot of the training (I will show some critical parts that the hero does indeed put to use later in the book, but I don't think people otherwise need to read every little detail either). It's not that I want to rush the hero into combat for the sake of having fight scenes. It's that the good guys are dying, and the hero doesn't feel like there's anything he can do to help while he's stuck in training (and for anyone that knows, how long do pilots generally take before they become certified and trained on flying aircraft, particularly for the military? For my story I guessed about a year, is that roughly correct?), and he wants to get out there to do what he can before they lose all their forces. He wants to protect his family and friends, and I'm sure readers will want to see him doing that, not get stuck reading about him in training.

In World War 2, Japan used to train their pilots, but as they were losing, it got to the point where basically, if the pilot could control the plane (packed with explosives) long enough to crash into a US ship, that was good enough (aka the Kamikaze attacks). So it's not like shortening the training is terribly unrealistic (the good guys are in a similiar situation, minus the training to kamikaze hehe).

Also, if I show training for stuff he doesn't use, I don't think readers will like that. I remember when I was being trained in the Army, one of my instructors told me that our training wasn't to make us experts on the equipment, it was simply to familiarize ourselves with it, and that our regular duty stations would give us the training on it (and it was true. In fact, due to the nature of my job, half of the stuff I saw in training I never even saw put to use). I think if I show something, but then don't use it, readers will feel cheated to have to read about it, but then nothing comes of it.

So, what are your thoughts on this?

Andrew Jameson
08-21-2005, 05:24 AM
If it's boring and not essential to plot or characterization, skip it. Simple as that.

Vomaxx
08-21-2005, 05:29 AM
Yes, skip it if you can't make it interesting; but some readers will object if your character seems to have mastered complicated skills without much effort. (What you can do in a movie will not necessarily work in a book.) IMHO, of course.

Some military training is certainly just "familiarization." but I'm sure that doesn't apply to flying jets.

AdamH
08-21-2005, 05:33 AM
You're basically on the right track. I agree with you not wanting to include parts of the training where the character doesn't use later on. It would be a waste of words and bog down your story. To add to that though, I wouldn't spend too much time describing the training unless something relevant happens (other than that his basic training) that would serve the purpose of forwarding the story. What I mean is, maybe during training your hero meets a guy that's against the war but is there because he has to be. They become friends, then the hero learns that the friend is really a double agent for the enemy sent to infiltrate and sabotage the "good guys". You get the idea... :idea:


The other thing that I agree with is that war (especially a long, tiring and threatening war) tends to shorten training times for its soldiers. Your Kamikaze example is a prime one. Perhaps he doesn't get much training at all. Maybe they strap a gun to him, give him keys to the nearest ship, toss some rations in, and say "Good Luck, Son" without a second thought.

But it all depends on what you want out of the story. It really comes down to what's relevant and how relevant it is. Since you're on your first draft, I say write what you think should be included. When you revise, you'll know what you need to cut out.

reph
08-21-2005, 10:21 AM
If your character were a chef who was employed when the story started, you'd have him make sauces. You wouldn't go back five years to show him in cooking school so the reader would see that he learned how.

Bufty
08-21-2005, 07:55 PM
If your character were a chef who was employed when the story started, you'd have him make sauces. You wouldn't go back five years to show him in cooking school so the reader would see that he learned how.

I agree. If the guy is a pilot, I assume he knows how to fly.

Marcusthefish
08-22-2005, 08:26 PM
I would suggest a short scene in which the trainers inject nanomachines into the trainees. Over the course of a few hours, the machines revamp their nervous systems (to improve senses and reflexes) and strengthen neural connections in the right parts of their brains (to supply the technical knowledge and false learning experiences).

MTF