Akuma said:
Grr, I'm out of ideas. Well, not really. I know what's going to happen in my next chapter but the chapter I'm writing just...stopped. I could drop it and go on to the next chapter but something fairly significant happens in the current chapter. Or I could just end it there. There doesn't seem to be anything more to say. But at approximately 7 pages (I can't figure out how to get the computer to check how many words there are, silly lil' me--may become a Luddite), the chapter is shorter than what I usually do.
When I saw the title of this thread, I thought you were saying something mean about mystery/suspense writer Lawrence Block, and I was ready to defend him.
Actually, that's appropriate because in one of his books on writing, Block wrote about chapter lengths. I don't remember the exact words, but he definitely was not tied to a specific chapter length. I think he may have paraphrased from Abe Lincoln. Somebody asked Lincoln "How long do a man's legs have to be?" And Lincoln replied "Long enough to reach the floor." IIRC In answer to "How long does a chapter have to be?" Block said that Block said chapters should be long enough to get to the beginning of the next chapter.
In fact, he had one chapter that went as follows:
"Chip, I'm pregnant."
And that was it. The entire chapter. (Phew, was that hard to type or what?!) But it got its job done.
I did have a chapter that was bugging me for about a month. I kept trying to go through all sorts of contortions. I knew that the bad guys had to attack the boat the good guys were on and rescue an obnoxious character who would then betray the others. I kept trying to figure out how it would all work out. I had great ideas, too. And finally, the only way around it was when I realized the obnoxious character had outlived his usefulness. He died (ickily) trying to get away, and I no longer had to write the attack. It made more sense that way, and it leaves me room to jump up to a very very important scene -- the shocking death of a good guy.
So sometimes you have to look away from your plot and look at it again and then you might find a new road through it. I remember reading that when Canadian pianist Glenn Gould sight-read music, he said that he saw a sort of "X-ray" of the score -- an analytical focus that not all musicians have. And that allowed him to give new insights to the compositions. I guess sometimes we need the ability to do that to our own work. And sometimes we have to look at the story and realize it's time to kill off someone, or time to let characters fall in love, or in my story, all of the above.
Oh, and in Word, you can figure out a quick word count by selecting just the text you want to check and then clicking the Tools menu and choosing "Word Count." I learned that one at work, and it has been very helpful.