Entering contests

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folkchick

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Just wondering how many of you actively enter contests? I've started to think about this more as of late, but for some reason, am scared to death. TIA.
 

gothicangel

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I have entered novel writing competitons in the past. I'm more dubious now beacause the majority are run by iffy small publishers.

I'm entering the CWA's Debut Dagger competition next year, but they are one of the most prestigious crime writing competitions. Even getting shortlisted would be a huge boost.
 

James D. Macdonald

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There are three answers to your question. Pick the one you like best:


ANSWER ONE:

Entering contests is generally a waste of time and money.

The only worthwhile contests are ones that get listed on the front cover of the paperback edition of your novel. National Book Award. Pulitzer. Those are given to already-published works, and your publisher is the one who enters them into the contest.


ANSWER TWO:
Every publisher on the planet holds a contest every day. The rules are called "guidelines," the submission fee is postage, and the prize is publication.


ANSWER THREE:
What are your goals? How will you know when you've achieved those goals? Is entering contests the best way to achieve those goals? If so, then enter contests. If not, then don't.
 

Cathy C

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How's that different from "submitting your book to Penguin"?

Less contract rights, longer review period, and I still haven't figured out what a "waiver of moral rights to the work" means, other than a lack of attribution to you during advertising. But it might mean more than that. :Shrug:
 

SJ Gordon

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I have heard agents say (and read similar in their blogs) that if you have no real writing experience or background, some awards are helpful in showing that you are a skilled writer. Obviously, the best thing would be publication but everyone has to have a first. However, contests can really take a lot of writing time from other projects (like, from your actual novel/screenplay/etc) so I think you have to choose carefully. Another thing that is much encouraged is trying to get a short story or twelve published. This can really boost your resume.
 

folkchick

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Thank you again guys and gals. James, I completely understand your viewpoint as I too hate to give time and money to something that is quite subjective. But you always read how a writer should have won this contest or that contest, to put in their query letter, etc. I think I will try the cheap local ones and see how that goes, and also the Amazon one because I haven't gambled in a long time and need to roll some dice.
 

KTC

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if you win, though, it's not so much a waste of time and money. subjective or not. i enjoy cashing my contest win cheques. every one of them.
 

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I have heard agents say (and read similar in their blogs) that if you have no real writing experience or background, some awards are helpful in showing that you are a skilled writer. Obviously, the best thing would be publication but everyone has to have a first. However, contests can really take a lot of writing time from other projects (like, from your actual novel/screenplay/etc) so I think you have to choose carefully. Another thing that is much encouraged is trying to get a short story or twelve published. This can really boost your resume.

You know what else shows you're a skilled writer? Writing a great book.

Here's the thing: Nobody cares about your resume except you. (Unless you're writing nonfiction, which is a whole different ballgame.) The agent and/or acquiring editor aren't going to take a crummy book because you've written a dozen shorts and won three contests and have paid your dues. And they aren't going to pass over an amazing one because it's the first time you've ever set words to paper.
 

folkchick

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You know what else shows you're a skilled writer? Writing a great book.

True that.

And I guess it goes to show that all the stuff we read is, again, subjective. We should just write, and write well.

Thank you again guys--I appreciate the comments.
 
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SJ Gordon

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Andrhia, I was just passing along what the agents were saying in a panel discussion I attended at a writing conference a year or so ago and what I've read in various agent blogs. Certainly, the number one consideration is the quality of the book. Unfortunately, as we all know, it's a tough industry and if it doesn't interfere with writing your great book, doing an occasional contest or trying to publish a short to help boost your reputation doesn't seem like a really terrible idea to me.
 

J C Coy

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I don't bother with contests. I've heard way too much about them to bother. I'd rather go the short story route if I must have something published to put on a resume.
 

kaitie

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I did one ages ago as a requirement for a class I was in (actually, I won it). I wouldn't really bother now as I think contests tend to be more difficult to win and not mean as much as getting a short story published in a magazine, for instance. I've considered a few novel contests just because if it's relatively small I might have a better shot, but I still don't think I'd win. I don't think my writing is good enough to even necessarily make the top five. I don't think I've got a bad book by any means, either. I just don't think it'd be good enough to be best, and if it's not best it's basically meaningless as a credential.

If you want to enter just for kicks to see how you stack up go for it, though. It could be fun.
 

job

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and I still haven't figured out what a "waiver of moral rights to the work" means

It does sound intriguing though, doesn't it? It leaves them all those immoral rights to your work . . .
 

job

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Cathy, is it possible we have the same cover model?

SerpentMoonAW.jpg





 

Enzo

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I'm doing the CWA Debut Daggers for the 3rd year running, but I've never been anywhere near the finalists.
Its advantage is that you only need the first chapter (3,000 words) and a synopsis, not the full novel.
 
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