What do you do when the first chapters are less than awesome?

kaitie

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Here's the deal...I've always felt like my story is basically really good once you hit Chapter 6 (keep in mind I write long chapters and there are only 13 in the book). That isn't to say that the first chapters are bad, it's just that it doesn't get can't-put-it-down awesome until later on (which is crazy considering if you read the plot summary that's the part you'd expect to end up kinda boring).

Well, I've got a friend rereading it for me, and his comment this time was that up to three is good, up to five is awesome, and six on was "absolutely phenomenal." I'm not trying to be conceited here, btw, so please don't take this as bragging (I'm actually freaking out over it).

Thing is...I know that from what we're always told the first chapters are the ones that have to be absolutely phenomenal or no one will read on. I've got a good book here with a clever and interesting (and I think original, but everyone says that lol) story. I've got a fun character who I'd love to share with the world, and I'm absolutely terrified that no one will ever read past the first chapter or two to realize it. Is that stupid? Am I just being paranoid?

It's not really that the first chapters are bad and have major flaws. I'm sure there is stuff that could be improved (but I don't know what or how), it's just that as the story goes on it gets darker and more suspenseful and builds up more and more toward the end. Ugh. I'm freaking myself out here. Probably mostly because my first queries are going out tomorrow. Do I even have a chance?
 

suki

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Seriously, every time I see a post like this I know exactly how this feels. So know I can totally sympathize. But I don't think you are going to like my answer...

Your first chapters have to be kick-ass. If you have any doubt that the first 50 pages are as good as the last 50 pages, you need to not send queries until the first 50 pages are kick-ass. Tension, of course, can build. As can emotion and depth and all kinds of things. But the first chapters have to be as compelling as the rest of the book.

There is no such thing as "good enough" first chapters. They have to draw the agent in.

And if you know they aren't yet where they could be, you are doing your book a disservice to query it until the beginning is as good as it could be.

So, you need to decide if, in fact, the first half of the book is as good, as kick-ass, as OMG as you can possible make it.

Because it's unlikely an agent will get to the kick-ass part of the book, unless you lead with it.

Now, if this is just nerves, you need to figure that out. But take it from someone who queried a few drafts too early, and burned some early agent requests because the first half wasn't as good as it could be - Take the time now to make the first half kick-ass, before you query.

good luck.

~suki
 

kaitie

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Well, in a way I kind of wrote it that way intentionally. It's not really about the writing. Rather than being a book where from the first page it's just tension and suspense constantly, it starts out pretty light. It's funny, my MC doesn't take the situation too seriously at first, and even when things are going kind of bad he still is convinced they'll find a way out. There's not quite the same sense of urgency. Yeah things happen and there's action and stuff, just the feeling is different. It's more about getting to know the characters and the situation and everything. It's after a couple of the main characters start dying that everything really all goes to hell...but those going to hell things wouldn't work without the opening. Half of what makes it moving (IMO anyway) is the contrast between the lighter stuff and the darker shift. :/

I'm think I'm gonna go cry now lol. Leave it to me to shoot myself in the foot with something like this. I certainly wasn't sitting there thinking, "No agent will read past Chapter 3 unless it's filled with action and suspense and badassery" when I wrote it.
 
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DocBrown

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Definitely rewrite them.

If nothing else, you can work on character development. When that first person dies, your MC may not take it quite so seriously (but why isn't he/she?), and you will definitely want your reader saying, "Aww! He/she was my favorite!"

I wrote 165k words to a space opera that went nowhere. It was fun and will rot on my hard drive forever. In it, I wrote one character that I built up, made likable and sympathetic and right at the perfect moment I gave her a heroic death (made necessary by someone's else's incompetence). The one person who took the time to read it asked only one question, "Why did you kill her off?"

That's when I knew I had done at least one thing right in that mess of a book. ;)
 

kaitie

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The first person who dies is a random girl he doesn't know, and he is affected by it because he feels guilty about it, which leads to the rest that happens. When I say it doesn't get dark, I mean it's when his two partners/best friend are killed the tone of the story changes. Before it's a bit light and he tends to joke (joking is his way of dealing with stress). When they die he loses that and the whole tone changes. The fact that the beginning is sort of light and the death comes out of nowhere basically and leaves this MC that you've always seen as a smiling, joking sort of guy (he always sorta reminds me of Hawkeye in that way) then suddenly turns into someone who is freaking out, who doesn't know what to do, who is being torn apart by guilt of what he's done and he can't hide those emotions...all of that makes the next scenes where everything goes dark that much more shocking for the contrast. Everything was intentional...everything has been planned, down to the very last tone of the scenes.
 

Elaine Margarett

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Yes, it sucks, but if you as the writer can sense these chapters aren't strong enough they aren't! And your reader backs this up.

Either rewrite these chapters and insert enough foreshadowing of things to come to make them compelling or ditch them altogether and start your story in a different place.

I submited my mystery/susp. novel and got the response from an editor that I needed to start my story at a different point. I hated the thought of rewriting a begining I thought was good enough, but it wasn't and she was right.

Good luck and let us know how it turns out!
EM
 

kaitie

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My reader says I'm being stupid and worrying over nothing, but he also doesn't read the same things I do that always say your beginning has to be the most astounding thing. I've tried to figure out a new beginning before, and there's no way to change it without changing the entire fundamental of the story. And truth is I like the story I've told. :( I've spent the past six months editing and rewriting to make it good, and I think I've done a decent job. I just hate to think that it'll never even get past the first fifty pages because they don't have the big action/dramatic/climaxy stuff that comes later on. Well, action is a bit misleading. There really isn't a lot of action in general, not in the traditional sense anyway. I might just be panicking over nothing. Maybe they aren't terrible. Well, I've been told they aren't terrible. I guess I'm just afraid they aren't compelling enough. But I've always written it with an audience like me in mind. If I found a book like this I'd love it. I just don't know. I guess I'm just having a crisis of insecurity.
 

heyjude

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Oh, man, kaitie. I thought I was going to have a heart attack when I had to cut the first two *pages* of my ms. :Hug2:

Send some Qs. That will tell whether the beginning is good enough or not.
 

kaitie

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I know. I'm gonna. That's just what makes me nervous I suppose. I guess it just freaked me out to hear my reader say that earlier. I mean, he was giving me a compliment, but didn't realize in the process he might be saying "btw this one's doomed." He says if anyone makes it through the first two chapters they're mine, so that's a good thing, I suppose. I'm just afraid that no one will get that far. I'm imagining all those pressed for time agents who decide within a page or three and thinking "and you want me to get them through sixty pages?"

I know, I know. And I know that a lot of readers are the same way (I'm weird, I guess. I never read pages before I start, and I have hardly ever not finished a book I started, even if I wasn't in love with it). I know it probably isn't perfect, but it's quite literally as good as I can make it. It's at the top of my skill set at the moment. I guess I just hate to think that two years of work on something that I really love isn't going to be good enough.

Just don't worry about it guys, k? I know everyone feels this way. Universal writer worries/feelings, right? This is just the first thing I've ever done that was any good, that was even anywhere near close. I'm going to send it out there, and I'm sure in a 150 queries it'll be fairly certain which direction it lands on. And there's always that possibility of coming back to it in a few years and rewriting it when I've improved enough to make it better, right?
 

heyjude

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No, no, no! Don't send 150 Qs! Send a dozen, maybe two. See what happens. If you're getting silence, or form rejects, you'll know that you need to work on the beginning chapters. If you Q every agent, you won't have any fallback.

That's my opinion, btw. I could be wrong. My agent took this approach with editors and we were glad he did. The first 4 editors loved the book but every one freaking HATED the ending, so I redid it and we still have lots of editors to sub to.
 

kaitie

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Not all at once. ;) My first set is 13 or so I think. I'm just anticipating in case of epic failure. :tongue
 

Calla Lily

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No, no, no! Don't send 150 Qs! Send a dozen, maybe two. See what happens. If you're getting silence, or form rejects, you'll know that you need to work on the beginning chapters. If you Q every agent, you won't have any fallback.

This.

Put it down. Walk away. Return to it in a few days and read the beginning like the Query Shark or Miss Snark is reading it.

I deleted seven chapters from the beginning of my horror. (I write short chapters, but still.) In those chapters were some of my favorite lines ever. It took 3 passes, but I killed every one of them, and my betas were like OMG, eek! (Before that they were all: Yeah, okay, but it's kinda average.)

*hugs*
 

MarkEsq

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I'm going to be contrary. For once.

Look, it's possible your first chapters are kick-ass brilliant, awesome enough not just to get an agent but to have her begging to represent you. And then, when she reads on, she dies of heart failure the rest is so incredibly extra kick-ass. Which sucks because you then have to find (and kill?!) another agent...

But my point is, you are judging the first chapters by comparing them with the others. It's almost as if a book shouldn't ever get even better as it goes along, which kind of suggests it's okay for a book to get worse.... which can't be right.

I think you need to step away. I think you need to have someone read JUST the first chapter, and see if they'd want more. Someone here, someone you trust to be brutally honest.

I think to automatically assume that because your later chapters are better than the early ones, you need to chop them out. I don't believe that to be true.
 

kaitie

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What!? Me, a murderer!? Hm....that'd actually be a funny mystery to put together. Agents the nation over begin dropping dead, Columbo must figure out why...:p You actually made me laugh, which I needed. Thanks. :)

The people who have read the first chapter either thought it was awesome or had a problem with the logic (though hopefully I've fixed that). So I guess you do have a point. I'm being insecure and need to just trust myself.
 

Clair Dickson

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Maybe I'm wrong, but I think it's perfectly normal for certain sorts of stories to start out at one pace (say, medium-pace) and then ramp up to the point where it's 4am on a worknight and the reader is reading as fast as they can to see what happens. I've read dozens and dozens of books that started with interesting things that weren't "WOW, I have GOT to keep reading." Instead, they were, "Oh, this is interesting, where's it going to go."

If you only have one beta reader, your sample size is unfortunately small. That's the same as me walking into my classroom and asking ONE student if like 'The Lady in the Lake.' If I ask Billy, he'll say that book sucked, but if I ask five other students, they'll all say they enjoyed it. If I only ask Billy, then my sample is skewed and statistically insignificant. Maybe post a section or two on SYW or gather a few more brutally-honest readers for comparison.

The key, though, is to have the story start close enough to the rest of the action that even if the character doesn't really react (b/c he's dismissing it, denying it, etc) that the one event is still the catalyst for starting the rest of the action in the book, if perhaps delayed. (Or so I'm told.)
 

kaitie

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I've had three. Well, three and a half. One guy read the first six chapters. About eight people read the first chapter. Only one person has seen the "final." Technically he wasn't supposed to read past Chapter 6 (I'm doing a typo-check), but went through 9 today anyway. I know it's not a lot, but I've posted sections in the SYW area (whenever I had problems with something).
 

Clair Dickson

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And what is the consensus on the beginning-- does it start with a decent pace? Too slow?

I still think it's okay for the pace to pick up in the latter part of the book. In fact, I expect it-- with the exception of thrillers, where it usually starts at breakneck pace in the first chapter or so.
 

kaitie

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I've been told my pacing is really good. That's one of the comments I get over and over. If anything, it moves faster than I want because I had to cut so much out.
 

delb0y

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I've read a few thrillers/mysteries recently where the early chapters have been very gripping but not necessarily full of action and suspense. I'm thinking of certain Robert Parker and Raymond Chandler and John D MacDonald books. All these guys can pull us in with immediate action, but they can also do the opposite, pull us in with great language and insight and characters and cool dialogue. Take a read of something like Mortal Stakes and see how long it is before Spenser is actually in any major drama himself. It's quite a few chapters. Okay, it's an old book, and times may have changed, but I still couldn't put it down in those early chapters. It's not always about immediate tension, especially in this genre. I'm reading a Dick Francis thriller at the moment. He writes long chapters and the first two are just setting everything up. Again, it's an old book, so I might be giving you out-dated information, but this is one reader who enjoys such build ups.

All the best with the queries!

Del
 

copeck

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But my point is, you are judging the first chapters by comparing them with the others. It's almost as if a book shouldn't ever get even better as it goes along, which kind of suggests it's okay for a book to get worse.... which can't be right.

I think you need to step away. I think you need to have someone read JUST the first chapter, and see if they'd want more. Someone here, someone you trust to be brutally honest.

I think to automatically assume that because your later chapters are better than the early ones, you need to chop them out. I don't believe that to be true.

I totally agree with the above. Find someone fresh to read just the first few chapters and give you honest feedback based on those alone. If possible, prepare a questionnaire or feedback form or something for the reader to fill out when done, and while the events are still fresh in his or mind. That way, you get an insight into the level of "kick-ass" of the beginning part of your story as stand alone chapters.