Character Recap

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Wayne R.

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So, you've a recurring character. Maybe a couple, who've appeared in something you've previously written. Although it's not vital to know their past exploits, and the story can exist on its own without it, it's probably 'polite' to sneak in a short bio.
Any opinions on what works best?
I've read books with a set 'cast', and thought that the potted history can interrupt the flow a little, especially if you already know it.
I wondered about a character maybe being reminded of an earlier event, explaining why it struck a chord. That'd probably be better than a random (and usually very clear and lucid!) flashback.
Then I suppose I could have a conversation where a couple of characters talk about old times, maybe even argue about the past? That seemed a bit too convenient, though.
Any thoughts?
 

D.A.G.

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As a reader foremost, and then a writer, I cannot stand erroneous character descriptions (e.g. paragraph- or page- long narratives of what the character is wearing, where they were born, how they grew up, etc.). Your first thought of reintroducing a character through flashback, in my opinion, would work best, but only if the earlier event is crucial to the story in some way. Another good way to remind readers of a character (or introduce the character for the first time) is to let the character walk in on the scene and be themselves. Show the readers what the character is like and keep the character true to themselves, all within the realms of being pertinent to the story.
 

analias

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[...]let the character walk in on the scene and be themselves. Show the readers what the character is like and keep the character true to themselves, all within the realms of being pertinent to the story.

This.

And if you want an excellent example of how it's done, check out the Discworld series by Pratchett. Granted he makes full use of footnoting in his books to deal with some of this (why the librarian is an orangutan, for example) he does introduce and re-introduce characters very gracefully.

In fact it really is one of my favorite things about those books. If I've read them out of sequence I'm not lost (like yours, often the past books aren't integral) but as an avid reader of the series it's like little Easter Eggs.

He'll mention a shadow skulking about in a dark alley rattling doorknobs and, without a physical description mentioned, I'll laugh to myself and think "Oh that's got to be Nobby". And then later he'll have Nobby show up and maybe there will be a mention of his past, but it will be a brief 1-2 sentences here and there if it's necessary.

If you haven't read him, pick up some that are set in similar settings (his regular cast changes based on region) so like pick up a couple set in Ankh Morpork (the City Watch ones) or pick up some set in Lancre (the witches). Most of the times the characters don't cross regions. If you have read him, re-read and pay attention to how he does it :D
 

bonitakale

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What I really dislike is the sentence or two explaining what happened in an earlier novel. I can pick up enough from what goes on in this book. I don't need, "She had first met him when her close friend was shot, and his dog had discovered the corpse."

After all, all characters are feigned to have lives before the novel they're in. I think you should tell the absolute least you can get away with, and that's probably less than you think it is.
 

Wayne R.

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After all, all characters are feigned to have lives before the novel they're in. I think you should tell the absolute least you can get away with, and that's probably less than you think it is.

Well, there's alot of baggage and a long time's passed since I last visited the characters. No doubt the earlier events were a pivotal point in their lives, but to have them recall nothing but that period would make it seem like they've been in suspended animation for the gap years.
So I think you're bang-on with the minimalist approach. A casual remark here and there might work well, a 'callback'? (To use a phrase I first heard from Kevin Smith)
 

Lady Ice

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A few references are okay but not ones like this:

'Last time Bobby went down this street, he was almost killed by a vampire. the vampire had stalked him for many weeks and it had finally culminated in an attack'

That is just giving a synopsis of the last book.

'Last time Bobby went down this street, he was almost killed by a vampire and the experience had left him paranoid and jumpy'

That's interesting enough so someone might read the previous book but it also makes sense to the person who has already read the previous book.
 

bonitakale

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A few references are okay but not ones like this:

'Last time Bobby went down this street, he was almost killed by a vampire. the vampire had stalked him for many weeks and it had finally culminated in an attack'

That is just giving a synopsis of the last book.

'Last time Bobby went down this street, he was almost killed by a vampire and the experience had left him paranoid and jumpy'

That's interesting enough so someone might read the previous book but it also makes sense to the person who has already read the previous book.

Oh, yeah! That's just right!
 

Maryn

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Or maybe,

"If Bobby goes with you, don't take Lexington."

"It's the most direct route. Plus the bastard never chips in for gas."

"He's going to get all paranoid and jumpy on you. Just take 86th."

"With the construction? Ha. What's Bobby got to be paranoid about, anyway, a bad cab ride?"

"Vampires, man. Bad vampires."

Maryn, who doesn't write vampires
 

Southpaw

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This is a great post. I'm currently reading a set of books, because my friend said "You just have to read them!” And each book-each and every book-dedicates at least a paragraph (per character or event) and it is really tiresome. I like the ideas of given clues as to previous books but not to spell it out.
 

BigWords

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A casual remark here and there might work well, a 'callback'? (To use a phrase I first heard from Kevin Smith)

A callback is (specifically) a scene or dialogue which mirrors a similar scene or dialogue - though not necessarilly exactly - from an earlier work. This needn't be 'in-universe' either, as there are plently of call-backs in popular culture to things which exist in 'shared memory'. How many times have you read or seen something that closely resembled a scene in Star Wars, for example? This is the best way I can think of defining that particular phrase, though I'm not sure if it is how Kevin Smith used it.
 

Wayne R.

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A callback is (specifically) a scene or dialogue which mirrors a similar scene or dialogue - though not necessarilly exactly - from an earlier work. This needn't be 'in-universe' either, as there are plently of call-backs in popular culture to things which exist in 'shared memory'. How many times have you read or seen something that closely resembled a scene in Star Wars, for example? This is the best way I can think of defining that particular phrase, though I'm not sure if it is how Kevin Smith used it.

Please excuse my flaky memory for errors here. It was mentioned in the extras on the Jay & Silent Bob Strike Back DVD, one of Smith's Q&As. Near the start of the movie Jason Lee says, "And on that note, we cue the music..." followed by a kind of 'sung' intro that I think marks the beginning of the story proper. Apparently, he said, some people thought it was a callback to something they'd missed. It wasn't, it was just off-camera goofing around that they included in the movie, but that's where I got the phrase.
I didn't know it was a term for the things you mention, I've always just said 'a reference'. Like Rex chasing the other toys through the rear-view mirror, or the Alien's skull in Predator 2.

Clues, nods & brief mentions it is, then.
 
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