Writing movement from A to B

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Sum0

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For as long as I can remember I've had a problem writing movement. Let's say my character is walking through a house...

"She opened the door, heading inside the entrance hall. The floor was laid with pink tiles, and a moose head hung from the wall. She continued into the kitchen: pots, pans, a dead mouse under the table. There was a door at the back; she opened it to a reveal a long corridor. She made her way along it to the other end, where it opened up into a large hall, big enough for a wedding party and then some. She walked across the hall to the other end, where a pair of doors opened out to the sunshine..."

Obviously that drabble has other problems but I find the movement from room to room to be oddly... jarring. Like it's happening too fast, and it's all "She headed" or "She went". And despite the size of the hall, she gets across it in a single subclause. Does anyone have any tips for writing about movement when characters are simply trying to get from A to B?
 

RJK

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I don't think it's necessary to describe every space a character enters. The geography is only necessary if it's needed for the story.
In you example, your character could reach the large hall and quickly crossed to the double doors on the opposite side. He opened the doors to find a sunlit...

In many cases, you can say the character needs to go to X. The next paragraph puts him at X, or describes the exterior of X, if necessary.
 

Libbie

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Unless the walk through the house will advance the plot or reveal something important about setting or character, leave it out. It's boring, to be frank.

Just say, "She headed through the house to the back door, and stepped out into the sunshine." Or something like that. It's okay for the reader to imagine their own version of the house.
 

dancingandflying

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Neither here nor there.
Yes, I agree: if the description is just for description's sake (i.e., doesn't advance the plot, or doesn't reveal anything), cut it. Do not feel like you need to follow the character's path as they walk through the house. Is it really necessary for the reader to know that she went through the kitchen to get to the large hall? Or even that she went outside via the large hall?
 

Jamesaritchie

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When you use a lot of description, it needs to be for a reason. Description is one very good way to set mood and tone, for instance. But if the description is just to get a character from point A to point B, leave it out.
 

Shadow_Ferret

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I'm thinking, if it's a murder mystery, and every you describe could have somehow played a part in the murder, then sure do a walk-through. Otherwise, it's as simple as what Libbie suggested: "She passed through the house, exiting out the rear door into the sunshine."
 
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