Framing Question

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mhjess

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I'm considering starting a WIP that came to me earlier today. It's about a pregnant teenager. I want to start the story with the scene where she realizes she's pregnant, because it's my strongest.

Here's my question:

It's first person. I'm considering doing this scene in present tense and, at the end of the scene, it moving into the "start" of the story, which happens two months before, during the summer. It details how she got herself into the position she's in, who the baby's father is and all. This would, naturally, I believe, need to be in past tense, probably with a header that reads, "Two Months Ago."

What's the general consensus on doing this? I know it's best to reveal backstory through the main line of the plot, that doing things out of chronological sequence is often frowned on, but I feel like the story of the future of her pregnancy cannot stand without seeing the circumstances that happened before.

So, I was planning on it looking something like this:

Chapter 1 - Present tense, realizes she's pregnant, reveals there could be two different fathers to best friend, who tells her to tell him everything, starting at the beginning. She recalls that it begins with her rival for her boyfriend's affections, Paige.

Chapter 2 - Two Months Ago.

Then, around chapter five or so, she'll be out of the "Summer" Part of the book and back in the present day, when she realizes she's pregnant and the story will continue from there. Although, I really don't like the idea of doing the entire back-half of the novel in present tense...

A second option, of course, would be to have the present part as a prologue and divide the book into sections by season, which would be kind of Juno, but the "Fall" section could start with a re-working of the prologue scene.

I don't know. All I know is I really need to open with the realization scene, because it's the hookiest I have. And, I would like to, from that scene, move two months into the past.

Thoughts? Feelings? I don't want it to be a mess. Could someone who is much more adept at framing help me out with some advice?
 

Libbie

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I recently wrote a short story that switches back and forth between "today" and events in the past the MC is recalling that led up to today. I indicated the change by writing all the "today" scenes in present tense and all the past scenes in past tense. I think that's more effective than having a header that tells the exact relative time to the reader.

If you scatter your MC's recollection of her pregnancy throughout the story and interweave it with the stuff she's going through "today," you can keep the splits between present and past tense evenly distributed.

Also, I should point out that the realization scene is the hookiest you have right now. Don't stress too much over the structure of the story at this moment. You can always make changes later, after you've gotten the whole thing out of your head. I think you should write it now. Start wherever feels natural to you, do it however you like, and then evaluate its structure after it's finished.
 

Kalyke

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Chronology does not need to be linear. It just needs to have storytelling logic-- the inner structure of cause and effect.
 

dancingandflying

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Chuck Palahniuk said it best: "Your audience is smarter than you imagine. Don't be afraid to experiment with story forms and time shifts... Movies have made us very sophisticated about storytelling."

Write the book the way it's meant to be written. Readers will be able to follow along.

d&f.
 

Lady Ice

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Tell it in the order it makes most sense to tell it in. That's what we do when we orally tell people stories.
 
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