As there are no Snoopy dances all across the page, you're right in deducing that she didn't offer to rep me and SWEETNESS. But I didn't strike out either. Extending the baseball metaphor, I guess she acted like a pitcher in the game and deliberately walked me onto first base. It's now up to my other writiing half to either advance me home or leave me stranded. Yeah, yeah, I know. Enough with the baseball analogy. What happened?!
Basically, she loves the voice, loves my MC and loves where I ultimately take the book in the end. But she has some reservations about the plot. She sent me a detailed revision list of things that fell apart for her, and it's really only one thing: The entire second half of the book! She said she really likes the book and hope I'll rework the plot and resubmit to her.
In an attempt to get rid of Midnight, Robyn solicits the help of a friend, who just so happens to come from a family of hoodoo worshippers, her mom being an actual conjurer. They end up putting a curse on the cat to keep him out of the yard. The agent felt the supernatural element came out of nowhere. And she's probably right. I wrote that aspect into the book after being told the original version was too quiet. Perhaps I went overboard with the action.
Her suggestion is to either layer the first half of the book with elements of fantasy so that the later events are more plausible or toss it altogether and make it straight contemporary. I'm leaning toward the latter, as that's the vision I had for the book three years ago. I can still hint at the supernatural as an option but ultimately have Robyn reject that course of action and come up with a solution more rooted in the real world. I just don't know what that is.
In any event, she is still very enthusiastic about the book, saying, "I really believe in this story and character, and really hope that you will consider working on a revision and send it back my way. I miss Robyn and Sweetness already!" She even suggested we talk on the phone to do a bit of brainstorming.
I have some cooking to do over the next couple of days and need to get my mind right for dealing with family members I hardly ever see. Now probably isn't the best time to respond to her letter. I figure I'll re-read it a few times, think about the book, mull things over, and probably send her a coherent e-mail on Monday. But I definitely plan to revise. I just need to figure out how to weave the original subplot back into the book without making it seem like messy patchwork.
Basically, she loves the voice, loves my MC and loves where I ultimately take the book in the end. But she has some reservations about the plot. She sent me a detailed revision list of things that fell apart for her, and it's really only one thing: The entire second half of the book! She said she really likes the book and hope I'll rework the plot and resubmit to her.
In an attempt to get rid of Midnight, Robyn solicits the help of a friend, who just so happens to come from a family of hoodoo worshippers, her mom being an actual conjurer. They end up putting a curse on the cat to keep him out of the yard. The agent felt the supernatural element came out of nowhere. And she's probably right. I wrote that aspect into the book after being told the original version was too quiet. Perhaps I went overboard with the action.
Her suggestion is to either layer the first half of the book with elements of fantasy so that the later events are more plausible or toss it altogether and make it straight contemporary. I'm leaning toward the latter, as that's the vision I had for the book three years ago. I can still hint at the supernatural as an option but ultimately have Robyn reject that course of action and come up with a solution more rooted in the real world. I just don't know what that is.
In any event, she is still very enthusiastic about the book, saying, "I really believe in this story and character, and really hope that you will consider working on a revision and send it back my way. I miss Robyn and Sweetness already!" She even suggested we talk on the phone to do a bit of brainstorming.
I have some cooking to do over the next couple of days and need to get my mind right for dealing with family members I hardly ever see. Now probably isn't the best time to respond to her letter. I figure I'll re-read it a few times, think about the book, mull things over, and probably send her a coherent e-mail on Monday. But I definitely plan to revise. I just need to figure out how to weave the original subplot back into the book without making it seem like messy patchwork.
