From "Me" to "We"

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BlackMagic528

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I'm having a problem that really shouldn't be a problem, so forgive me if this thread turns out to be colossally stupid. :)

As many of you know, I have a character, soon-to-be-former FBI Special Agent Kimberly Riley, who is about to become a vyca, which is a collective being that is otherwise similar to a vampire. All's good on that front (to my knowledge), but I have found myself a bit betwidddled on one part of this: the transition period.

Now, as we all know ;), the transition from human to vamp happens whilst the person in question is unconscious (or, more precisely, dead). That's not an issue. What is an issue is her transition as she joins the rest of the collective. That happens after the transition to vamp finishes and she's conscious.

I figure that a transition of this magnitude would take a minimum of 12, but likely closer to 18-20 hours to complete. So, it's a very gradual process. I want to take the reader on the ride through this gradual process as Kim goes from being "me" to "we."

I'm trying to find ways to show the reader that the transition is coming along through its various stages, from the very subtle beginnings all the way through when she's fully transitioned. Ideally, the reader would notice the signs before Kim would, as I have a scene planned where she has a little mini-freak when Ike points out to her the first time she calls herself "we" instead of "I." As of now, I know how I'm going to show things when the transition is almost complete; that's easy. What I'm having trouble with is the very beginning, when the signs are so subtle she most likely wouldn't even notice, and the middle portions of the transition, when things are a little more obvious.

My original idea was to have Kim and Ike in the car and Kim suddenly - and unknowlingly - starts channeling one of Ike's old girlfriends right in the middle of the conversation and rehashes some argument from, like, 1992. But, upon further review, this is nowhere near subtle enough for the early stages of the transition. Maybe it would be good for somewhere in the late middle stages, but not the beginning. I need something smaller and less sudden than that. Any ideas?

How do you show the audience that a character has begun the process of going from being a single person to being 1/10,000,000th (or so) of a whole of a collective without the character catching it at first? What's a good way to finally let her see it (before the transition is complete; otherwise, there wouldn't be anything to notice)? Like I said the end of the transition and beyond are no problem whatsoever, it's just this period of change that I'm not quite sure about.

Oh, and to make matters more complicated, something like 90% of the story will be in Kim's POV - all the scenes she's in will be in her POV; the one's that are in other POVs, she doesn't appear in.

One more thing to keep in mind is that she's been told that this is going to take place, so she knows its going to happen. She just doesn't know exactly how it will happen or how it will manifest itself, at first, because that's just impossible to predict.

As usual and always, thanks in advance.

Kyle
 

NicoleMD

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Cool question. How about her knowing random facts but not where she picked them up, or liking different music, or strange places being familiar -- like maybe being in a stranger's kitchen and knowing which cabinet they keep the glasses in. That's pretty subtle, I think. Stuff she could blame on being a good guess. Good luck!

Nicole
 

Rhys Cordelle

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That's a good suggestion I think. Just that she has some knowledge of some minor thing that she shouldn't know about.

My original idea was to have Kim and Ike in the car and Kim suddenly - and unknowlingly - starts channeling one of Ike's old girlfriends right in the middle of the conversation and rehashes some argument from, like, 1992. But, upon further review, this is nowhere near subtle enough for the early stages of the transition. Maybe it would be good for somewhere in the late middle stages, but not the beginning. I need something smaller and less sudden than that. Any ideas?

This sounds absolutely brilliant, and if you don't want it to come out this strong too early, I hope you will still make use of this scene later in the transition. It sounds like an excellent scene to me and I'd love to read it.
 

MAP

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How about she just starts to see things differently, like a pair of shoes that she thought were red now looks more orange or a grape tastes funny.

I would think that as she merges with a collective conciousness her perceptions would change.

I know we all point to the same color and call it red, but I think we all see it a little differently.
 
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BigWords

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Small changes in sight, perhaps, with the infra-red and / or ultra-violet spectrum seeping into her vision. Does she have fears which can be played into for the story? A character who is afraid of heights sitting on the ledge of a skyscraper would be interesting, and she could wonder why she isn't terrified (all the while a small voice is screaming in the back of her mind). She might be able to pick up a blouse in a store and know exactly where it was made, and by who.

Small enough details?
 

Vespertilion

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For something really small, maybe she suddenly takes her coffee black, when she used to dump in a bunch of cream and sugar? Or she suddenly hates her favorite perfume? It seems like personal tastes might be the first thing to shift, but still be small enough that your character wouldn't notice, but a friend might.
 

jinkang

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I think multiple personality disorder would be something you could look into.

For something really small, maybe she suddenly takes her coffee black, when she used to dump in a bunch of cream and sugar? Or she suddenly hates her favorite perfume? It seems like personal tastes might be the first thing to shift, but still be small enough that your character wouldn't notice, but a friend might.


Taking up on Clovia's idea, she could be having a chat with a friend at a coffee shop and all of the sudden, orders coffee. Black. When the friend mentions that she(MC) hated coffee, that she had been always been a tea lover...then main character could just say... she hates the taste of coffee but began to crave for no apparent reason.

Also... she could also use the word 'we' by mistake during a dialogue... mention once or twice in the very beginning where she corrects herself....and then doesn't make that mistake afterwards until the actual transformation (because she is internally harsh on herself to correct such)
 
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Dicentra P

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For something really small, maybe she suddenly takes her coffee black, when she used to dump in a bunch of cream and sugar? Or she suddenly hates her favorite perfume? It seems like personal tastes might be the first thing to shift, but still be small enough that your character wouldn't notice, but a friend might.

This- I was thinking back to my first pregnancy when I would crave foods that I hated. It was really strange I still hated them but I couldn't stop eating them.
Subtle changes in language either more or less sophisticated vocabulary than she would use.
Would the collective association distance her emotionally from people she is personally close to? Would she be less tolerant of/friendly toward those not of the collective making her subtly seem more rude or aloof?
 

tarcanus

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Taking up on Clovia's idea, she could be having a chat with a friend at a coffee shop and all of the sudden, orders coffee. Black. When the friend mentions that she(MC) hated coffee, that she had been always been a tea lover...then main character could just say... she hates the taste of coffee but began to crave for no apparent reason.

Also... she could also use the word 'we' by mistake during a dialogue... mention once or twice in the very beginning where she corrects herself....and then doesn't make that mistake afterwards until the actual transformation (because she is internally harsh on herself to correct such)


I really don't think these would be the kind of subtle you're looking for, TC. The coffee thing would be amusing, true, but to have the only explanation be, "I craved coffee for no apparent reason" is a high sin (to me, at least). Do not have something happen for no reason. I know, I know, the reader's will know why, which is cool, but your Character would probably know why immediately, too - pretending that she wouldn't makes her seem like a numbskull. Especially since you told us that she is already aware that the transition will take place.


As for the mistake between 'we' and 'I', I think that's another bludgeon over your Character's head. If she was warned about the transition, she would be able to figure out why she said 'we' right from the first time it slips out of her mouth.


In my opinion, a better way to go with the subtlety would be to have something happen where she had to run away and while she's hyped up on adrenaline and only thinking of escape she deftly navigates alleyways/rooftops/streets that she has never seen before. It's not until later (how much later is up to you) that she realizes she shouldn't have known that part of town. This way she has an excuse for not thinking - she was scared and hopped up on adrenaline.
 

Dicentra P

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I really don't think these would be the kind of subtle you're looking for, TC. The coffee thing would be amusing, true, but to have the only explanation be, "I craved coffee for no apparent reason" is a high sin (to me, at least). Do not have something happen for no reason.

I agree the coffee thing would be more blatantly out of character but the way it happened to me (in pregnancy) was I ate tuna in a salad but I thought at first "I usually don't like tuna but this is really good" and then kept going back for more and then started wanting tuna in other forms and then realized it was the baby messing with me. Something more in this line could work even with coffee if she decides somebody's fancy mocha coffee delight smells good and tries it.
 

BlackMagic528

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Thanks, all, for the responses. :) I look forward to more ideas. :)

One thing: If I may put the coffee and food suggestions to rest . . . . The way I write my vamps (which include vyca), ingesting anything aside from human blood results in violent projectile vomiting soon thereafter. :) So, I'm sorry to say that food and drink preferences are pretty much out the window. She'll instinctively know not to even try. ;)

Would the collective association distance her emotionally from people she is personally close to? Would she be less tolerant of/friendly toward those not of the collective making her subtly seem more rude or aloof?

Yes and no. It's going to be a running storyline throughout the series how it's quite apparent that the vyca do have a sort of high attitude - not rude to others, per se, but it's obvious that they consider themselves superior to nearly every other being in existence. Know what I mean?
 

jinkang

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The coffee thing would be amusing, true, but to have the only explanation be, "I craved coffee for no apparent reason" is a high sin (to me, at least).

True. Again, that line, when I thought of it, would be something the character would say to explain her abnormal behavior to her friends who doesn't know what's going on. Obviously there might be some internal dialogue going on. :p

But I do think that, taking up on pregnancy Dicentra P mentioned, some of these changes in real life are not really that subtle. It just happens, so to others (outside observer) it might be a big change all of the sudden, although to you, you may not even notice....which just means there is room to play around.
 
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