Will the reader know your character doesn't know a fact vs author's knowledge?

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backslashbaby

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I should know this from reading, but I have a brain disconnect reading my own work (that I'm working on :) ).

I'll just give the 1st draft line to illustrate the question:

The only prayer that came to mind was Catholic and Justisse was pretty sure Catholics didn't even eat pig, much less have a special prayer for a porcine demise.

[go on and suggest stuff on that if you like, btw]

OK, the question is: will the reader know that Justisse thinks this about Catholics, or will they think the author is a big ole dummy ;) ? This is early on in learning about Justisse, so there's no background context of consequence.

Does that make sense? I'm on cold meds, too :D
 

melaniehoo

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I think it's clear that it's the character who doesn't know this. As people around here like to say, it's all in how you handle it, but from this example I'd assume it's the character since it's in her voice.
 

virtue_summer

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It's obvious these are the character's thoughts. Don't worry about it.
 

Sage

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To be honest, some readers will know it's the character, and others will think it's you. The question is, are you prepared for it?

I've had characters think things that are incorrect, internal to the story (not RL), and had readers say later when the character is shown to be wrong, "But she told us this before!" And I'm like, "Yeah, how would she know differently?"

Also for Shady Lane's book Break, I know there were crits early on about how the "break a bone, grow a stronger bone back" was incorrect, so the author must not know what she's talking about. But it doesn't matter whether Shady believed it or not, it only mattered that the MC believed it.

So just be prepared that some readers will know the difference between you and your characters' beliefs, and others won't.
 

maestrowork

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If you're writing in the character's POV, then don't worry about it. It's clear it's the character who is not knowledgeable.
 

backslashbaby

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Oh, good :) Sage, that's what I've noticed with betas before, yes!
 

The Lonely One

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If you're writing in the character's POV, then don't worry about it. It's clear it's the character who is not knowledgeable.

Yea. This. If I'm wrapped up in the story I'm going to be all up in the character's persona and won't even think about you (no offense :)).

If you presented this same fact in exposition it might come back to you the author, if it rang false.
 

maestrowork

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Yea. This. If I'm wrapped up in the story I'm going to be all up in the character's persona and won't even think about you (no offense :)).

If you presented this same fact in exposition it might come back to you the author, if it rang false.

But exposition is still told from the character's POV (because it is not omniscient) so why would it be detrimental to the author?

BTW, that's how I can get away with lack of details sometimes. In the perfect world, there would be accurate and lengthy details (and boring, too) but my protagonist is only 17 from a small town in SE Asia, so my readers can't expect an encyclopedia of world events in the narrative. To do so would actually have an opposite effect: it doesn't ring true with the character and will draw attention: "The author is showing off."

Omniscient, however, is another thing, since the narrator is "all-knowing," it should not be ignorant of facts, then.
 

backslashbaby

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Hee Hee. I was going to say, bonus question:

What if it's omni? Mine is actually omni, but I'm on 1st draft I don't make sure everything fits the omni rules at this point.

Does the sentence not work in omni? That is the narrator's voice, btw, not Justisse's. Any thoughts on that quite welcomed; thank you!
 

backslashbaby

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I'll give my take on it at the moment.

The only prayer that came to mind was Catholic and Justisse was pretty sure Catholics didn't even eat pig, much less have a special prayer for a porcine demise.

I think the narrator is just relaying what Justisse was thinking. Yes, he is 'in' or 'with' Justisse at this point, but it's his voice. Would I have to say 'came to her mind'? That might help the omni problem.

Oh, I do hope I don't have to give more to read :D! Let's assume that there was a graceful dipping into Justisse, whereas exposition on 'real life' is clear that it's the narrator, and true. Exposition in the characters shows some bizarre views.

Hopefully :)
 

The Lonely One

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But exposition is still told from the character's POV (because it is not omniscient) so why would it be detrimental to the author?

BTW, that's how I can get away with lack of details sometimes. In the perfect world, there would be accurate and lengthy details (and boring, too) but my protagonist is only 17 from a small town in SE Asia, so my readers can't expect an encyclopedia of world events in the narrative. To do so would actually have an opposite effect: it doesn't ring true with the character and will draw attention: "The author is showing off."

Omniscient, however, is another thing, since the narrator is "all-knowing," it should not be ignorant of facts, then.

Well, what about this, though (maybe exposition wasn't the right word):

"I'm going to some country in Africa to visit, I think it's called Nigerium," Character said.

Character boarded a plane to Nigerium and left posthaste.

You wouldn't throw that at the author? at the very least I'd blame the author for choosing a dumbass narrator. And for naming their character Character.
 

Lady Ice

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Justisse sounds a bit dippy. If you make her too dippy, people might get fed up.
 

The Lonely One

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The only prayer that came to mind was Catholic and Justisse was pretty sure Catholics didn't even eat pig, much less have a special prayer for a porcine demise.

The red parts indicate POV. It's the narrator's voice but it's Justisse's thoughts and opinions, so I think it works just fine.
 

backslashbaby

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Really good one, Lonely One!

That says the narrator thought Nigerium was a correct name. Which seems very bad, yes :)

Hmmm, mine feels different. But is it?
 

backslashbaby

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Justisse sounds a bit dippy. If you make her too dippy, people might get fed up.

She is :D But she's lovable ;) Great point!

I'm going for a kind of Alice In Wonderland or Rocky Horror effect. Y'all are supposed to know she's dippy but root for her anyway :D

EDIT: Thanks, Lonely!!! I'm bad at keeping up...
 

Sage

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Yours is definitely different, BSB. The "was pretty sure" clearly indicates that it's the character's POV.
 

job

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Looking at the example you give ... I'd say you're doing fine.

Sam thought; it was Sam's considered opinion; in Sam's world; Sam came up with; Sam held firmly to the notion that; operating on Sam's odd view of things ... all of these let you, (the narrator and author,) off the hook.

The more you do this, the more the reader will 'get' what you're doing.
 

backslashbaby

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Thanks, Sage :)

Job, that list is very helpful. Awesome. Thanks!

Additions to that list would rock, if anyone would like to throw more out there.

The structure of all this is difficult because of the choice of omni. Some parts seem easy, but others get tough, imho. I'm really hoping it can stay in omni; we'll see!
 

maestrowork

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I'll give my take on it at the moment.

The only prayer that came to mind was Catholic and Justisse was pretty sure Catholics didn't even eat pig, much less have a special prayer for a porcine demise.

I think the narrator is just relaying what Justisse was thinking. Yes, he is 'in' or 'with' Justisse at this point, but it's his voice. Would I have to say 'came to her mind'? That might help the omni problem.

It reads fine because the omniscient narrator is telling us what Justisse thinks or believes.

Now if you'd written it this way, it would be a problem:

The only prayer that came to mind was Catholic and Catholics didn't even eat pig, much less have a special prayer for a porcine demise.
 

maestrowork

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You wouldn't throw that at the author? at the very least I'd blame the author for choosing a dumbass narrator. And for naming their character Character.

If it's the character's POV, I really don't see a problem. The narrator's job isn't to "correct" the character for the readers, but to report and describe through the character's POV. The narrative is still in the character's POV, so the mistake could stay. I'm talking about 3rd limited, by the way. Like I said, omniscient narrator is different.

However, sooner or later, I'd assume some character will have to correct the character and say, "Listen, it's Nigeria, dumbass."

p.s. that's why 3rd limited could be inherently tricky. There is, technically speaking, a narrator but the narrator is rather a passive observer. However, when you tell the story through the character's POV, then it becomes murky. You're supposed to filter, but at the same time, when you don't, your readers may think, "oh the narrator/author is a dumbass" when it is the character who is ignorant. So it's something to think about when writing in 3rd limited.
 
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backslashbaby

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It reads fine because the omniscient narrator is telling us what Justisse thinks or believes.

Now if you'd written it this way, it would be a problem:

The only prayer that came to mind was Catholic and Catholics didn't even eat pig, much less have a special prayer for a porcine demise.

Excellent! That makes sense. I really appreciate y'all breaking all of this down :)
 

The Lonely One

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this:
Character boarded a plane to Nigerium and left posthaste.

and your example

The only prayer that came to mind was Catholic and Catholics didn't even eat pig, much less have a special prayer for a porcine demise.

are one in the same, I think. They're both the narrator presenting a fact that's untrue--neither is from a character POV, it's just said matter-of-factly of the narrator's own will.

It presents a problem of reliability on the narrator's part.

Aren't we showing the same problem with our examples or am I misreading something (which is possible)?
 

The Lonely One

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I'm talking about 3rd limited, by the way. Like I said, omniscient narrator is different.
Is a 3rd limited narrator of the same basic intelligence as the character? I truly don't have the experience to know better, but I wouldn't think the narrator would purposely mislead readers to actually believing in a place called Nigerium (unless Character was headed to Africum). I would think my sentence would more appropriately read something like:

"Character boarded a plane to the country he mistakenly but earnestly called 'Nigerium' posthaste."
 

maestrowork

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"Character boarded a plane to the country he mistakenly but earnestly called 'Nigerium' posthaste."

No, because that would be narrative intrusion (again, we're talking about 3rd limited, not omniscient). It's self-awareness that the POV character doesn't have. Remember, 3rd limited means it's LIMITED to the character's perceptions, thoughts and feelings.

Who IS correcting the character? Who is saying the character has "mistaken"? To me, that's jumping OUT of POV. It's like writing this:

"Character boarded a plane and didn't know there was a fly on his head."

You've now stepped into omniscient, because the character shouldn't know about the fly, and he certainly doesn't know he's made a mistake by calling the country Nigerium.
 
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