Advertising for an object whose significance, apparently, is fiction.
Check it out. What do you think of that?
(And here's why.)
Check it out. What do you think of that?
(And here's why.)
Last edited:
A talented, creative writer invents a story about an object. Invested with new significance by this fiction, the object should — according to our hypothesis — acquire not merely subjective but objective value. How to test our theory? Via eBay!
My goodness, that red shield logo sure looks familiar.
Greg Rowland said:This is a serious project!
But you’re missing a trick. You’ve just invented a new form of financial derivative — and now, more than ever, the world needs the Exotic Narrative Referent Vehicle to re-boot the ailing monetary system.
These new ENRVs could be bonds that hedge future drops/losses and differentials between the cash paid for the item and the symbolic value that the fictional narrative adds to the object-cost. They create surplus symbolic value (as conventional brands do) but act like quantum singularities (existing only for the brief flash of time wherein object, narrative, buyer and cash are uniquely unified before collapsing in on itself.)
Just to be on the safe side, get someone to insure the objects (and the words used from the English Language in the stories, and the hedges on the ENRV, either combined or separately) up to many multiples of their original value, and sub-divide that insurance block into multiple sub-sections that you can call ENRV Dominant Residuals.
Also insure both Linear and Cyclical Time. Trade in derivatives based on ever decreasing temporal halves that stretch towards the infinite — this will function as a hyper-exotic derivative of the collapsed moment in time-space that exists between buyer identifying with the narrative and the ultimate sense of remorse post-purchase. This gap will never be resolved and will be called the Xeno Half-Futures Option.
That way everybody gets a slice of this pie. Indeed, there will be far, far more slices than original pie. These complex vehicles will provide a near infinity of slices, all from a single pie.
It can’t fail, can it?
The winning bidder is mailed the significant object, along with a printout of the object’s fictional story. Net proceeds from the sale are given to the respective author. Authors retain all rights to their stories.
This is an interesting idea, especially in light of Pattern Recognition
imo, yes. But people collect these things, and i don't hold it against them.Is it weird to auction off a pair of sneakers whose only value is that they were worn by a famous actor in a scene from a movie?
Nope. But people do, and i don't hold that against them. At least there is actual significance tied up with objects like those.Would you pay $100 for the red shoes Dorothy wore in "Wizard of Oz"? Would you pay $1000, because maybe somebody else might pay more some day? That's called "an auction".
Perhaps it might mean more to me if it was an object that in some way inspired a best-selling story. But that's not what this is. This is getting an object of little to no value, writing a story about said object (Gibson's story is all of 500 words long) and then auctioning that object off. It's an attempt to artificially create a significant object. That's a little bit different from auctioning off a pair of shoes worn in a famous, award-winning movie, or from auctioning off something that was the inspiration for an award-winning novel.So this is silly and the piece if valueless because it appears in a story rather than a movie? Interesting attitude for writers to take.
Heheh--the typical 'if you don't like it you're obviously stupid/less enlightened/jealous' argument.I guess it takes a little imagination to "get it" on this. (A lot of really cool writers are involved in it and unless you want to try to tell yourself they're doing it for money, you might come to the conclusion that just have more imagination than you do. Could be why people might pay for a curio from their story, but not yours.)
But it's not. It's just an object that he was paired with (the about page says: "A participating writer is paired with an object. He or she then writes a fictional story, in any style or voice, about the object. Voila! An unremarkable, castoff thingamajig has suddenly become a “significant” object!")This guy got it. It's almost like something Gibson would have invented for that book or even Spook Country-- which has a theme of art made from flea market objects and the mania of collectors/dealers and provenance, by the way.
So what i don't understand is how this becomes significant.
You're missing my point. That was a published book, about something. So yeah, there's significance there. And it wasn't written for the sole purpose of Allen Ginsberg signing it and therefore making it valuable. The two coincided, in your case, which is cool, but coincidental is different from intentional.Odd.
I used to have a used copy of a book about the Beats. I bought it for a couple of bucks in a thrift shop. I ran into Allen Ginsberg one time and got him to sign it. I sold it for two hunderd dollars.
Significance?
This is about writers being given an object that means nothing and then attempting to make it significant (or about something) by means of churning out a random story. It's not taking something already written, or associated with something already written, and which therefore already has natural significance. This is pure invention.So why is a knick-knack that had a story written about it so weird.
This has nothing to do with Gibson. You even mention that in your initial post: "(Don't know why he was singled out from all the other artists involved in this project)". He was recruited, like all the other contributors mentioned on the page.I'll say this. If you've read the two Gibson books mentioned, you probably understand this. If not, you porbably will continue not to get it.
This is really what i was trying to say with my last post, but didn't articulate at all well. It smacks of a way to make fun of people. 'Haha, you bought something completely worthless off me, aren't you stupid and gullible. I'm so much cleverer than you.'And I'm pretty sure the authors are making fun of people who DO place significance on objects.
Am I the only one who can see the emperor has no clothes?
(Don't know why he was singled out from all the other artists involved in this project)
Am I the only one who can see the emperor has no clothes?