script option/purchase question

scriptwriter74

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We're in preproduction!
I know this is going to sound like a rediculously simple question but I will ask it anyway. As I option my script, does that merely allow the producer to secure or put a hold on anyone else reviewing the project? When is the producer allowed to actually cast the film or move forward, only when the purchase is exercised?
 

Grandmaster

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It's all laid out in the contract, but to my understanding, it basically grants the producer the exclusive right to buy once funding has been put into place. Naturally, you'll want the sale.
 

nmstevens

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I know this is going to sound like a rediculously simple question but I will ask it anyway. As I option my script, does that merely allow the producer to secure or put a hold on anyone else reviewing the project? When is the producer allowed to actually cast the film or move forward, only when the purchase is exercised?

When a producer has an option he can pretty much do anything he would otherwise do with a property that he owns with only a *single* exception.

He can budget the project. He can attach a director. He can hire other writers to rewrite the script. He can send it around to try to find a cast. He can attach a cast. He can do everything he would normally do in the course of developing a project.

There's only one thing he can't do.

He can't go into production.

Because *that* is what triggers the exercise of the option.

Now, the option can also expire. Usually they have the ability to renew it once, if it's still actively in development. If it goes for the full length of the development period and they still haven't managed to get the financing in place, then it goes into turnaround and everything they've done goes to waste.

That is, all of those rewrites they've paid other writers to do tumble into limbo because, while they own the right to those rewrites (since they paid for them), they no longer have any right to the underlying material so they can't do anything with them.

It's just another big chunk of money on the minus side of their development budget.

NMS
 
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Stijn Hommes

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nmsteven's post sounds about right. Optioning can be seen as temporarily buying the material so it's off the market. To go into actual production you need to buy the material in earnest. Production companies like to buy options because films often not get the greenlight for whatever reason. It's better to have spent a little money on an option than a whole lot on the actual screenplay. It's also good for the writer, because they get paid for giving the option even if the film doesn't reach production, meaning they could make a whole lot of money beforehand.