- Joined
- Oct 16, 2008
- Messages
- 542
- Reaction score
- 109
So this book I'm writing for a very specific imprint (Amber Allure/Amber Quill Press) is supposed to be an m/m erotic romance, but the ending is giving me fits.
My understanding is that all it takes to make a book a romance (by genre definition and industry standards) is a story that focuses primarily on a romantic relationship and its inevitable/obligatory happy ending.
In this case, I'm writing a futuristic dark fantasy m/m romance with a healthy amount of BDSM. That's the book the publisher and I agreed I would write, and that's the book I intend to deliver.
I've got...
The principle players: An ancient Greek demigod called up from the Underworld (along with four of his fellow demigods) to champion what's left of humanity after war and pestilence have decimated the population, and the young soldier who has reluctantly volunteered to act as his squire/sexual thrall.
The internal conflict: Squire is appalled by Champion's mission, which is essentially wiping out entire communities of people who've become infected with a particular strand of plague (ZOMBIES!!). In addition, the BDSM aspects of their relationship come as a bit of a shock to Squire. And the Champion just wants to go home, which in this case is the Underworld, but now he's grown attached to Squire against his own better judgment...
The external conflict: Apocalypse Now-ish.
And therein lies the rub. My two principles survive the final fall of civilization and are joyously reunited, but all is not well (see above re: final fall of civilization).
Champion and Squire descend to the Underworld (which isn't such a great place from Squire's perspective because Hades is mad as any five hatters, but at least they're together). My principle couple has its HEA, but Earth is now a scorched rock populated by plague-infected zombies and their prey.
My question: Does this count as a "happy ending?" Or even a "satisfying" one?
I have no desire to "fix" Earth, btw. No deus ex machina waiting in the wings, no plans to build a haven for the few remaining humans. At the end of the book, this plane of existence is toast.
Would you (the collective you) call this a romance by the standards of the genre?
My understanding is that all it takes to make a book a romance (by genre definition and industry standards) is a story that focuses primarily on a romantic relationship and its inevitable/obligatory happy ending.
In this case, I'm writing a futuristic dark fantasy m/m romance with a healthy amount of BDSM. That's the book the publisher and I agreed I would write, and that's the book I intend to deliver.
I've got...
The principle players: An ancient Greek demigod called up from the Underworld (along with four of his fellow demigods) to champion what's left of humanity after war and pestilence have decimated the population, and the young soldier who has reluctantly volunteered to act as his squire/sexual thrall.
The internal conflict: Squire is appalled by Champion's mission, which is essentially wiping out entire communities of people who've become infected with a particular strand of plague (ZOMBIES!!). In addition, the BDSM aspects of their relationship come as a bit of a shock to Squire. And the Champion just wants to go home, which in this case is the Underworld, but now he's grown attached to Squire against his own better judgment...
The external conflict: Apocalypse Now-ish.
And therein lies the rub. My two principles survive the final fall of civilization and are joyously reunited, but all is not well (see above re: final fall of civilization).
Champion and Squire descend to the Underworld (which isn't such a great place from Squire's perspective because Hades is mad as any five hatters, but at least they're together). My principle couple has its HEA, but Earth is now a scorched rock populated by plague-infected zombies and their prey.
My question: Does this count as a "happy ending?" Or even a "satisfying" one?
I have no desire to "fix" Earth, btw. No deus ex machina waiting in the wings, no plans to build a haven for the few remaining humans. At the end of the book, this plane of existence is toast.
Would you (the collective you) call this a romance by the standards of the genre?