Comic Characters Becoming Serious

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starrykitten

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Hi all--

I have a decision to make about my WIP. There's one character who exists primarily for comic relief, but this character also knows more about what my MC is going through than others. When she needs someone to step in and help her save the day, he's a logical choice since she doesn't have any serious-character-allies.

I don't want him to get too heroic but I also don't want it to be too much like "The Zeppo" Buffy episode; it just makes the most sense to use this comic character in a serious capacity.

What do you think?
 

cscarlet

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I don't watch "Buffy" so I'm not sure if this is in line with what your thoughts are, but I see nothing wrong with him having a serious side. People are not one-dimensional. I may be bubbly and happy around everyone at work, and with friends, but ultimately I like to curl up on my couch most days and be alone. I think showing "the serious side" of your character could give it some good depth. If you don't want him to be too heroic, you could always have him revert back to his "safe mode" of laughing it off and pretending it wasn't a big deal (even if it seems awkward for both characters that he's acting that way).
 

Namatu

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It could add a good layer to your comic character. Using him in a more serious capacity doesn't mean he can't still be comic afterward, and with the reader knowing that he knows more than he seems to, you make him more interesting. Maybe as you continue writing, you'll find he has more serious contributions than you anticipated.
 

Lisa Cox

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Agreeing with the others. Giving your character more layers makes him more 3D. Most people don't have one-track personalities.

I will suggest you don't make him suddenly and briefly serious for the purpose of this plot point. Hint at him having a serious side beforehand. IMO.
 

starrykitten

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All great suggestions. Thanks!
 

josephwise

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King Lear's fool was the only one willing to stand with him in the rain. That was one of my favorite thigns about the play.
 

lucidzfl

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U SHOD RITE HIM LIKE MARLAN WAIANS CHARATER FROM GIJOE BECUZ HE WAS FUNNY BUT ALSO BUILT REAL GOOD AND STRONG AND THAT ONE CHIK LIKED HIM
 

Stunted

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I really like it when comic characters turn out to have a brain in their heads.
 

Danthia

Layers are good. You can always add a flash or two earlier as well so readers can catch a glimpse of a serious or smart side of him. Enough so the change feels real, but not so much that it foreshadows too much. Hint at those hidden depths :)
 

Salis

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I have a character in my current piece who is relentlessly facetious. The caveat is that this is his coping mechanism--it's how he deals with the nastiness of life.

You probably know someone like this in real life, who is inappropriately "funny" as a way of protecting themselves. Just exposing this side of them can be poignant enough, and sort of forces them to stop cracking a joke at every corner.
 

Chasing the Horizon

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I had a similar thing happen in one of my series. A character I'd put in for comic relief became very important to the plot. He's still funny and crazy, but he's also indispensable to the series and eventually earns the MC's respect. It became a fascinating character subplot that was listed by several of my betas as one of their favorite parts of the books.

So I say go for it! :)
 

Ken Schneider

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Any and or all of your characters can have a funny side, and be serious when need be when put in the right situation.
 

The Lonely One

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Fortunato wasn't much of a jokester. Montresor keeps setting them up but Fortunato just can't seem to knock them down.

I think I had a point somewhere about Poe's story being a good mix of humor, irony, seriousness. But instead I made an ass of myself. Don't worry I'm used to it.
 
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