One person dialogue? (format when character talks to themselves or pet)

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arwenc

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I haven't been able to find the answer to this question:How do you write one person dialogue? I have my MC going about their daily routine and they talk to their cat a little bit (telling him to wait for his food, stop bugging her, etc )Do I have to make a new line every time she says something to her cat or are there different rules if there is just one person?
 

2Wheels

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The cat is no different than another human, except they don't speak ... well not usually .. although I know some cats who can carry on quite a verbal conversation at times. Ah-hem. Anyhow, write the dialogue as if speaking to another person, and if the cat reacts in some way, or does something, then that becomes a new line.

e.g.

"Five more minutes, OK? I'll get your food then."

Tinker's whiskers twitched. He'd heard that before. Five minutes could become fifty.

"Don't give me attitude. I promise." Sally took the cat food out of the cupboard and set it on the counter. "Five more mins. I've got to finish making the salad first."

The cat stared at the counter, and let out a pathetic yowl.

"Oh, alright. You win."

The food was in the bowl and on the floor within thirty seconds. Tinker gave his owner a smug look before burying his face in it's fishy contents.


Something like that.
 

arwenc

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The cat is no different than another human, except they don't speak ... well not usually .. although I know some cats who can carry on quite a verbal conversation at times. Ah-hem. Anyhow, write the dialogue as if speaking to another person, and if the cat reacts in some way, or does something, then that becomes a new line.

e.g.

"Five more minutes, OK? I'll get your food then."

Tinker's whiskers twitched. He'd heard that before. Five minutes could become fifty.

"Don't give me attitude. I promise." Sally took the cat food out of the cupboard and set it on the counter. "Five more mins. I've got to finish making the salad first."

The cat stared at the counter, and let out a pathetic yowl.

"Oh, alright. You win."

The food was in the bowl and on the floor within thirty seconds. Tinker gave his owner a smug look before burying his face in it's fishy contents.


Something like that.
Hmm...ok I understand if the cat is in the scene, but what if there is no one else in the scene and it's just my character? Does the same thing apply? For example I have my character muttering to herself.
 
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Steam&Ink

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Hmm...ok I understand if the cat is in the scene, but what if there is no one else in the scene and it's just my character? Does the same thing apply? For example I have my character muttering to herself.

Yes. Ordinarily you want a new line of each new speaker, for clarity, but as you've pointed out, there's only one speaker.
I think you'd still use the "new line" rule, if only to avoid a massive, scary-looking paragraph that people will skip over.
For example:

Alma set herself down on the lumpy sofa. "They were here a minute ago, I swear," she muttered.
She cast her mind back to the last place she'd used them. "I had my copy of Reader's Digest... went through the Pays to Increase your Word Power..." She'd gotten nine out of ten correct, Alma recalled with a satisfied smile.
Then she'd set her glasses down - where? somewhere - and had gone outside to check the mail. Nothing today. "Typical." She plucked a loose thread on her sweater. Not that she'd expected otherwise: no one ever sent her a darned thing, even today...
"But it would've been nice," she said quietly. "It would've been nice."


I think the rule is probably break up lines into topics, or for impact.
 

Wark

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New paragraph when actioin shifts.

From my WiP, he's talking to a dog:

Iris was curled up on a couch. Everett stood rigidly in front of Iris and said theatrically, "Who has baby ropes? Do you?"

Iris perked up.

"I have no baby ropes. Where are the baby ropes? Your baby ropes, oh no!"

Iris hopped up and headed for the door. Everett opened it and she ran to the barn...blah blah blah

Just a first draft people, don't fix it.

Oh, and baby ropes is the name of a toy left in the truck.

I realize we have Iris on the couch, then E moves and speaks. New paragraph for reaction. New paragraph for speech. At that point we're changing from speech to action.

I think this is right.
 
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Mumut

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I try to avoid people talking to themselves but sometimes it is necessary. So I use the paragraph rule as normal. More white space...looks better.
 

Danthia

You can also just use internalization for some of it. People talk to themselves inside their heads all the time.
 

Bufty

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Mary closed the cupboard door and slapped her forehead. Damn! I could have sworn I had one can left. She glanced up at the black cat curled on top of the cupboard. "Sorry, Barrabas. It's leftover chicken today, I'm afraid."
 
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Skye Jules

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Like Mumut, I do my best to make sure the character is not talking to him/herself in excess, or else it just makes the character look like a loon. I have several chapters in my novel where the character is on her own, and the most she talks to herself when she's alone is two lines of dialogue. Everything else narrative and inner monologue (and since I maintain a close narrative with my character, I keep inner monologue in third person, like this: She knew she should have studied for that test!).
 

Kurtz

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Its called a soliloquy. Shakespeare makes great use of them in Macbeth. Personally whenever I'm alone I have a contant monologue going in my head (sometimes talking to yourself isn't mad, it's just the only way of getting a decent conversation). There is a difference between outloud conversation and internal monologue however, but when a character is alone, does it really matter wether the words are said aloud or not?

I'm currently reading (read: just flipping through to get my brain working) Ulysses and the last 40 pages of that are monologue. It does not neccesarily make the character appear crazy.
 

maestrowork

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Either make it a monologue, or break it up with action. But writing about "people talking to themselves" in fiction is rather odd. You might want to use internal dialogue or narrative instead.
 

arwenc

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Thanks everyone! I've used your suggestions to write a good muttering scene with not too much muttering! :)
 
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