the artist in me still chafes at the idea of letting an overly-litigious heir scare me away from a cool Reagan-piloted giant robot.
Oh, we chafed. A lot. It was near the end of a two year project on which we'd worked very hard, we were supposed to be releasing within a month, and Legal came back with all these objections at the 11th hour. While it was frustrating to think we'd have to make these changes quickly (and, given the ticking clock, poorly), the main reason we were frustrated was exactly what you're describing: we were legally in the right, we all
knew we were legally in the right, and it just seemed unfair that a legally-protected artistic expression should be squashed by jumpy corporate fear over unfounded (and, at that point, imaginary) lawsuits.
So I not only understand what you're saying, david, I agree with it. Whole-heartedly. What's more, I think it's fundamentally wrong for an artist to hamstring him/herself out of fear of potential, random, unfounded lawsuits.
That being said, I still think it's a good idea for writers -- or any artists, really -- to educate themselves in the parts of the law that affect their art (publicity rights, for one). Yeah, as some have suggested here, you
can just write blindly and with imagined impunity and let your publisher's legal team tell you after the fact what you can and can't keep, but why waste the time carefully and lovingly constructing, crafting, and weaving bits of a story that are for sure going to be thrown out later (leaving you to attempt to reconnect the remaining bits in a satisfactory way) when you could've avoided the whole mess with a little knowledge up front? There are always going to be notes and changes that need to be made, but some are avoidable.
BTW, the end of the Reagan-in-a-Robot legal adventure went like this: We suffered through several miserable weeks in which we were forced to change the characters' names, pitch-change their voices (so they would be unrecognizable), and cut out any shots of their faces. It completely killed not only the fun of the story, but any sense in the plot. Unfortunately, being so late in the game, those were our only options.
We didn't stop fighting for our original vision, however, and, using everything from a sit-down read-through of Fair Use and numerous examples from shows like Saturday Night Live, managed to convince corporate and Legal to let us dial back all the changes except one: we couldn't show Reagan's face. Our last minute solution? We gave him a giant cowboy hat that kept his face in shadow. :>) In the end, we kinda felt that was even better than showing him outright.
Still, I just don't think this is a huge issue.
In the context of the OP's question, I imagine you're probably right. Like I said in my previous posts, I imagine Amy's fine as long as she's using the band names in a relatively benign way. Descriptive elements of the characters' world, e.g. Basically, as long as she's not making the band the star of her story, or using the band's name to promote her book in any way -- and, though she doesn't mention how she's using them, it doesn't sound like she is -- I'm sure she'll have no problem.
Hell, contrary to what someone said here, I think she could even get away with bashing them, as long as it was done through a character's voice and opinion and not treated as a narrative statement of fact.
Still, her question opened up other questions regarding how far that ability to name a real world person or group in a story extends, and I think those are worth covering. Which we did. :>)
Just the same, I do know that Ronald Reagan's name, his image and his life story (his entire life story) are completely public domain. And the same is true for bands.
Really? Is that true? My understanding -- and, I admit, I'm no lawyer, so correct me if I'm wrong -- is that the actions, images, and stories of politicians and government employees are only public domain during moments when they're on the job. For instance, the text of any speech given by Reagan is public domain, but interactions he had with Nancy in his private life are not. Similarly, any document created by a government agency is public domain, but a short story an employee of that agency writes at home on his own time is not.
Another example: A photograph of Reagan taken by an on-the-job government employee documenting Reagan on the job is public domain, but a photgraph taken by a journalist is a copyrighted work belonging to the journalist.
In the case of celebs (or anybody, really), my understanding is that unscripted things they say (and, to a certain extent, do) in public are public domain (which is why
People can quote some dumb thing Lindsay Lohan says on the Red Carpet without permission), but you still can't take a photo of a celeb you snapped on the street and use it in an ad for your product.
Am I misunderstanding the law here? Or your comment?
Now THAT is good advice. :>)