April (Fools Day) Book Study - Eragon

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Fenika

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Hello, and welcome to the SF/F Book Study.

This thread is for discussion of Eragon by C. Paolini.

***Spoilers*** will be streaking through this thread unpredictably. You have been warned.

If anyone wants to compare to previous book studies:
Ender's Game (August)
Lies of Locke Lamora (September)
A Deepness in the Sky (October)
A Fire in the Deep (November)
Storm Front (December)
I Am Legend (January)
The Onion Girl (February)
Twilight (March)


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Here is the list, compiled by Fingers, of possible discussion topics. Feel free to tackle something off the list or come up with your own points.

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First of all: Did you enjoy the book? Why or why not?
What was your impression of it?

And I’ll list some of the possible things we can discuss:

The Beginning:
- How effective was the opening hook?
- How effective was the first sentence? The first paragraph? The first page? The first chapter?
- When were you pulled into the author’s world? By the end of the first chapter?
- If not, when?
- How do you think this was accomplished? Or why do you think it wasn’t accomplished?
- What would you have done to change it/make it better?
- If you were an editor, what would your reaction be to the first chapter?
- Why do you think the average reader liked it so much?
And more…

The Protagonist:
- What did you like/dislike about the protagonist?
- How did the author introduce the protagonist?
- How did the author get you to become invested in the protagonist?
- What was different about the protagonist as opposed to other protagonists? What was the same? Did the author make the protag distinguishable? If so, how?
- What techniques did the author use to show the protagonist throughout the story?
- What were some of the characteristics the author gave the character and how did they work/not work?

The Characters:
- Did the author make the characters come alive for you?
- How did he/she do this?
- How were they described?
- How were they distinctive?
And more…

The Setting:
- Was the author’s world convincing?
- Did he/she make you feel you were there? How?
- What about the setting did you like? Not like?
- What would you have done differently?
And more….

The Plot/Story:
- Did you enjoy it? Why or why not?
- Was it different or similar to other plotlines in the genre? How?
- Was it believable? Predictable?
- Were there any twists, turns or surprises?
- Would you have thought of it? How does it compare to your own plotline of your WIP?
- Did it pull you through or did you have to wade through it?
- How was this done or how do you think it should’ve been done?
- If you were buying stories for a publisher, and this manuscript hit your desk (not knowing what you do now about its sales) would you have bought it or expected it to be successful?
- Why do you think the buying public enjoyed it so much?
- What variations, if any, would you have added to the storyline/plot?
And more…

The Style:
- What did you think of the author’s style of writing? Like it? Hate it?
- How much do you think this had to do with the success of the book, if any?
- What type of POV was used? How effective was it? Would the book have turned out different if the POV were done differently?
- How removed was the author from the story or how intrusive?
And more…

The Structure:
- How did the author unfold the story?
- Were the beginning, middle and end equally strong?
- How effective was the way the author gave you all the information?
Was it straightforward? Suspenseful? Predictable? Surprising?
- Could it have been done another way?
- Was it a linear structure or did the scenes jump around? How did this add/detract from the story or your enjoyment of it?
And more…..

The Theme:
- Was there any? What was it?
- Did you think it had an impact on your enjoyment of the story?
- Was it blatant or subtle?
- Do you think the average reader registered this?
- Do you think it may have affected him/her or contributed in any way to the success of the book?
And more…

Conflict:
- What was the main conflict?
- How was it handled?
- Was it a large part of the story or did the author keep it lying under the surface?
- What other conflicts did the author use in the story and when? (Internal and external.)
- What purpose did they serve?
- Would the story have been as enjoyable with less conflict? More?
- What types of conflict could’ve added to the story? Which conflicts subtracted from the story?
And more…

Dialogue:
- Was it realistic?
- Was it readable?
- How did the author handle ‘tags’?
- Was there a lot of dialogue or a little?
- Were there dialects? Slang? Profanity? Vulgarity?
And more…

The Ending:
- Was it satisfying? Why or why not?
- Did it come as a surprise or did you see it coming from page two?
- Would you have ended it the same?
- Was everything resolved?
- Would you be able to write a sequel?
- Would you buy another book from this author?
And more….
 

Fenika

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I get to go first :D

I think Eragon and Saphira were great, well rounded characters that really played well off each other. Paolini really broke away from the typical master-familiar cliche and I loved how much Saphira added to the novel.

I read this book years ago, but after it had collected dust, and okay, a bit of mold, it inspired me to be a writer. After all, if Paolini could pull off all that dialogue and plot twist, why couldn't I?
 

ELMontague

Perhaps I missed something. I thought Small Gods was April. I can comment on Eragon too, since I've read the series - excepting book four, which isn't written. So did we decide to skip Small Gods?
 

Fenika

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Small Gods got pushed back. Sorry, I should have made sure everyone saw the memo.
 

Shweta

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I preferred Twilight.

Eragon just lacked that subtle, seraphic, marble incandescence.
 
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geardrops

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Can I just say that, after all the bashing this poor book has taken on the forums, I'm glad to see we're going to be studying it? I might actually participate.

I mean, the way Paolini tapped into such a core mythological structure, bringing it back to the forefront of the discussion of fantasy fiction. And it's drawn in a whole new load of readers we might not have had before. Not to mention the overwhelming success he's achieved at such a young age.

There's so much to be learned here.
 

NicoleMD

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After not finishing last month's novel, I decided to tackle Eragon from a different angle. I only read the last half of the book, and I must say I LOVED it!!!! It only took me a couple chapters to catch up with who was who. And the dragon sex was HOT!

Nicole
 

geardrops

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After not finishing last month's novel, I decided to tackle Eragon from a different angle. I only read the last half of the book, and I must say I LOVED it!!!! It only took me a couple chapters to catch up with who was who. And the dragon sex was HOT!

Nicole

I think you and I may have read different novels. I doubt Paolini is the kind of author to tackle things like sex. The Inheritance Cycle is far too cerebral for that.
 

Phoebe H

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I was just happy to see that he had such a fresh take on dragons. Neither Metallic nor Chromatic, and I thought it was really interesting that he chose to have Saphira breath fire, instead of the traditional lightning. I also liked some of the brand new talents for dragons, like telepathy. And I really liked the lifelong pair-bond with a human. That was a cool concept.

If only they could have done something else new, like say, teleport. Then they wouldn't have had to spend so much time traveling. Then he could have shortened the book a bit.
 

Prozyan

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I was happy to see original plot lines and fresh characterization. I've always been amazed Paolini didn't receive more recognition for putting such an interesting twist on the poor-farm-boy-with-a-destiny scenario.
 

Shweta

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If only they could have done something else new, like say, teleport. Then they wouldn't have had to spend so much time traveling. Then he could have shortened the book a bit.

I agree.
There also should have been smaller, mischievous dragon-variants, wild cousins of sorts. That would have been cool.

Especially if they were hellspawn crossbreeds that broke their mothers' spines on the way out.
 

Shweta

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Wouldn't it also have been even cooler if the dragons were also vampires?
I mean, Wow!

OooooooooOOooooh.

Vampire were-dragons.

Now we're making real progress.
 

SPMiller

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I cannot overstate the beauty of Paolini's language. Lyrical doesn't begin to describe it. He's a rising star in the literary tradition and will be studied for generations to come.

And the text's emotional intensity! Few books have moved me, but I am man enough to admit I wept openly at Paolini's superbly-crafted prose.
 

Vincent

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I was happy to see original plot lines and fresh characterization. I've always been amazed Paolini didn't receive more recognition for putting such an interesting twist on the poor-farm-boy-with-a-destiny scenario.

Unless there are star ships, light sabers and Darth Vader, that just ain't enough for me anymore.

But can I saw I like the covers? I'm rather fond of dragons.
 

maxmordon

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I cannot overstate the beauty of Paolini's language. Lyrical doesn't begin to describe it. He's a rising star in the literary tradition and will be studied for generations to come.

And the text's emotional intensity! Few books have moved me, but I am man enough to admit I wept openly at Paolini's superbly-crafted prose.

Don't forget to mention his originality. Is obvious that this Brit guy John Tolkien is totally copying him. And his made-up language don't make sense!
 

dclary

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I honestly can't decide if this is an april fool's joke or not.

Well played.
 

Mr Flibble

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OooooooooOOooooh.

Vampire were-dragons.

Now we're making real progress.


Vampire Ninja Pirate were-dragons. ;)

And Eragon - a book so great I re-read it at least once a week. I just can't get enough of the restrained yet moving prose!
 

Fenika

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I honestly can't decide if this is an april fool's joke or not.

Well played.

Would I joke around when I worked so hard to promote and support the Book Study? Just getting enough people to offer insight is really tough some months.

But I did leave a big clue when I listed the March Book Study.

Now, stop all this nonsense about pirates and furry dragons and let us get back to our discussion.

:)
 

Straka

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It honestly took my 5 or so posts to remember what date it was... just as I was starting to worry about some of you people.
 

Straka

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Ok fine, after some comments I'll put my real 2 cents in.

Personally I loved it for its cleverness. The twists and turns I didn't see coming. Just between us though, I don't think dragons should be telepathic. They should know their place and just sit there until called upon, like women in the 50s.

Oh and use their fire breathing for useful things; like cooking.
 
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Fenika

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I will remember your words and have my revenge in the years to come. :D
 

SPMiller

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It honestly took my 5 or so posts to remember what date it was... just as I was starting to worry about some of you people.
It is a sad thing that you are unable to appreciate Meyer's work for its countless merits. The praise in your following post rings false. I hope you one day choose to read the books, so that you may delight in the wondrous storytelling.
 

Fenika

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Meyer's work? Did all the Twilight talk get you brainwashed SP? This be the Eragon book study. Get it right :tongue

And ut oh, Deek's been transforminated.
 

Smiling Ted

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Meyer's work? Did all the Twilight talk get you brainwashed SP? This be the Eragon book study. Get it right :tongue

Didn't you know? Meyers IS Paolini.
Or perhaps I should say, Paolini is Meyers.
And Robert Jordan.
And Dan Brown.
And whoever wrote the last five Laurell K. Hamilton novels.

Who IS Meyerlini....?
 
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