...to start a story with the bad-guy's POV? Especially if he's committing a crime, having a breakdown, or otherwise doing something in a dark mysterious place.
I'm just wondering because I started a new novel (yay!) and my first instinct was to show the badguy committing the crime that is the novel's inciting incident. Then I thought, no, maybe I'll show him ruminating about his crimes. Then I was like, whoah - doesn't this happen in just about every other novel?
So I took a step back and started with the main character who wakes up with amnesia. (I know. Just as cheesy. But he only forgot a week, so...)
Anywho, I realize that I tend to do this in all my stories - start out with the badguy, or start out with the goodguy confronting the badguy. I guess it wouldn't matter if I wrote crime - but I don't. I write contemporary fiction with a toehold in SF, sometimes primarily SF.
Thoughts?
-Feathers
I'm just wondering because I started a new novel (yay!) and my first instinct was to show the badguy committing the crime that is the novel's inciting incident. Then I thought, no, maybe I'll show him ruminating about his crimes. Then I was like, whoah - doesn't this happen in just about every other novel?
So I took a step back and started with the main character who wakes up with amnesia. (I know. Just as cheesy. But he only forgot a week, so...)
Anywho, I realize that I tend to do this in all my stories - start out with the badguy, or start out with the goodguy confronting the badguy. I guess it wouldn't matter if I wrote crime - but I don't. I write contemporary fiction with a toehold in SF, sometimes primarily SF.
Thoughts?
-Feathers