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Ugawa

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There's a few things i'm not sure on. If someone could clear them up and put my mind at rest, that would be great.

Would you not use a comma in this type of sentence.

Then he checked my chest(,) to make sure no ribs were out of place.


And would you use a comma in this sentence?

I closed his car door and he waved goodbye(,) before roaring the engine and speeding off down the road.

(I always use a comma before the word 'before' in this case, but i'm not too sure if it's correct.)

Thank you for any help =]

XX
 

alleycat

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I'm not a grammar guru, but . . .

Because neither of those endings are independent clauses, I don't think a comma is actually needed in either example.

Let's see what others say.
 

Ugawa

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Dang. I usually use a comma before the word 'before'. Looks like that's the next thing i'm going through ms and changing. ¬¬.

Thank you

XX
 

alleycat

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Are you thinking that the word before is a coordinating conjunction?
 

Chase

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Two major schools of thoughts about commas are (1) place one where the writer wants a pause, and (2) put one where dictated by the five rules necessary to indicate certain parts of speech, items in series, coordinating conjunctions, clauses, etc.

Neither school advocates a comma always before any word, "before" included, and certainly not before every prepositional phrase.

About your specific questions, I can't build a good case for either comma.
 
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FennelGiraffe

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Would you not use a comma in this type of sentence.

Then he checked my chest(,) to make sure no ribs were out of place.

Nope, no comma. It isn't even optional; using a comma there would be incorrect.

And would you use a comma in this sentence?

I closed his car door and he waved goodbye(,) before roaring the engine and speeding off down the road.

ditto

(I always use a comma before the word 'before' in this case, but i'm not too sure if it's correct.)

No. It isn't necessary to use a comma just because you're using the word 'before'. There are some possible sentences in which a comma is needed for other reasons and it just happens to be before 'before'. Perhaps someone once corrected you on one of those and you took the wrong lesson from it.

If a whole bunch of other words came between 'waved' and 'before' in your example, a comma would help avoid a dangling modifier. But then you get an atrocious sentence with or without the comma. Punctuation doesn't help much; it would be better off rewritten.
I closed his car door and he waved goodbye to Mary who once lived in the yellow house on top of the hill, before roaring the engine and speeding off down the road.
If you turn the sentence around, a comma is necessary. But that's because an adverbial phrase is at the beginning, not anything specifically to do with the word 'before'.
Before roaring the engine and speeding off down the road, he waved goodbye.
Two major schools of thoughts about commas are (1) place one where the writer wants a pause

That's hardly a major school of thought. At best it's useful as minimal advice to someone who doesn't really care about writing and who won't sit still for more than a 30-second sound bite on the subject.
 

Chase

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That's hardly a major school of thought. At best it's useful as minimal advice to someone who doesn't really care about writing and who won't sit still for more than a 30-second sound bite on the subject.

I agree with your description of those swimming in that school of thought, but nevertheless, it's their credo. Their members are legion.

There are even worse schools of comma placement:

The shotgun comma: Scatter them wherever they look good. Who cares? Rules are for sissies.

The iron-clad comma: Put a comma in front of certain words, such as "and," "before," "because," etc.
 

Ugawa

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:).

Thank you all for your help. It all feels alot clearer now, and I can't even remember why i was so confused :D.

Thank you

XX
 

Dawnstorm

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Nope, no comma. It isn't even optional; using a comma there would be incorrect.

While you're right from the point of view of syntax, syntax isn't the only perspective on punctuation. Since the default is "no comma", adding in one has a special effect.

If I read:

Then he checked my chest, to make sure no ribs are out of place.
I'd read this with a different cadence, almost finishing after chest, but then picking up again. "to make sure..." turns into some sort of after-thought. There's a hierarchy of separation:

1. Then he checked my chest to make sure no ribs are out of place.

No comma. The to-clause is the information.

2. Then he checked my chest, to make sure no ribs are out of place.

Comma. The checking of the chest is the information; the to-clause is an afterthought.

3. Then he checled my chest. To make sure no ribs are out of place.

Fullstop. Same as 2. Longer pause.

4. Then he checked my chest: to make sure no ribs are out of place.

Colon: Same as 1. but with added emphasis on the to-clause, by making the position stand out and heightening the causal relationship by the use of a colon.

5. Then he checked my chest - to make sure no ribs are out of place.

Alternate method of achieving 4., but without the "causal relationship made explicit".

There's more to punctuation than just syntax.

But the "no-comma" version is definitely the default, and you'd better have a very good reason for inserting one.

***

The comma confusion might come from the circumstance that to-infinitives, before-clauses etc. are set off by a comma when they start a sentence:

To make sure no ribs are out of place, he then checked my chest.
Or

Then, to make sure no ribs are out of place, he checked my chest.​
 

Ollie Saunders

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I have to agree with FennelGiraffe on this point:
(1) place one where the writer wants a pause
At the time when I was first learning English grammar the British education system believed that learning through intuition and repetition was more effective than explictly teaching the rules behind such intuition, which can be complex. Although the logic seems sound at first (at least in one respect), it totally screwed me. For years I had no idea how to use commas chiefly because of this "writer wants a pause" mantra.

My advice is to learn the rules behind commas as thoroughly as possible and practise them whenever you write. It takes a little discipline but it's preferable to the perpetual uncertainty and fiddling that I experienced with my writing for years.
2. Then he checked my chest, to make sure no ribs are out of place.

Comma. The checking of the chest is the information; the to-clause is an afterthought.

3. Then he checled my chest. To make sure no ribs are out of place.

Fullstop. Same as 2. Longer pause.
I'm not sure how you are billing these options, Dawnstorm. Perhaps you are just exploring all the possibilities. But if you are suggesting that these could be acceptable I would have to disagree. I don't believe these two (numbered 2 and 3) make sense and I find them jarring to read.

4. Then he checked my chest: to make sure no ribs are out of place.
This possibility definitely makes sense in a loose sense but seems excessive. I like to precede use of a colon with words that leave the reader expectant in some way. Here is a self-observing example:
Then he checked my chest for the following reason: to make sure no ribs out of place​
In this case it seems pretty silly, perhaps overly formal, to use that sort of language. This suggests to me that a colon is not the best option here.

5. Then he checked my chest - to make sure no ribs are out of place.
I don't understand how adding a en dash is affecting this sentence. As a reader I would just read over this as though it weren't there. As a writer I would opt to remove it because of that fact.

There's more to punctuation than just syntax.
Sure. I enjoy doing clever things with punctuation on occasion but only when it does not compromise syntax. I consider specification of syntax to be the purpose of punctuation and confusing the reader is among the worst outcome of any writing.
 

nevada

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:).

Thank you all for your help. It all feels alot clearer now, and I can't even remember why i was so confused :D.

Thank you

XX

Don't need that comma either. the only time you need a comma before and is if it's a list such as "the colours were blue, red, green, and yellow." And even then you are going to have people fighting that last comma.
 

Dawnstorm

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I'm not sure how you are billing these options, Dawnstorm. Perhaps you are just exploring all the possibilities. But if you are suggesting that these could be acceptable I would have to disagree. I don't believe these two (numbered 2 and 3) make sense and I find them jarring to read.

I'm claiming that these sort of things occur in published writing, and that when they do they have a predictable effect. I'm not making any judgement about their "acceptability".

I am making a judgment about "acceptability" in itself. Editors who correct this type of punctuation in, say, academic writing are doing their job. Ediros who correct this type of punctuation in fiction are imposing style (their own preferences or publication house style). If they claim objectivity, they're either insensitive readers, or they're abusing their gate-keeper powers.

This possibility definitely makes sense in a loose sense but seems excessive. I like to precede use of a colon with words that leave the reader expectant in some way. Here is a self-observing example:
Then he checked my chest for the following reason: to make sure no ribs out of place​
In this case it seems pretty silly, perhaps overly formal, to use that sort of language. This suggests to me that a colon is not the best option here.

Again, that you don't like this sort of thing is fine. But - to me - the "for the following reason" is redundant, as it is included in the ":". Your version, to me, reads overly long. Different people read differently.

And here's the thing. I don't think writers should write by committee. And that entails that I should make an effort to "get into" other people's styles, even if I don't like them.

I'm not suggesting everybody needs to make the same commitment. There's always the alternative to read something else.

I don't understand how adding a en dash is affecting this sentence. As a reader I would just read over this as though it weren't there. As a writer I would opt to remove it because of that fact.

It's supposed to be an em-dash.

Sure. I enjoy doing clever things with punctuation on occasion but only when it does not compromise syntax. I consider specification of syntax to be the purpose of punctuation and confusing the reader is among the worst outcome of any writing.

If you consider "specification of syntax" to be the purpose of punctuation it's no wonder these things confuse you; my entire point in here is that syntax is not all there is to punctuation.

For example, syntax can't explain why some people like commas after longer introductory phrases, while others don't:

After these first three months, the platypaus started to eat regularly again.

vs.

After these first three months the platypaus started to eat regularly again.

(In this case, I prefer the comma; not all do.)

The key differences between us, I think, are within this sentence:

It takes a little discipline but it's preferable to the perpetual uncertainty and fiddling that I experienced with my writing for years.

I'm the exact opposite. Rule-based discipline in writing blunts the antennae for what's out there. Generally, what happens is that your own preferences petrify into rules, and when something different comes up you tag it "mistake" and don't bother finding out why it's there. This - IMO - is bad reading, and if that's the attitude of most editors out there, then there's something wrong with the industry.

For example, I rarely visit critique threads these days as it hurts me to see this sort of discipline mangling an author's style. I like variation, and one person's discipline applied to another's feels - to me - like a straight jacket.

In the end, I prefer "perpetual uncertainty and fiddling" to "rule-bound discipline".
 

Ollie Saunders

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Your first post in this thread makes a lot more sense now that I understand how you feel, Dawnstorm. My preference is for more formality in punctuation; agreed upon conventions, common understanding, and a lack of ambiguity. I can respect your opposing view but I do not share it.

If you examine my personality and aims it is easy to understand why I feel the way I do.

I am a computer programmer with mild dyslexia. I prefer to understand and observe things before doing whereas I'm willing to bet you learn by doing first (this is roughly how Jung defines the introverts and extroverts; nothing to do with how shy one is). For me anything other than maximal clarity is a suffocating burden to my mind. Often this makes me appear idealistic and pedantic. Despite numerous attempts I find fiction writing less satisfying than most. Although the words make perfect sense to me, the meaning is lost over pages. It doesn't resonate in my mind in the same way that relevant, actionable non-fiction does. Boring, I know, it's a shame for me too, but a matter of practicality for me.

I'm not so single-minded to shun your perspective. (In fact I strive to be open-minded and am taking great pleasure in being able to discuss this with you so that I can understand your perspective more fully.) Although mostly I find it indecipherable, I do enjoy poetry, when I can understand it or it is explained to me. I can understand it's beauty and I can understand the desire to use language creatively and artistically. Personally I satisfy my own desire for creativity in language by stretching the meaning of words rather than the meaning grammar in order not to confound myself and others like me.

Another thing we should consider is our individual aims of language. My interest in English is in expressing ideas, in order to teach, explain, or let off steam (journaling, which I've recently started doing and find enormously rewarding). In order to do this as effectively as possible I want to achieve a high level of confidence and proficiency in English. To implicitly know how it works so that it can be assembled with the greatest possible ease. In the same way that a musician only masters their instrument when it becomes invisible to them; when it is no longer simply a tool but a means of expression. The proficient musician does not think about the individual movements of the fingers instead he thinks of the notes that he wishes to play and beyond that the emotions he wishes to conjure in the listener. Such a capability requires that confidence and proficiency that, for me, is obtained through a technical understanding.

Rule-based discipline in writing blunts the antennae for what's out there. Generally, what happens is that your own preferences petrify into rules, and when something different comes up you tag it "mistake" and don't bother finding out why it's there. This - IMO - is bad reading, and if that's the attitude of most editors out there, then there's something wrong with the industry.
May I ask: What makes it acceptable to invent new meanings for grammar? How are such things communicated? Perhaps this is not something I can understand. I have found that learning more about grammar has allowed me to ready more easily for instance.
Also do you think that these authors made a conscious chose of style in these cases? I would assert (rightly or wrongly) that most rule violations are not the result of style but a lack of writer knowledge. Perhaps giving them that knowledge would affect there style for better. Perhaps you don't even believe style can be judged. But you accept there are rules of grammar, right? If the rules are simply there to be broken -- if we randomly chose between commas and periods both would cease to have any distinction,
 

Dawnstorm

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Your first post in this thread makes a lot more sense now that I understand how you feel, Dawnstorm. My preference is for more formality in punctuation; agreed upon conventions, common understanding, and a lack of ambiguity. I can respect your opposing view but I do not share it.

If you examine my personality and aims it is easy to understand why I feel the way I do.

Thank you for your detailed reply. I was worried I might come across as if I were trying to invalidate your response, which I most definitely don't want to do. There's a lot of interesting stuff to discuss in this post of yours, and if you're interested to continue this conversation, we might take it to the theory board (I'll make a thread linking here, if you're interested; or I might revive the there-are-no-rules thread that already exists). Here, I'm going to focus on the more concrete stuff, about commas. I hope you don't mind. :)

May I ask: What makes it acceptable to invent new meanings for grammar? How are such things communicated? Perhaps this is not something I can understand. I have found that learning more about grammar has allowed me to ready more easily for instance.

That's the thing, though. People who would write things in fiction like, say,

Then he checked my chest, to make sure no ribs are out of place.

aren't inventing new meanings for grammar. First, punctuation - strictly speaking - isn't part of grammar. It's a field of its own, like spelling. There's a school of thinking that links punctuation to syntax (which is the one you find attractive); but there's also a school of thinking that links punctuation to rhetorics, which is where the equally common comma-is-pause-in-speech rule of thumb comes from. These people argue that punctuation should give hints how to read a text, and that there's a difference in emphasis between:

You should do that, often.
and

You should do that often.
The second sentence is one piece of advice about frequency. The first, though, is two pieces of advice: (1) You should do that, and (2) You should that often. But people don't generally repeat words if they still linger in the backbrain, so instead of:

You should do that, and you should do that often.
you get:


You should do that, often.
It's the same effect that lets people reply to questions with incomplete sentences:

Q: Where is the monkey?
A: In the tree.
This is way more common than:

Q: Where is the monkey?
A: The monkey is in the tree.
Yet, the first type of usage has been used as indication of "imprecise thinking". (I can try to hunt down an example if you like.) That's nonsense. As soon as you realise that "In the tree," is the answer to "Where is the monkey?" there's no need to repeat the entire sentence.

Grammarians suffer from the ailment a lot. It's, for example, where the rule comes from that you shouldn't start a sentence with a conjuntion. They argue that a conjunction connects clauses, and view this as an axiomatic truth. But while conjunctions can function this way, and probably most of them do, they can also function as discourse connectives (as in this very sentence, see?). Grammar can't deal with this, because - traditionally - the unit of syntactic analysis is the sentence.

This is short sighted.

Often, the rule-breakers problem disappears when you look at it from the point of view of a reader, rather than from the point of view of a grammarian. Analysis has its own pitfalls. Something that makes sense to you may help you - as a tool - to understand what's going on. But analysis only really triggers - in the process of, say, recreational reading - when something seems off. Then, people often refer to an inventory of rules, and if something does not fit the analysis that's identified as the "culprit". This works very well for spelling: "there" is not "their" is not "they're". But grammar is a lot more complex; you cannot boil it down to simple inventories of rules.

For grammar threads, like this one, analysis is the default mode of thinking, though. That's what makes sentences so hard to judge. You have to imagine context - or you stay firmly put in analysis mode. The result of staying in analysis mode, though, is that you do not have enough information to judge anything but the syntax.

There are plenty of grammar theories, some more inclusive than others, some (like systemic-functional grammar) even blurring the borders between grammar and pragmatics (the study of what uses grammatical forms are put to).

So, when you ask:

Also do you think that these authors made a conscious chose of style in these cases?

I have to say, probably not. Most of them just make a stylistic choice at the outset (say, "chatty") and then that's that. The commas go where they feel right. The thing, though, is: removing these commas afterwards may change the style and hurt the integrity of the text. It depends.

On the other hand, such a comma could well be the result of a misunderstood rule. Ugawa's second post ("Dang. I...") suggests that this is the case in this thread, so Fennel Giraffe's post was spot on, really. Me being myself, though, I took exception to the phrase "It isn't even optional". Not syntactically, no, but...

I tend to complicate things all the time, when I feel they're unduly simplified - even when it's not very helpful. :eek:

I would assert (rightly or wrongly) that most rule violations are not the result of style but a lack of writer knowledge. Perhaps giving them that knowledge would affect there style for better.

True, this is often the case. But let's say you're operating under a mistaken rule and put a comma before every to-clause. Then someone points out the rule is mistaken. You then replace the rule with one that reads "never place a comma before a to-clause". Your texts will likely be better from then on, because there will likely be less situations where a left-out comma before "to" will hurt the writing than the other way round.

But all you've done is amended a list. It doesn't help you understand writing at all. Taken literally, Fennel Giraffe's "it's not even an option," is either flat out wrong, too narrow in scope, or a matter of taste.

Perhaps you don't even believe style can be judged.

Style can be judged; but you need to specify against what you're judging the style. I'd raise an eyebrow in suprise at a query that contained such a comma - although I wouldn't mind. (Since I'm not an editor, whether I raise my eyebrows at queries is quite irrelevant, though.)

But you accept there are rules of grammar, right? If the rules are simply there to be broken -- if we randomly chose between commas and periods both would cease to have any distinction,

Yes, I accept that there are rules; but there's not a single list of rules that you can judge against.

There are psychological regularities of production. Native speakers of English will always parse "Tom ate the tomato," as Tom eating. "The tomato ate Tom," is a rather odd way of putting the same circumstance. Native speakers of English who wish to emphasise the object need to resort roundabout constructions, such as "It was the tomato that Tom ate." (German, for example, allows "The tomato ate Tom," because German inflects nouns according to case.) However, there is one exception I can think of to the general syntactic rule: " 'The tomato,' said Tom." These have the structure of "object - verb - subject".

Then, there's social appropriateness. This is often a top-down thing. The more formal the context, the more likely you are expected to talk like the elite (while, in fiction, the elite sometimes tries to talk like the "common man", or the "common man" gets "elite status").

Then, there's a set of social grouping mechanisms, also predictable, that lead to certain rules. People who like each other and interact a lot tend to pick up each other's habits. This muddies the waters further, and may lead to conflicting rules. ("Never start a sentence with 'but', use 'however' instead," vs. "Never start a sentence with 'however', use 'but' instead".) Often, there's no sane way to choose one over the other without taking sides. The generous - and my favoured - stand is to accept variation.

Language changes.

The thing is that people don't place commas randomly. Even mistakes can be systematised. And some of them turn out to be another set of rules, rivalling yours but no less rational once you understand them.

The one time when comma usage becomes truly random, I suspect, is while you're worrying about correctness. Anxiety takes the place of intuition, and all bets are off.

***

Incidentally, In the book I'm reading right now - Sebastian Faulks, Engleby - I only had to read six pages until I came across this:

Faulks said:
Mrs. Thatcher doesn't like Ken's policies, but he keeps getting elected, so she's had to close down the whole GLC. It was the only thing she could do. Short of having him rubbed out, I suppose.[my bolding]

It's not quite the same thing, but it's still the after-thought effect I was trying to show. It's exceedingly common.

For the chest-checking imagine the following situation.

Annie: Then he checked my chest.
Kelly: *giggles*
Annie: *glares* To make sure no ribs are out of place.

If Annie hangs out with Kelly a lot, "Then he checked my chest, to make sure no ribs are out of place." might become second nature. It will have progressed through: "Then he checked my chest. To make sure..." In between the "." and the "T..." there may have telltale signs of giggling from Kelly...
 

Ollie Saunders

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I'm a bit distracted at the moment. I think your post might be exactly what I needed to hear. I will get back to you soon enough.
 

Ollie Saunders

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Firstly, thank you for your comprehensive and flame-free reply. It must have taken quite some time.

There's a lot of interesting stuff to discuss in this post of yours, and if you're interested to continue this conversation, we might take it to the theory board (I'll make a thread linking here, if you're interested
Certainly. I do enjoy having these kinds of discussions that challenge my values. If improving your knowledge by learning a new fact is like eating an apple; improving yourself by learning a new attitude is like planting an orchard. Some take these sorts of discussions to be assaults on their ego. I try to rise above that knowing the many benefits of being challenged in varied ways.

That's the thing, though. People who would write things in fiction like, say,
Then he checked my chest, to make sure no ribs are out of place.​

aren't inventing new meanings for grammar.
How so?

First, punctuation - strictly speaking - isn't part of grammar. It's a field of its own, like spelling.
In the same way that there were words before spelling there was grammar before punctuation? I cannot argue with that. Perhaps you liken the invention of new words or creative uses of spelling for the purpose of humour with the same regard that you do punctuation that deviates from traditional rules. I already think I'm beginning to see your point.

There's a school of thinking that links punctuation to syntax (which is the one you find attractive); but there's also a school of thinking that links punctuation to rhetorics, which is where the equally common comma-is-pause-in-speech rule of thumb comes from.
I don't know that you are wrong but it was my understanding that the comma-is-a-pause-in-speech notion comes from the "naturalist movement in language teaching". It is the idea that pupils naturally and intuitively understand how to use punctuation from sufficient comprehensible input and that explicit teaching of grammar is a less efficient method for achieving fluent, accurate English usage. The movement has been largely discredited (see the video link in my previous post).

These people argue that punctuation should give hints how to read a text, and that there's a difference in emphasis between:
You should do that, often.​
and
You should do that often.​
The second sentence is one piece of advice about frequency. The first, though, is two pieces of advice: (1) You should do that, and (2) You should that often. But people don't generally repeat words if they still linger in the backbrain, so instead of:
You should do that, and you should do that often.​

you get:
You should do that, often.​

Interestingly I didn't interpret the use of the comma in "You should do that, often," to mean both "You should do that," and "You should do that often". It is not obvious to me that was the intended meaning. You could say that the purpose of language (accurate communication) has failed. However, I believe I have found evidence for your point outside of this forum. It does seem as through you can write perfectly grammatically valid sentences that read poorly. In the teachings of The Internet Grammar of English I saw used this sentence:
I met all my many friends​
which is, apparently, grammatically correct. I would prefer to insert an of:
I met all of my many friends​
I can't explain in grammatical terms why I prefer this. The view must be the result of my native speaker intuition. I guess this rhetorics at work. So, I doesn't disagree with you. At all. But I do think you hold to your views a little too strongly, at the cost of effective communication.

Another example of my sharing your view is with conjunctions for beginning sentences. After reading one particular entry in the Lynch Guide to Grammar I was immediately converted. I share Lynch's view; beginning sentences with conjuctions often makes for better reading, I don't really care that it is not grammatical; that was a conscious decision.

It's the same effect that lets people reply to questions with incomplete sentences:
Q: Where is the monkey?
A: In the tree.​

This is way more common than:
Q: Where is the monkey?
A: The monkey is in the tree.​

Yet, the first type of usage has been used as indication of "imprecise thinking". (I can try to hunt down an example if you like.) That's nonsense. As soon as you realise that "In the tree," is the answer to "Where is the monkey?" there's no need to repeat the entire sentence.
Yes absolutely. My interest in grammar is in making myself a more effective communicator. If grammatical correctness is in conflict with that objective then I shall reject that element of grammar.

Grammarians suffer from the ailment a lot. It's, for example, where the rule comes from that you shouldn't start a sentence with a conjuntion. They argue that a conjunction connects clauses, and view this as an axiomatic truth. But while conjunctions can function this way, and probably most of them do, they can also function as discourse connectives (as in this very sentence, see?). Grammar can't deal with this, because - traditionally - the unit of syntactic analysis is the sentence.

This is short sighted.
Ha ha! Would you look at that, we're making the same points. I did read over your post once before but I obviously internalized it and then forgot where the prompt came from.

Often, the rule-breakers problem disappears when you look at it from the point of view of a reader, rather than from the point of view of a grammarian. Analysis has its own pitfalls. Something that makes sense to you may help you - as a tool - to understand what's going on. But analysis only really triggers - in the process of, say, recreational reading - when something seems off. Then, people often refer to an inventory of rules, and if something does not fit the analysis that's identified as the "culprit". This works very well for spelling: "there" is not "their" is not "they're". But grammar is a lot more complex; you cannot boil it down to simple inventories of rules.
I still hold grammar in high regard as the single best technique for ascertaining why some things read better than others but you are right to say that there is more to it than that.

For grammar threads, like this one, analysis is the default mode of thinking, though. That's what makes sentences so hard to judge. You have to imagine context - or you stay firmly put in analysis mode. The result of staying in analysis mode, though, is that you do not have enough information to judge anything but the syntax.
I'm not sure I agree. Partly, yes but I think stylistic judgements can be made. Take the Lynch Guide; it's all about stylistic judgements, and few, not none, involve looking back in an author's text to find precedent. And how else can things be judged other than by analysis? Even if you compare two films or pieces of music by the emotional reactions they induce that's still analysis; it's just an emotional analysis instead of a technical one. That may have been what you meant anyway, in which case, I apologize for my pedantry.

There are plenty of grammar theories, some more inclusive than others, some (like systemic-functional grammar) even blurring the borders between grammar and pragmatics (the study of what uses grammatical forms are put to).

So, when you ask:

---Quote---
Also do you think that these authors made a conscious chose of style in these cases?
---End Quote---

I have to say, probably not. Most of them just make a stylistic choice at the outset (say, "chatty") and then that's that. The commas go where they feel right. The thing, though, is: removing these commas afterwards may change the style and hurt the integrity of the text. It depends.
In the cases where the author does not know the rules I would expect their writing to suffer in terms of comprehensibly much more often than not. This is what I have found from my own experience at least. Every time I learn more about grammar -- or style -- things improve for me; there is clarity where there was fluff; there is consistency where there was irregularity; there is fluency where there was uncertainty. You talk about style, surely consistency is a crucial part of a good style. Formalization i.e. knowing the rules of grammar -- or even favourable rule breaks -- seem to me to be an excellent way of achieving consistency. And, I put it to you, *shakes finger like an aristocratic toff* it is one thing to have a justified reason for doing or not doing and quite to act as you do simply because you haven't given it consideration or don't know any better. *Stops shaking finger*.

---Quote---
I would assert (rightly or wrongly) that most rule violations are not the result of style but a lack of writer knowledge. Perhaps giving them that knowledge would affect there style for better.
---End Quote---

True, this is often the case. But let's say you're operating under a mistaken rule and put a comma before every to-clause. Then someone points out the rule is mistaken. You then replace the rule with one that reads "never place a comma before a to-clause". Your texts will likely be better from then on, because there will likely be less situations where a left-out comma before "to" will hurt the writing than the other way round.
Let's not argue about the lack of merit in teaching people rules that are incorrect. I think we all already agree on that point.

But all you've done is amended a list. It doesn't help you understand writing at all. Taken literally, Fennel Giraffe's "it's not even an option," is either flat out wrong, too narrow in scope, or a matter of taste.
Sure, this is a point I've heard made in other forms too about the prevalence of Top X: Tips for Y in blog posts. Tips and corrections alone won't lead to a complete understanding. A good learner knows to ask questions to gain that complete understanding or seek them elsewhere. The contributors here seem willing to give detailed explanations; this is a marvellous place.


---Quote---
Perhaps you don't even believe style can be judged.
---End Quote---

Style can be judged; but you need to specify against what you're judging the style.
Yes I agree. Perhaps this is not something I appreciate quite enough. There is no one style for everything. I wonder, are there any writings that describe different styles and justify the various stylistic element that constitute them? I was taught that there was "causal" and "formal" but there has to be many more than that. It would make interesting reading for me, I think.

There are psychological regularities of production. Native speakers of English will always parse "Tom ate the tomato," as Tom eating. "The tomato ate Tom," is a rather odd way of putting the same circumstance.
Woah! You think "The tomato ate Tom" says that Tom did the eating? I don't see how anyone could think that at all. I must be misinterpreting you.

Then, there's a set of social grouping mechanisms, also predictable, that lead to certain rules. People who like each other and interact a lot tend to pick up each other's habits. This muddies the waters further, and may lead to conflicting rules. ("Never start a sentence with 'but', use 'however' instead," vs. "Never start a sentence with 'however', use 'but' instead".) Often, there's no sane way to choose one over the other without taking sides. The generous - and my favoured - stand is to accept variation.
I share your stance.

The one time when comma usage becomes truly random, I suspect, is while you're worrying about correctness. Anxiety takes the place of intuition, and all bets are off.
I don't find learning grammar to be anxious making. I find it reassuring to know how to do it. It is the uncertainty of my oft failed intuition that creates anxiety for me. The rigidity of grammar rules are a welcome contrast.

---Quote (Originally by Faulks)---
Mrs. Thatcher doesn't like Ken's policies, but he keeps getting elected, so she's had to close down the whole GLC. It was the only thing she could d*o. S*hort of having him rubbed out, I suppose.[my bolding]
---End Quote---

It's not quite the same thing, but it's still the after-thought effect I was trying to show. It's exceedingly common.
I can see the advantage of punctuating it this way. But that is probably something I will refrain from doing until my grammar has improved. I want to understand what I'm violating before I make trade-offs like that.
 

Dawnstorm

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Thanks for the interesting link. It's about leatning English as a foreign language, though, with has key differences. Most of the "rules" an EFL learner needs to learn are second nature to a five year old native speaker. On these boards, the point of learning grammar is less to correct "mistakes" (though that may occasionally be a factor), but more about increasing awareness of what you can do with language.
 

Dawnstorm

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Hehe. I attempted to explain that in the entire post... :eek:

No, in a nutshell, I think that punctuation is a very flexible means to express the structures of a text. Since syntax also expresses the structure of a text, there is a very huge overlap between syntax and punctuation. But you can punctuation to go beyond syntax.

Take for example the Oxford comma. "Apples, pears, and oranges", or "apples, pears and oranges". There is no way to explain the preference for or against the Oxford Comma in syntactic terms. And here's the thing:

There are three schools on the Oxford Comma, not two:

- Always use it.
- Never use it.
- Default to not using it, but do use it if it helps to avoid ambiguity

I've never heard of people defaulting to use it, but leaving it out in case of ambiguity.

It's interesting that almost all the arguments about the Oxford Comma center on ambiguity.

The famous use-it sentence:

"To my parents, Ayn Rand and God." (Are your parents "Ayn Rand and God"?)

The famous counter sentence:

"To my Mother, Ayn Rand, and God" (Is Ayn Rand your Mother?)

The syntax that expresses the intended meaning is the same, whether you use the Oxford comma or not. Similarly, the question of whether introductory phrases take a comma or not is not always explainable from syntax alone.

Punctuation is visible separation. Syntax is invisible (intuitive) separation.

Take the equally famous sentence:

"We saw her duck."

This string of characters can represent two sentences:

We (Subject:pronoun) saw (verb) her (object) duck (object complement:action).

Or

We (Subject:pronoun) saw (verb) her duck (object: possessive pronoun + noun).

[Actually, there's a third ambiguity that's more subtle. It's a subtype of the second version: "saw" (verb+past tense "see") vs. "saw" (verb + present tense "saw" [apply saw to]) - but such cruelty to ducks doesn't usually make it into the textbooks. ;) ]

In the same way that there were words before spelling there was grammar before punctuation?

That's an interesting take, but again I think that you can go beyond syntax with punctuation.

Perhaps you liken the invention of new words or creative uses of spelling for the purpose of humour with the same regard that you do punctuation that deviates from traditional rules. I already think I'm beginning to see your point.

Not really. There's a major difference between spelling and punctuation, IMO, in that spelling has list character, whereas punctuation has a few guiding principles and a high degree of freedom (higher, actually, than syntax in English, since word order is how English establishes lots of meaning).

I don't know that you are wrong but it was my understanding that the comma-is-a-pause-in-speech notion comes from the "naturalist movement in language teaching". It is the idea that pupils naturally and intuitively understand how to use punctuation from sufficient comprehensible input and that explicit teaching of grammar is a less efficient method for achieving fluent, accurate English usage. The movement has been largely discredited (see the video link in my previous post).

That's quite probably true; if so I was wrong.

But I do think it's compatible with the rhetorical model of punctuation, more than with the grammatical model. Here's a breakdown of the rhetorical school. (I had an article by John Dawkins himself, but it appears to be down today, so I can't link to it.)

Basically, the rhetorical model of punctuation would argue that in formal writing "He checked my chest, to see if ribs are broken," is not allowed, because the concept it expresses (the afterthought) is considered a no-no in formal writing. It's not that the comma is wrong; it's that the concept that it invokes is unacceptable in formal writing.

I happen to like that approach. It makes punctuation a lot easier to grasp, I find.

Interestingly I didn't interpret the use of the comma in "You should do that, often," to mean both "You should do that," and "You should do that often". It is not obvious to me that was the intended meaning. You could say that the purpose of language (accurate communication) has failed.

I agree; if I intend the reading and you don't get it, communication has failed. But I don't agree to place the burden on the writer alone. To me, the question is who will improve:

I won't become a better writer by eliminating a tool in my box (though I will become a better writer by the re-writing exercise that would entail). I would, however, become a better reader if I became sensitive to that usage. That doesn't mean I have to like it, or use it.

I'm claiming that commas do express afterthoughts in literature. Clearly, it's up to me to provide examples, but I don't have the time hunting for them, so I don't actually expect you to believe me, here.

[Another possibility is that my intuition works fine, but my analysis is faulty. Or I could simply be wrong.]

However, I believe I have found evidence for your point outside of this forum. It does seem as through you can write perfectly grammatically valid sentences that read poorly. In the teachings of The Internet Grammar of English I saw used this sentence:
I met all my many friends​
which is, apparently, grammatically correct. I would prefer to insert an of:
I met all of my many friends​
I can't explain in grammatical terms why I prefer this.

My guess would be that you're a systematic thinker and you see the pattern.

I met all of my friends. (ok) // I met half of my friends. (ok) // I met none of my friends. (ok) // I met some of my friends. (ok) // I met many of my friends. (ok)

I met all my friends. (ok) // I met half my friends. (ok) // I met none my friends. (NO!) // I met some my friends. (NO!) // I met many my friends. (NO!)

Unlike programming languages, natural languages aren't formal systems; they're human behaviour - and as such behave oddly at times. Grammar is the attempt to describe language using a formal system. There's no perfect way to do this - hence we have many different grammar theories.

But since language is human activity, calling usage that doesn't fit the formal system used to describe it a mistake is always an option. That sort of feedback loop is a major problem in all the humanities. This is not an option in physics; if the maths don't work you need a new model.

The view must be the result of my native speaker intuition. I guess this rhetorics at work. So, I doesn't disagree with you. At all. But I do think you hold to your views a little too strongly, at the cost of effective communication.

I am a bit of an extremist in these matters, heh. I do not advocate ignorance, though.

Another example of my sharing your view is with conjunctions for beginning sentences. After reading one particular entry in the Lynch Guide to Grammar I was immediately converted. I share Lynch's view; beginning sentences with conjuctions often makes for better reading, I don't really care that it is not grammatical; that was a conscious decision.

Yes absolutely. My interest in grammar is in making myself a more effective communicator. If grammatical correctness is in conflict with that objective then I shall reject that element of grammar.

My take is that if grammatical correctness is in conflict with that objective the grammatical theory is flawed. ;)

I still hold grammar in high regard as the single best technique for ascertaining why some things read better than others but you are right to say that there is more to it than that.

Actually, I love grammar. But to me opposing views on what's good English should be able to speak the same language; that's grammar for me. Whether or not a split infinitive is okay is besides the point, for the time being.

I'm not sure I agree. Partly, yes but I think stylistic judgements can be made. Take the Lynch Guide; it's all about stylistic judgements, and few, not none, involve looking back in an author's text to find precedent. And how else can things be judged other than by analysis? Even if you compare two films or pieces of music by the emotional reactions they induce that's still analysis; it's just an emotional analysis instead of a technical one. That may have been what you meant anyway, in which case, I apologize for my pedantry.

No, my actual point is that you have different emotional reactions to texts in analysis mode and in reading mode. This is how such rules as "don't split infinitives" or "don't start sentences with conjunctions" start in the first place. The definitions of the term acquire some sort of aesthetics of their own; in the worst case they ruin your enjoyment of certain structure. My real point is that having more things to gripe about doesn't make you a more discerning reader. Formal systems have a sort of conceptual beauty, but it's not the same beauty as the beauty of language. But once you analyse language using a formal system (a grammatical theory) there will be crossover that distances you from non-analytical readers, and perhaps even changes your future judgment of words.

Every time I learn more about grammar -- or style -- things improve for me; there is clarity where there was fluff; there is consistency where there was irregularity; there is fluency where there was uncertainty. You talk about style, surely consistency is a crucial part of a good style.

Depends. I certainly don't like variation for the sake of variation; but consistency for the sake of consistency is no better. I do think a broader range of tools is advantageous to the writer, even it means inconsistency at times. (Say, sometimes using "which" for "defining relative clauses", even though you mostly use "that". Or sometimes using "that" for people instead of "who" (interesting discovery about the restrictions that govern when this is acceptable)).

I never much liked the "choose one and stick with it" arguments. They often stop looking at language in the real world, because they're in love with the clarity of the concept (and fail to discover interesting regularities such as the blogger above).

Formalization i.e. knowing the rules of grammar -- or even favourable rule breaks -- seem to me to be an excellent way of achieving consistency. And, I put it to you, *shakes finger like an aristocratic toff* it is one thing to have a justified reason for doing or not doing and quite to act as you do simply because you haven't given it consideration or don't know any better. *Stops shaking finger*.

On the other hand, if the only reason you push a rule is a love for consistency, people are better off not knowing the rule in the first place.

Let's not argue about the lack of merit in teaching people rules that are incorrect. I think we all already agree on that point.

We do ostensibly agree. But I have a hunch that my list of incorrect rules is way bigger than yours. If so, the point stands as a point of practise.

Woah! You think "The tomato ate Tom" says that Tom did the eating? I don't see how anyone could think that at all. I must be misinterpreting you.

Yep. My point was that no native speaker would ever interpret the sentence that way. It's a very basic rule of English. And because of that nobody ever talks about it, the same way your mom probably never reminded you to breath. Yet, non-native speakers of languages who have that word order might make that sort of mistake.

My point was that: yes, there are rules, but the most important of them don't need to be discussed. You need to ask yourself why many of the commonly broken rules are rules in the first place. Nothing simulates authority as chastising others for having brokan a rule.

Mistakes exist. They are common. But mistakes aren't all of the same type. And some are merely an effect of the elite trying to hold on to elite status.

I don't find learning grammar to be anxious making. I find it reassuring to know how to do it. It is the uncertainty of my oft failed intuition that creates anxiety for me. The rigidity of grammar rules are a welcome contrast.

I have to re-think that a bit. My intuition is to see that as part of the problem, but I somehow feel that my argument becomes circular at that stage... :eek:

I can see the advantage of punctuating it this way. But that is probably something I will refrain from doing until my grammar has improved. I want to understand what I'm violating before I make trade-offs like that.

That's the spirit. Never use what you don't understand (except in exercises to try it out and get a feel for it, maybe).

I might also point out that you can write a lifetime worth of stories without ever punctuating that way. Style is as much what you don't use as what you do. And if I do that, and you don't like it, then, by all means tell me so. Just don't fabricate a rule around conceptual purity and pass it off as grammar. ;)
 

Ugawa

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Don't need that comma either. the only time you need a comma before and is if it's a list such as "the colours were blue, red, green, and yellow." And even then you are going to have people fighting that last comma.

Really? Because i was always taught that if after 'and' the sentence stands alone, then it has a comma.

It all feels alot clearer now.

I can't even remember why i was so confused.
 

Ollie Saunders

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In the interest of immediacy I'm posting this without proper proof-reading. Sorry. I'll come back, check it over, and remove this message later.

When it comes to the Oxford Comma I'm in the always-use-it camp. I think that:
[1]: To my parents, Ayn Rand and God.​
is ambiguous and:
[2]: To my mother, Ayn Rand, and God.​
is clearly a list and would otherwise be rewritten to use parenthesis:
[3]: To my mother (Ayn Rand) and God.​

Granted [1] could be interpreted as if the second clause is parenthetic but that is considerably less likely than the second clause in [2] being interpreted that way.

But I do think it's compatible with the rhetorical model of punctuation, more than with the grammatical model. Here's a breakdown of the rhetorical school. (I had an article by John Dawkins himself, but it appears to be down today, so I can't link to it.)

Basically, the rhetorical model of punctuation would argue that in formal writing "He checked my chest, to see if ribs are broken," is not allowed, because the concept it expresses (the afterthought) is considered a no-no in formal writing. It's not that the comma is wrong; it's that the concept that it invokes is unacceptable in formal writing.

I happen to like that approach. It makes punctuation a lot easier to grasp, I find.
I read most of that article but, I'm afraid, I do not subscribe. I don't like this oversimplification that the rhetorical model teaches. The idea that the rules of punctuation can be reduced to a single hierarchy of separation results in a reduction in conviction, certainty, and fluentency in reading and writing. When I say:
Choose from the rabbit, hare,*or jackalope.​
I want my reader to know that "rabbit", "hare", and "jackalope" are members of a list not merely items subtly separated in some undefined way that they will have to work out for themself. If I'm writing a contract or a manual I depend on that. I prefer defined to undefined.

I think there's a temptation for writers to subscribe to this model, or claim subscription, simply because it is less effort; that is a thought that bothers me.

To me a lack of definition is only useful in art and comedy. Poetry rightly ignores the rules of punctuation. Part of the enjoyment in poetry that is in the interpretation. A similar viewpoint should probably be applied to fiction, to a lesser degree, but in general I will abstain from rhetoric wherever this accuracy or fluency could be compromised.

I won't become a better writer by eliminating a tool in my box (though I will become a better writer by the re-writing exercise that would entail). I would, however, become a better reader if I became sensitive to that usage. That doesn't mean I have to like it, or use it.
I can't control my readers. And what if some of my readers have a learning difficulty or the text is going to be translated? My learning about the existence of the rhetorical punctuation model will probably make me a better reader but I'd rather not force that burden on others. My view differs somewhat when it comes to vocabulary.

I'm claiming that commas do express afterthoughts in literature. Clearly, it's up to me to provide examples, but I don't have the time hunting for them, so I don't actually expect you to believe me, here.
I do believe you. Your claim makes sense once made. My point was that without your assisting commentary I would not have understood the meaning of that comma, used in that way. To me, the fact that even you acknowledge such an example might require proving damages your argument.

Unlike programming languages, natural languages aren't formal systems; they're human behaviour - and as such behave oddly at times.
The crucial difference between a natural language and a computer language is specificity.

The chief reason why computers are incapable of understanding natural languages is not because computers can't understand the semantics or structure of natural language. But that the meaning (and the semantics, and structure) are dependent on an understanding of the meaning of the words. A computer is unable to understand a very simple sentence such as:
Water is fluid​
because it has no concept of what fluidity or water is; it is unable to experience those things.

Grammar is the attempt to describe language using a formal system. There's no perfect way to do this - hence we have many different grammar theories.
The reason we have no perfect grammar theories is because English is imperfect. Where it is complex or undefined aspect of grammar such things can be stated in a theory. There could very well be a single theory that could accommodate imperfect English. The reason there are multiple theories is because of a difference in opinion over the principle purposes of language.

No, my actual point is that you have different emotional reactions to texts in analysis mode and in reading mode. This is how such rules as "don't split infinitives" or "don't start sentences with conjunctions" start in the first place. The definitions of the term acquire some sort of aesthetics of their own; in the worst case they ruin your enjoyment of certain structure. My real point is that having more things to gripe about doesn't make you a more discerning reader. Formal systems have a sort of conceptual beauty, but it's not the same beauty as the beauty of language. But once you analyse language using a formal system (a grammatical theory) there will be crossover that distances you from non-analytical readers, and perhaps even changes your future judgement of words.
I love this. I totally support this view. You can approach anything with a any number of available mind sets, each producing a different result. If we obsess over punctuation it comes at the cost of everything else.
 
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ideagirl

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Originally Posted by Ugawa
Would you not use a comma in this type of sentence.

Then he checked my chest(,) to make sure no ribs were out of place.

Nope, no comma. It isn't even optional; using a comma there would be incorrect.

There are situations where it could be correct. If "to make sure..." contrasts with what the narrator was expecting or hoping for (e.g., say she has an enormous crush on this person and wishes he would touch her in a sexual way, but his touch is merely clinical), you would use a comma. Ditto if "to make sure..." conflicts with what the reader was expecting (e.g. maybe the reader was expecting the touch to be romantic/sexual).

Also, I can't think of a reason why it would be incorrect to use a comma in that sentence, given that it is correct to write "Then he checked my chest, making sure no ribs were out of place." It certainly isn't necessary to use a comma, but I'm not seeing why it would actually be somehow forbidden.

Here's a good website that explains comma usage very clearly:
http://owl.english.purdue.edu/handouts/grammar/g_comma.html
 

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I closed his car door and he waved goodbye to Mary, who once lived in the yellow house on top of the hill, before roaring the engine and speeding off down the road.


Just posting to correct the above sentence, which needed a comma after "Mary," because the bit about her living in the yellow house is a parenthetical phrase.
 

ideagirl

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If I read:

Then he checked my chest, to make sure no ribs are out of place.​
I'd read this with a different cadence, almost finishing after chest, but then picking up again. "to make sure..." turns into some sort of after-thought. There's a hierarchy of separation:

1. Then he checked my chest to make sure no ribs are were out of place.

No comma. The to-clause is the information.

2. Then he checked my chest, to make sure no ribs are were out of place.

Comma. The checking of the chest is the information; the to-clause is an afterthought.

3. Then he checled my chest. To make sure no ribs are were out of place.

Fullstop. Same as 2. Longer pause.

4. Then he checked my chest: to make sure no ribs are were out of place.

Colon: Same as 1. but with added emphasis on the to-clause, by making the position stand out and heightening the causal relationship by the use of a colon.

5. Then he checked my chest - to make sure no ribs are were out of place.

After fixing the verb tense, I agree with you on (1), (2) and (5),* and although (3) is technically incorrect, it could work in dialogue; there are people who speak like that--in fact, most people do not speak in complete sentences. So in dialogue, or in a first-person narrative where the narrator's speech patterns are meant to be a little bit juvenile or fragmented, (3) could work.

But (4)? No way, no how. It's incorrect, and it doesn't work (whereas (3) is incorrect, but does work in some cases). That's just not how colons work. A few links for explanation:
http://leo.stcloudstate.edu/punct/colon.html
http://programs.northlandcollege.edu/owl/Colon rules.htm
http://www.whitesmoke.com/punctuation-colon.html


* For (5), what you want in the middle there is an em-dash, i.e. a long dash (--), not just a hyphen (-). But I know what you meant.
 
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