Switching from plot to plot within one chapter

Status
Not open for further replies.

Carter

Registered
Joined
Dec 20, 2007
Messages
24
Reaction score
2
My story has seven main characters who, every couple of chapters, split up into groups to advance various plots and other things, but I am having trouble formatting the switch from group to group.

For instance, the 3 girls have gone off to do something and the four guys have gone to a coffee shop. I've told all there is to tell about the coffee shop episode, ending with a hook between 2 characters and now I'm ready to focus on the girls' adventure. But how do I make it very clear that to the reader that we are now elsewhere. Just starting a new paragraph as if I had been writing for the girls this whole time feels weird as does using words like "Meanwhile" or "on the other side of town" in the first sentence.

I recently read Lord of the Flies where the author used these little asterisks that ran across the page to illustrate that the narrative was switching from one camp to the other, or that a certain amount of days had passed.

My question is, which is the best way to show the reader that we have now switched to the other characters?
 

TheIT

Infuriatingly Theoretical
Super Member
Registered
Joined
Aug 10, 2005
Messages
6,432
Reaction score
1,343
Location
Silicon Valley
What you're talking about is called a "scene break". In a manuscript, it's indicated with double carriage return, "#", and another double carriage return, then the narrative picks up in the new scene.

Take a look at the "GENERAL MANUSCRIPT FORMATTING" thread stickied to the top of this forum for more information.
 

kct webber

Squirrel, Sekrit type, 1 ea.
Super Member
Registered
Joined
Dec 16, 2006
Messages
5,323
Reaction score
1,164
Location
In the booshes.
What IT said. You either start a new chapter, or put in a scene break. A scene break goes like this:

Guy at coffee shop says something clever to end scene.

# (centered)

Girl walks through woods.
 

cethklein

Super Member
Registered
Joined
Dec 26, 2007
Messages
3,453
Reaction score
452
Location
USA
To add one thing to what has been said, remember, ONLY use ###, not ***. editors only want to see three #'s.
 

RJK

Sheriff Bullwinkle the Poet says:
Super Member
Registered
Joined
Nov 6, 2007
Messages
3,415
Reaction score
440
Location
Lewiston, NY
It is my understanding that the '#' sign is a typsetter's instruction for a hard line feed. I don't really think it matters if it's centered or not, and I think you only need one. The editor will make the final decision in any event.
 

kct webber

Squirrel, Sekrit type, 1 ea.
Super Member
Registered
Joined
Dec 16, 2006
Messages
5,323
Reaction score
1,164
Location
In the booshes.
To be honest, I don't know if centering matters. I do center mine, but... *shrug*

As far as the number... The way I understand it the number of '#' is what tells the typsetter how many spaces to insert into the break. One would look like this:

#

Four would look like this:


####


Or close. I could be wrong about that, but, as I said, that is how I understand it to work.
 

James D. Macdonald

Your Genial Uncle
Absolute Sage
VPX
Super Member
Registered
Joined
Feb 11, 2005
Messages
25,582
Reaction score
3,787
Location
New Hampshire
Website
madhousemanor.wordpress.com
Number of hash marks, and whether they're centered or not, doesn't make a difference at the manuscript level. Other people, farther down the production chain, will handle that bit.

For that matter, while hash marks are correct, using asterisks works too: the idea is to be consistent and not to confuse the reader. (In the case of manuscripts the reader is the editor.)
 
Status
Not open for further replies.