- Joined
- Jul 3, 2008
- Messages
- 538
- Reaction score
- 51
In my so-close-to-finished work in progress, there are few editorial decisions that still elude me. One of which is the dashes that litter the page, and the fact that I used ellipses in several areas. Technically speaking, I'm pretty sure you're not supposed to. I cut out most that didn't need to be there, but there are just some things and ways of speaking that just don't read the same without them.
Here's why I kept a pretty good many dashes (don't worry, they're not, like, everywhere, but there are a few scenes that I use them quite a few times in a row and is therefore noticable). Most of them are in dialogue, or the narration is mimicking the dialogue--I have a 1st person narrator (see? See? I just can't get rid of these damn things!). Some would be like the sentence I just wrote, with a hurried attribution to a mostly finished sentence, and then I used them when my characters cut each other off, because just nothing else make sense and explaining people getting cut off is cumbersome and adverse to the effect of cutting off. Sometimes my narrator will cut himself off, though only occasionally. This isn't to say all conversations are like it or necessarily the same either, it's just the way some characters tend to communicate. Same sort of thing with ellipses too, actually, since I generally just use them to indicate drag in someone's speech, if it's significant enough.
So really, how much is too much? I have at least one scene with two very pissed off people who can't let the other finish a sentence, and then there's the submissive type that gets cut off by other people who don't want to bother listening, and the generally just awkward person who doesn't know how to say what they're really trying to say. The way I wrote the scenes makes sense to me, but making sense and being technically sound are not necessarily the same thing.
The biggest problem has been with the dashes though. For the real quick back and forth dialogue there's just not a way to do it that made sense to me otherwise, and my narrator is really informal.
I cut the excess of both dashes and ellipses, but there still seems to be a good number of them.
As a side note, exclaimation points. I don't use a particular many of those, though I have them, and I've noticed a few in dialogue. Are those actually slated as bad if it's in dialogue or just the narrative. I might've used it once in narrative, twice if I'm wrong, but that's not really too bad.
Here's why I kept a pretty good many dashes (don't worry, they're not, like, everywhere, but there are a few scenes that I use them quite a few times in a row and is therefore noticable). Most of them are in dialogue, or the narration is mimicking the dialogue--I have a 1st person narrator (see? See? I just can't get rid of these damn things!). Some would be like the sentence I just wrote, with a hurried attribution to a mostly finished sentence, and then I used them when my characters cut each other off, because just nothing else make sense and explaining people getting cut off is cumbersome and adverse to the effect of cutting off. Sometimes my narrator will cut himself off, though only occasionally. This isn't to say all conversations are like it or necessarily the same either, it's just the way some characters tend to communicate. Same sort of thing with ellipses too, actually, since I generally just use them to indicate drag in someone's speech, if it's significant enough.
So really, how much is too much? I have at least one scene with two very pissed off people who can't let the other finish a sentence, and then there's the submissive type that gets cut off by other people who don't want to bother listening, and the generally just awkward person who doesn't know how to say what they're really trying to say. The way I wrote the scenes makes sense to me, but making sense and being technically sound are not necessarily the same thing.
The biggest problem has been with the dashes though. For the real quick back and forth dialogue there's just not a way to do it that made sense to me otherwise, and my narrator is really informal.
I cut the excess of both dashes and ellipses, but there still seems to be a good number of them.
As a side note, exclaimation points. I don't use a particular many of those, though I have them, and I've noticed a few in dialogue. Are those actually slated as bad if it's in dialogue or just the narrative. I might've used it once in narrative, twice if I'm wrong, but that's not really too bad.