What do you call this: It's like a flashback, but the protagonist or viewpoint character relives the same scene over and over again, revealing slightly different things to the reader each time. At first, barely anything is revealed. Gradually more and more of the scene is described, until finally we have the whole story. The reader gets the idea that this scene is primarily responsible for shaping the character, and they stay hungry to find out more in each iteration. When we find out how the flashback scene really ends, or what it really means, it explains the story of the novel or it explains the arc of the character.
Examples: In Catch-22, Yossarian has a bunch of different flashbacks to one scene, Snowden's death, each one telling slightly more than the last. In this case, it's somewhat along the lines of reliving trauma in PTSD, though Heller wouldn't have called it that.
In Gateway, by Fred Pohl, the protagonist keeps retelling his fateful last voyage. His therapist wants him to talk about it, but we don't hear the whole story until the end because the protagonist doesn't want to talk about it. At the point we find out what happened to him, we realize why the character is who he is.
In Light, by M. John Harrison, two very traumatized protagonists with amnesia are having different flashbacks to a scene in childhood. We gradually realize that the scenes are the same and the characters used to interact with one another.
There are lots of other examples I am certain. Anyone know what you call this device? Any advice for writing it well? Any other good examples of it to check out? Thanks!
Examples: In Catch-22, Yossarian has a bunch of different flashbacks to one scene, Snowden's death, each one telling slightly more than the last. In this case, it's somewhat along the lines of reliving trauma in PTSD, though Heller wouldn't have called it that.
In Gateway, by Fred Pohl, the protagonist keeps retelling his fateful last voyage. His therapist wants him to talk about it, but we don't hear the whole story until the end because the protagonist doesn't want to talk about it. At the point we find out what happened to him, we realize why the character is who he is.
In Light, by M. John Harrison, two very traumatized protagonists with amnesia are having different flashbacks to a scene in childhood. We gradually realize that the scenes are the same and the characters used to interact with one another.
There are lots of other examples I am certain. Anyone know what you call this device? Any advice for writing it well? Any other good examples of it to check out? Thanks!