I recently submitted a script for a Blair Witch style mockumentary horror. It was only 75 pages long. I have NEVER written anything that short before. (It was so weird to be at the other end of the page-count spectrum for a change!)
Is that TOO short?
And yet, considering the genre, would that actually be better than 80 or 90 pages?
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I just checked IMDB and Blair Witch was 86 minutes (including credits) and Cloverfield was 85 minutes (including credits). So ...... maybe I'm in the right ball park for the genre??
You should realize that there was no script at all to Blair Witch. It was shot improvisationally and put together in the editing room.
A lot of DTV movies aim for something like eighty minutes and the scripts are on the order of 85 pages.
What you need to realize is that there is a reality beyond that minute per page thing.
The reality is that there is more complicated ratio which you come to understand when you see movies produced.
If you actually take a script of a hundred pages and shoot every single line of every single scene, you end up with a first cut that is pretty much always way, way longer than a hundred minutes. You might very well end up with something that's a hundred fifteen to a hundred and twenty minute.
You then have to go in and start doing the real editing -- cutting out all that stuff that seemed so important when you were writing the script and shooting the movie but now that you have it -- you realize how you don't really need it -- and you end up chopping out those ten or fifteen or twenty -- or maybe even more minutes and get it down to its proper length.
So yes -- you end up with a movie that's a hundred minutes -- but if you were to transcribe it back to script form, you might end up with a script that was only eight-five pages.
But we want those extra pages. We want those extra scenes. They're necessary. Because until you have actually shot the movie and gotten into the editing room, you don't really know for sure what you need and what you don't.
The worst scenario in the world is to write eighty pages, shoot eighty pages, get in the editing room and realize that you have to use every single thing you've shot -- you have no flexibility at all in terms of cutting out material that doesn't play well or that screws up the pacing or whatever.
They want that extra length. It's part of the process.
So don't assume that because the final cut of Cloverfield, or these other horror movies is 85 minutes, that they were derived from 85 page, or 90 page screenplays.
And unless I was aiming for a sixty-five to seventy minute feature (which, I have to tell you, is way too short), I'd never write a seventy-five page screenplay.
Unless I had been given that page count as an assignment, I would consider 90 pages as the absolute minimum for a spec feature.
A hundred to a hundred and ten, irrespective of the genre, you really can't go wrong.
Whoever is reading it (who, if they're anything like me, will flip to the end to see how many pages it is before they start reading) will react with a little, "hmph" if it's under a hundred or over a hundred and fifteen.
NMS