Novel writing vs. songwriting

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maestrowork

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I'm not going to cross-post but I posted this on my blog. To the musicians among us, what do you think?


I've been working on some original songs and music in the past few months, after shelving off that part of myself for almost a decade. It's been wonderful, both spritually and creatively. But it also got me thinking: writing and music really are very similar. Of course, all art forms are related, but I think there's a lot of parallels between music and writing.
...

I'm also going to post about the process. In the past, I felt that the process of writing is very different from composing, but I just thought more about it, and wondered if I could apply what I'd learned from songwriting to my writing, and my discovery was rather astounding to me....
 

III

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I think we're at pretty similar stages of life (although the fact that you've kept your hair seems a little immature, but I love ya anyway). I hadn't been inspired to write any songs except instrumentals for the past 7 years or so, but have recently, as a result of AW been inspired to start up again.

I don't feel much of a connection between the songs I've been working on and my literary WIP, possibly because 1) the subject matters are so different, and 2) a song is about 200 words as opposed to the WIP being 80k. Writing a song or poem, you have to use so much economy of motion, but writing a novel you can really roam around. I guess it's analogous to running a sprint vs. a marathon - there's an overlap but you use different muscles and a different strategy.

I know you've been working on music as an extension of your WIP, which I think is just awesome. I've kind of been see-sawing, spending a week on WIP, a week on music, taking a week off, so there hasn't been much synergy, other than just having the creative juices flowing in general. I'm watching your project with great interest and might try something similar some day (riding your coattails) :D
 

C.M.C.

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I don't find the two to be much alike at all. The composition of a novel is something long, drawn out, and frequently painstakingly constructed before a word has been written. Songwriting is much more of an organic process for the most part. An accomplished writer can catch inspiration and have a finished work in fifteen minutes if he or she is writing a song, but inspiration has to be tamed and trained in order to maintain it over the course of a novel.
 

kuwisdelu

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What about writing a novel compared to writing an album? And by album, I mean a cohesive one like in the good old days, when all the songs meant something when put next to each other in the right order. None of this one-hit-wonder stuff.

Or writing a song compared to writing a short story? I think those are better comparisons.

I see some parallels, but whenever I'm songwriting, I'm confronted by the question of what comes first: lyrics or music? I know ideally they should come together, but that's not always how it works. Perhaps it's a similar dilemma to which comes first: plot or characters? Again, ideally, they come together in inspiration, but that doesn't always happen. Where's the best place to begin?
 

maestrowork

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I guess it's analogous to running a sprint vs. a marathon - there's an overlap but you use different muscles and a different strategy.

Obviously they are different but for me anyway, the thought process and the production of it can become quite similar despite their obvious dissimilarities such as length or scope. I'm not talking about just a simple chord progression and a few notes here and there, but a well-thought-out song has so much going into it -- the right mood, the right tones, the right instruments, the right melody, the right lyrics... and they all have to work together and layer on top of each other.

With novels, there are of course different ways to write. For me, I don't just write the first word and then write until I type "The End." There are thought processes going into it -- the structure, the plot and character development. Perhaps it's not a one-to-one comparison, but I find writing and songwriting can overlap in that thought process.

In the blog entry I've talked about the process. But one thing that struck me was actually the differences. With novels, I tend to want to do it "right" the first time, mulling over words, etc. With songs, I tend to do it by layer. I put down the rhythm section, put the song in a good structure, then lay out the chord progressions, then came the melody... etc.

That got me thinking: couldn't that be my novel-writing process as well? Why do I have do it "right" the first time? Can't I just lay down the structure first, then write a rough draft of the plot and dialogue, then build on that layer by layer...



I'm watching your project with great interest and might try something similar some day (riding your coattails) :D

Don't be silly.


I don't find the two to be much alike at all. The composition of a novel is something long, drawn out, and frequently painstakingly constructed before a word has been written. Songwriting is much more of an organic process for the most part. An accomplished writer can catch inspiration and have a finished work in fifteen minutes if he or she is writing a song, but inspiration has to be tamed and trained in order to maintain it over the course of a novel.

Others may say fiction writing is an organic process while songwriting is a structured, methodical exercise. So I guess it depends on your process. For me, both are rather organic to begin with, with songwriting a bit more structured and "layered" than my fiction writing process. Other than the scope or length (then again, what about composing a symphony instead of a pop song? The scope and length could just be as daunting?), do they really have nothing in common?


What about writing a novel compared to writing an album? And by album, I mean a cohesive one like in the good old days, when all the songs meant something when put next to each other in the right order. None of this one-hit-wonder stuff.

For me, an album is more like a series of novels or a collection, or episodic.

Or writing a song compared to writing a short story? I think those are better comparisons.

I think short story may be a more apt comparison in terms of length and scope. However, I think a short story lacks certain aspects that I feel are present in both novels and songs: hook, repetition, theme, motive, pattern, etc. The construction of a novel is generally simpler and more organic, IMHO.

I see some parallels, but whenever I'm songwriting, I'm confronted by the question of what comes first: lyrics or music? I know ideally they should come together, but that's not always how it works. Perhaps it's a similar dilemma to which comes first: plot or characters? Again, ideally, they come together in inspiration, but that doesn't always happen. Where's the best place to begin?

Exactly. I write music first, then the lyrics come to me once I have the theme and idea in my head. Some people write lyrics first, then try to fit it into a melody. The same could be said about fiction: plot or character? Conceptually, I see the thought processes as very similar.
 

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In a conceptual sort of way, maybe. A song can be a synopsis of a story, a piece of instrumental music can convey moods and emotions, evoke vague images that depend on the hearers experience. Otherwise, they are bananas and grapes, not even as similar as apples and oranges. Good in a fruit salad though, and music and writing do go well together. I composed a bit of music once that was based on a novel I was writing. The atmosphere overflowed from one medium to the other.
 

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Just today, while listening to the radio in the car, I thought about the connection between writing books about love and writing songs about love. Men are not traditionally romance writers, but they sure know how to condense a heart wrenching rendition of love into a few words. It takes some talent.
 

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Funny, Ray, I was just thinking about htis today.

I've been composing a piece for orchestra this past week; I have about six minutes written so far. It's very exciting, some of the most agressive and explosive music I've ever written, yet it has no soul.

It's all very gestural--pure action, then pure mood, but, as of now, there is no great cohesive theme tying it together.

It reminds me of a well written novel with a very thin, or totally missing plot.

In music it's very easy to let your craft take over and mask the fact that you have nothing say. The reason it's so very hard is because 'saying' something often involves invoking idioms or conventions which have been used in the past--and of course, once you do that, you are no longer 'contemporary,' and so, dead.

I know you were talking about song writing, but I think the fundamental connection is the music itself. When you compose a song, or a symphony, you are manipulating time and perception in a way similar to when composing fiction; voice, pacing, perspective, characters (motifs or melodies); they're all there.

I wish you success in both.
 

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I've mentioned before the connection between being a musician and being a writer. I seem to come up with apt analogies all the time.

Novel writing (since we're in the novel writing forum) and songwriting, however, use two different types of thinking. I tend to lean more along the lines of relating novel writing to music composition, with it's detail, attention to form and style, theoretical understanding to the point where you can properly push aside that knowledge and let your creative spirit flow, and building one complex yet cohesive work.

Songwriting is more base. Not more simplistic or easier by any means, but less intense. More poetic obviously.

On a personal level, I've written both songs and poetry, instrumental composition and novels. I do much better at the longer, more drawn out process of instrumentals and novels and pretty much suck at poetry and songwriting.
 

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I use a different part of my brain to write poetry (I don't write songs b/c I don't know how to write music, can't hear a melody other than the rhythm of my spoken words) than I do to write novels. Writing a poem is a much more instant gratification, too. But I know what you mean. You want your novel to sing, to have its own melody, to stick in someone's head and make them continue reading. You want your songs to tell a story, not to be forgetable pop nonsense that doesn't last.
 

maestrowork

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But I know what you mean. You want your novel to sing, to have its own melody, to stick in someone's head and make them continue reading. You want your songs to tell a story, not to be forgetable pop nonsense that doesn't last.

Exactly.

I think any piece of music or song or fiction that lasts has that quality -- something that sticks with you. Be it the theme, the melody/plot/lyrics/characters, the beat, the flow, the feel, voice, etc. Listen to a Queen's song, and you suddenly realize it's not just a song anymore. It has cultural impact. It moves. You can't help but hum along and want to hear it again. That's what I'm talking about.
 
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I see no relation at all. With my music, I have much more freedom, and I am at the point where I totally own the instrument and never have to worry about technique or think about the fact that I am playing it. Writing novels will always require me to work things out, to think hard about how I put it together. Also, I am an improviser when it comes to music. I do that when I write too, but only in my unpublishable, indulgent stuff.
 

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I see no relation at all. With my music, I have much more freedom, and I am at the point where I totally own the instrument and never have to worry about technique or think about the fact that I am playing it. Writing novels will always require me to work things out, to think hard about how I put it together. Also, I am an improviser when it comes to music. I do that when I write too, but only in my unpublishable, indulgent stuff.


But can't your novel writing be like your music writing when you get to a point when you no longer worry about techniques or you're not even aware that you're writing? That you get into that zone? And of course, you can improve with writing the same way you can improv with music... And can truly improvised music be published? Wouldn't that be kind of self-indulgent as well? I really don't see a separation, except maybe you have different levels of skills/mastery when it comes to music vs. writing.
 

Charlie Horse

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But can't your novel writing be like your music writing when you get to a point when you no longer worry about techniques or you're not even aware that you're writing? That you get into that zone? And of course, you can improve with writing the same way you can improv with music... And can truly improvised music be published? Wouldn't that be kind of self-indulgent as well? I really don't see a separation, except maybe you have different levels of skills/mastery when it comes to music vs. writing.

This emphasizes the difference in the way varied artists approach their craft. As with writing, there are those musicians who fly by the seat of their pants, letting their union with their instrument and their innate musical abilities take over, and for others, playing is a very calculated exercise only achieved through extensive practice on a particular set of given notes. Writers are much the same. Some of us improvise, while others need to plan and outline.
 

III

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I just thought of another overlap - execution of a phrase. In playing, you want to find just the right way to execute a phrase to capture what you're feeling. Maybe it's a slight syncopation or a pick angle or a dynamic or bend. In writing, you want to find the perfect word or phrase or pacing to convey what you're feeling. Finding that perfect phrasing is like getting hit by lightning (in a good way, although who was the first person to think getting hit by lightning would be good under any circumstances?)
 

maestrowork

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That's why I'm really curious and post the question to the musicians/songwriters among us writers. The more I write my music AND my novel, the more I see the connection (for me), and it kind of changes on how I think about approaching my novel (with which, I admit, I'm having a bit of trouble moving forward right now).
 

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What's interesting here, is that I had become very frustrated as a musician, and when I started writing I realized how not only how much more I enjoyed it, but how much having a musical background prepared me to be a writer.

I still play music and enjoy it, but I'm glad I found my way to writing.
 

maestrowork

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Interesting. My writing actually fuels my music. Not just in a poetic (lyrical) sense, but in the overall creative flow. I'd stopped writing music for about 10 years and I started writing around 2001 and now I'm picking up writing music again. I still can't play worth crap, but I'm really enjoying making music again.

Also, I think music is more of an instant gratification. You can hear how everything starts to come together, and you can listen to it and you can show it, etc. With writing, sometimes it's just you and the computer for a very long stretch of time without a lot of instant feedback. So I guess I need to make my music to feed that need for instant feedback while my writing is more about the long haul...
 

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Interesting. My writing actually fuels my music. Not just in a poetic (lyrical) sense, but in the overall creative flow. I'd stopped writing music for about 10 years and I started writing around 2001 and now I'm picking up writing music again. I still can't play worth crap, but I'm really enjoying making music again.

Also, I think music is more of an instant gratification. You can hear how everything starts to come together, and you can listen to it and you can show it, etc. With writing, sometimes it's just you and the computer for a very long stretch of time without a lot of instant feedback. So I guess I need to make my music to feed that need for instant feedback while my writing is more about the long haul...

That's funny you say that. With me it was the opposite because I created music mostly on my computer, which required significant blocks to time multi-tracking, recording, tweaking, then mixing before I was able to transfer to a medium that I could transport and listen to somewhere else. With writing all I had to do was open up word and type.
 

Charlie Horse

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But can't you hear what you're doing on the computer as you're composing?

Sure, but it was all in pieces. Lay down a drum track, then a bass track, then rhythm, etc. Much more time consuming composing a four-minute piece than banging out a couple of thousand words in the morning before work.
 

maestrowork

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Sure, but it was all in pieces.

Sounds more like my novel WIP. :D


But that's the question in my OP. I wonder, if writing can be achieved the same way. You have the drum track, then the bass, then the piano, then etc. What about writing? You have the structure, then the basic outline, then filling in the basic plot, then embellish with prose, then polish the prose... Or you may write different sections in different orders, then try to piece everything together in a coherent fashion...

As opposed to how some musicians make music -- they just gather -- the bass and guitar players, the drummer, the lead singer, the keyboardist -- then they have a serious jam session and whatever comes out can be refined later... sounds like how you write your novel.

So...


My point is, again, it's not that the two processes are inherently any different -- it's just for each individual writer/musician, they can be, or they can not be.
 
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This is really an apples and rocks comparrison. Poetry and music writing is more of an apples and oranges thing.

Songs are things we can feel, literally, because there is a melody and a beat which help to inspire the flow of words. By it's very nature one can inspire the other- the music and the words.

I've written songs that started out as words only, and also that started as a riff on guitar.

Poetry is similar in that it can have a beat and rhythm, and it is abrupt.

Writing a novel was in no way like writing songs or poetry or magazine articles. It is it's own creature. I think you can be fantastic at all of these, and still be incapable of finishing a novel- and vice versa.

The only true overlap that I see is that many songs are small stories- but to turn a small story into a novel is daunting. And second, they're both creative. But can you compare sculpting with writing novels?
 

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The anthropologist Claude Levi-Strauss had a section in one of his mythologiques books comparing mythology and music. I didn't understand it though, because I'm kind of music impaired. :Huh:
 
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