Watched the first half of Metropolis Restored via Hoopla (breaking it over two nights because 2 1/2 hours is a long commitment for my computer chair, especially after an extra-hard day at work, plus my wireless headphones sometimes have charging issues and I don't want to bug family.) Using footage from the 2010 Buenos Aires print, it recreates the original movie to probably the closest we're ever going to get. For those unfamiliar with Fritz Lang's classic, this groundbreaking silent SF movie follows a son of privilege as he discovers the hellish lives lived by the workers who keep his father Joh's grand futuristic city running.
I grew up with the 1980's Giorgio Moroder version - yes, the one with the rock soundtrack. In some ways, this is a different movie, more like Thea Von Harbou's book in its heavy political, religious, and metaphorical content. (The 80's cut brings the focus in on the characters and the lead love interest... and trims out some of the rather blatant racism.) The epic scale stands out in the extra footage (some of which is still a little rough; the "new" print wasn't in great shape when discovered, evidently), with many effects that we take for granted now but which had to be painstakingly created with mirrors and such in Lang's day, with some different shades to the characters. Joh's reaction to the robotic Hel and his interactions with the mad Rotwang, for instance, are almost a whole different story. Still very much ahead of its time, and so far good, if a trifle heavy-handed on those themes. Hope to wrap up watching tomorrow.
(ETA - Finished watching. Still a pretty good movie, and it holds up remarkably well to the test of time, though the full version's pretty heavy on the Message. And I still enjoy the 80's version, which is sort of its own work, though I am an unabashed child of the 80's at heart.)