Male centric films can be many things
Some are movies focusing specifically on male perspectives or situations (perhaps for good reasons) like Das Boot, or Saving Private Ryan or whatever. These movies can certainly appeal to women (who can generally relate to well-drawn male characters in situations that are presented empathetically), but by necessity they focus on a male viewpoint because of the subject and setting of the story.
Nothing wrong with this, imo, except that historically directors have considered stories set in male-centric settings to be more interesting and important than stories set in female centric ones. Far more stories seem to be told about soldiers than about the women on the home front, and far more stories being told about priests and monks than about nuns etc (though Sister Act's popularity suggests that there's a market for nuns).
Or male centric films can be movies where there are female characters, even strong ones, but fewer of them and the women are cast in roles that cater heavily to the male gaze. Many superhero movies do this. Even when there are female superheroes too, they are usually outnumbered AND dressed and posed and filmed in ways that make it clear their primary function is to titillate heterosexual guys. Women may enjoy these movies too, for the adventure (and possibly some male eye candy, even if it's not as focused on that element of their characters) and because there are at least one or two women kicking butt too.
Male gaze is far more common than female gaze or neutral gazes in moviemaking. Even movies centering on female leads, like Alien, will spend more time panning over a female character as she undresses or something.
Or they can have a sociopolitical bias more in favor of patriarchy or male superiority, where the female characters are presented as bitches, or weak and vapid, or otherwise unsympathetic or annoying, or simply as plot devices or supportive of the male characters, and the narrative truth presented in the movie is simply that guys are in charge and the ones who have the most interesting and important arcs, and that's how it should be (and even the crowd scenes tend to be male centric with more men than women in them). This isn't always done intentionally, and historically many movies have done this because they are simply reflecting a societal perception of how things are, and many still do. In some ways, I find this kind of narrative most irritating, because it doesn't examine or deconstruct patriarchy in any way, and it's very insidious.
I think most movies are still male-centric, and many people don't even notice or question that fact in a world where, in spite of increasing numbers of women in various high-profile professions, the male default is still taken as a given.
There are movies that aren't female or male centric--they simply present interesting and complex characters of both (or all if they go even further and avoid binary and cis-normality) genders.
A female centric movie would be one that is centered primarily on female characters, relationships and/or situations. They don't necessarily have to be radically feminist or anything like this. I'd say Gone With The Wind would be an example, even though it took place against the backdrop of a very patriarchal time and place in history. It kind of deconstructed that and showed the relationships and complexity and strength of women. Unfortunately, it didn't do the same thing for the African Americans caught up in the struggle, but that also shows how insidious social assumptions can be.
It can get complex when a movie has a strong female lead but she's sort of a smurfette in an otherwise male world (when that's not the point of the story or explained in any way). Rogue One is an example here. All the important characters (even the robot, arguably) were male except for the protagonist, and it was never clear why. Was Rogue One male-centric? I thinkt it was, and maybe the director made this choice after all the pushback over making two Star Wars movies in a row with a (horrors) female lead.
There are also female centric movies, where the focus is on a woman and her story, but there is still filming from a male gaze perspective. So it's not always all or nothing.