Research that apparently inspired Robert C. O'Brien's Mrs. Frisby and the Rats of NIMH.
I'd really hesitate to draw parallels between dysfunction in rodent "society" and human society, but hey, if you can get a good book out of it...
Dr. John Bumpass Calhoun spent the ’60s and ’70s playing god to thousands of rodents.
I'd really hesitate to draw parallels between dysfunction in rodent "society" and human society, but hey, if you can get a good book out of it...
Dr. John Bumpass Calhoun spent the ’60s and ’70s playing god to thousands of rodents.
Atlas Obscura said:On July 9th, 1968, eight white mice were placed into a strange box at the National Institute of Health in Bethesda, Maryland. Maybe “box” isn’t the right word for it; the space was more like a room, known as Universe 25, about the size of a small storage unit. The mice themselves were bright and healthy, hand-picked from the institute’s breeding stock. They were given the run of the place, which had everything they might need: food, water, climate control, hundreds of nesting boxes to choose from, and a lush floor of shredded paper and ground corn cob.
This is a far cry from a wild mouse’s life—no cats, no traps, no long winters. It’s even better than your average lab mouse’s, which is constantly interrupted by white-coated humans with scalpels or syringes. The residents of Universe 25 were mostly left alone, save for one man who would peer at them from above, and his team of similarly interested assistants. They must have thought they were the luckiest mice in the world. They couldn’t have known the truth: that within a few years, they and their descendants would all be dead.
The man who played mouse-God and came up with this doomed universe was named John Bumpass Calhoun. As Edmund Ramsden and Jon Adams detail in a paper, “Escaping the Laboratory: The Rodent Experiments of John B. Calhoun & Their Cultural Influence,” Calhoun spent his childhood traipsing around Tennessee, chasing toads, collecting turtles, and banding birds. These adventures eventually led him to a doctorate in biology, and then a job in Baltimore, where he was tasked with studying the habits of Norway rats, one of the city’s chief pests.
In 1947, to keep a close eye on his charges, Calhoun constructed a quarter-acre “rat city” behind his house, and filled it with breeding pairs. He expected to be able to house 5,000 rats there, but over the two years he observed the city, the population never exceeded 150. At that point, the rats became too stressed to reproduce. They started acting weirdly, rolling dirt into balls rather than digging normal tunnels. They hissed and fought.
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Most frightening are the parallels he draws between rodent and human society. “I shall largely speak of mice,” he begins, “but my thoughts are on man.” Both species, he explains, are vulnerable to two types of death—that of the spirit and that of the body. Even though he had removed physical threats, doing so had forced the residents of Universe 25 into a spiritually unhealthy situation, full of crowding, overstimulation, and contact with various mouse strangers. To a society experiencing the rapid growth of cities—and reacting, in various ways, quite poorly—this story seemed familiar. Senators brought it up in meetings. It showed up in science fiction and comic books. Even Tom Wolfe, never lost for description, used Calhounian terms to describe New York City, calling all of Gotham a “behavioral sink.”
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