I'm eight books into my s---a---g---a and don't have a clue what the novel titles are going to be (although I have a basic boring idea for the series title).
Just wondering how you chose your titles, especially for multi-book series. I don't even know whether to have them matching (eg. Helpless, Breathless, Limitless) or entirely non-matching and random. In either case, do you pick a theme, use a famous quote (or a play on it)... where to start?! Did you have a thousand ideas to ponder, or did something leap out from the start?
Right now, the only idea I like is for my first book - it's a quote from the book and matches the theme of the entire series - but it may be hard to find similar singularly meaningful snippets from every book. That title is:
Are You Supposed To Be Here?
The only problem is that, to me, that sounds like a YA title. The book is about a teenager but isn't really YA in terms of structure, POV etc. I'm calling it women's lit.
You can't copyright a title -- either a book title or a song title. I mention lots of song titles in my books, but am very careful never to even partially quote a line from the song because that requires permi$$ion.
I am almost finished, which is why this is on my mind... If it was just one book, I don't think I'd have a problem. My concern is whether to have ten titles that "match" in some way, or just use whatever random, relevant title comes to mind. Which is none, right now, but I'll work on it.
The underlying theme is "search for love" or "finding home" (in a family context) and I'd love to work that into a music analogy somehow.
As a thriller writer, I wanted a title that was short, punchy, intriguing... but also related to the plot. I LOVE Lee Child and Dean Koontz, but I do feel the titles of most of their novels are interchangeable with any of their other novels. Intensity. Velocity. The Good Guy. Bad Luck And Trouble. Worth Dying For. Die Trying. The Visitor.
So I choose SHARK BAIT. Short and snappy (pardon the pun), and it's about a loan shark who picks on the wrong guy.
I stole my title. There’s a famous Jim Thompson novel from the ‘50s called The Killer Inside Me, about a small-town sheriff who’s secretly a sociopathic murderer.
This is my reference section on how to fashion a title now.
The title of my novel is the most important element that drives the entire plot. Just like Harry Potter 1 was titled “The Philosopher’s Stone” because that was the core element of the plot of that book.
I was in Amsterdam, visting the Rijksmuseum. Here were all these paintings, simply named. "The Milkmaid"; yup, there she was, the real one. Same with the "The Night Watch". And halls of others, equally famous and simply named. On the flight back, I thought about that. My story was about a dancer and a spy. Nothing more, nothing less. Hence "Dancer and Spy".