Great post, Llawrence! I did one too.
(
don't hate me, I spent all day working on it)
Written in character as a broadsheet for an upcoming museum exhibition.
By the Blessings of the Mercies Who Sustain Us and Their Emissaries Who are as Sisters and Mothers to Us All [The Trivium],
Relics of the Tutelary Age is now exhibiting in the Basilica of River and Sky, from the end of the Moon Festival until the third day of Calibration. Please note this event is by invitation only, and all guests will be submitted to a rigorous pre-screening and may be expelled at any time for any reason. Charitable donations are required.
The Tutelary Age rests at the foundation of the Modern Era, separated from us by the horrors of the Misrule and the ever-steady passing of time. And though many of its wonders have been lost or wisely suppressed, it continues to fascinate even as our memory of it grows ever dimmer. But for the first time ever, a collection of its artifacts have been put on display for the edification of the Exalted Dead, so that they may learn of both the age's accomplishments and its perils. A number of these items have been drawn from the Trivium archives, as well as the Ecumenical Library and various private collections.
The Citadel That Floats Upon the Suffering of the World
The pride of the collection,
The Citadel had been painstakingly restored and is currently on display in the Vestibule of Fossilized Memory. One of the flagships of the legendary White Fleet,
The Citadel served as a forward base for incursions into the world of the living, as well as a potent symbol of the Dead's power and pleasure barge for the Tutelary Kings. Note both the steel cladding and elaborate, stylized ornamentation, a sign of the era's interest in melding the aesthetic and the functional. Though ponderous and limited in its ability to travel along the rivers, the ship was large and well-equipped enough to house a both full military contingent and the king's court, with ample room to spare for goods and new Dead collected on its journey.
Mask of the Famine King
Alleged mask of one of the more powerful kings of the era, steel and inlaid gold with insets for (now removed) gems. The mask is both colossally large and hideously grotesque, leading to debate over whether it was intended to be worn or served simply as a decorative piece. Conventional wisdom, back by
some scholarly evidence, has it that it was indeed meant to be fitted to the king's head, and depicts his actual countenance. Both the veracity of this claim and its potential implications have been subject to ongoing argument.
Dream Harp, from the court of the Slumbering King
A massive and ornately crafted harp, featuring some novel innovations but otherwise similar to instruments from the Modern Era. Legend goes that the king was lulled into an endless sleep by the playing of this harp, and as soon as the music stopped, he would unleash his nightmares upon the world. Little is know as to when, or if this may have happened, and what the actual consequences might have been. But this harp serves as a reminder that for all the mystery surrounding the era, it echoes ours, and that the joys the Dead may yet experience are eternal.
Lance That Vomits the Law
Known more colloquially as a fire lance, this armament was a standard tool of enforcement among the soldiers of the Tutelary Kings. Featuring a long stock and a device at the end for producing sparks, the weapon projects a continuous stream of flammable fluid that result in gouts of flame spewed at one or several targets. As the Dead fear immolation above all else, this served as a cruel and terrible weapon to maintain the power of the kings over their City.
Statue of the Castrated King
A diorite statue depicting one of the lesser-know Tutelary Kings. Though colossal in scale, the statue serves as exception to both the idealized perfection and fanciful grotesquery of the era, instead striving for a realistic nude portrayal of the human form, including the king's signature dismemberment. Though reported as making some viewers uncomfortable, the statue depicts a kind, munificent figure, radiating serenity and compassion.
The Eye That Consumes Attention
A puzzling artifact, and one believed to date from the poorly-document early periods of the Era. The Eye is a glass or jewel screen set in an elaborate casing, with a series of colored lights set behind it powered by an unknown source. The purpose of this device is highly debated, but fragmentary evidence suggests some ability to depict 'moving pictures'. Research continues, as some cast aspersions on even the value of such a device.
The Putrid Goddess
Dated to late in the Tutelary Era, though similar depictions have been discovered from much earlier, the Putrid Goddess is a small statue carved from unknown black stone, depicting an obese woman in a state of advanced decay. This is believed to be a depiction of one of the Mercies, though such a representation is heterodox and rigidly proscribed. Please note, this statue may only be viewed under supervision from a Trivium priestess, and any attempt to worship it will be met with removal and prompt incarceration.
L's question stands. How important are merchants in your world? Do they have true power and status, or do they make up a wealthy but socially scorned class (as in medieval Japan)?