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I got my bonus information at work, and it's more than I thought it would be
Morning, Cantina. Random thought as I'm watching the Olympic women's freestyle figure skating that I recorded last night: I wish the announcers would at least make a quick mention of what music is being skated to. Sometimes they do, but they often don't, and of course, those are the moments when I recognize the music and I really like it, but I Just. Cannot. Place. It. And I'm sitting there enjoying the skating and the music, but I'm going nuts because I can't remember where the music came from. Gah!
I was really bad about writing focus yesterday, so I'm going to try to make myself scarce for the rest of the morning and try to get more done before errands have to be run.
Makes sense. (Now I'm listening to the Schindler's List soundtrack because I didn't realize repetitious use of it in competition was a thing. )It's not always as easy as saying this skater is performing to song name because it's often a medley of several pieces because the skater wants to showcase to their strengths. If you're a graceful, passionate skater some single selection will work. Which is why Schindler's List is used nearly ever single competition by someone. But more often, at this level, a skater wants to show grace, passion, power, and quick footwork, which means a selection of music that has slow moving parts, and fast powerful parts. Not something that usually appears in a single piece of music.
Mostly I just wish commentators would stop talking and let me experience the whole musical selection. The process for picking music is personal to the skater [usually (at least it's that way in the lower levels, in the States)] and I really don't want to hear Tara Lipinski and Johnny Weir being overly critical about the way the skater took off a fraction of an inch wrong the whole time. Explain how it went afterwards, when they're going to replay all the stuff they talked through anyway. I get why they do it real time, because most of us plebeians don't know the difference between an Axel, Lutz, toe loop, or even know how to spell Salchow.* Still if you're a skater, or parent of a skater, what you really want is to experience the lines, spins, and jumps as they relate to the music.
*Yes, that is how it's spelled after Ulrich Salchow the first skater to jump in that particular way. Personally diatribe, I think calling it the double or triple Ulrich would have sounded cooler.
Thanks. I am finding some of them by doing that.You might be able to google it with the competitor's name afterwards. SOMEONE will transcribe and record the selection music, somewhere.
So *that's* how you spell Salchow! I'd always wondered, but couldn't spell it in order to google it. XD
Oooooooo what kind of guitar do you have? Also what kind of metal was it?
Makes sense. (Now I'm listening to the Schindler's List soundtrack because I didn't realize repetitious use of it in competition was a thing. )
I don't mind their real time explanations of the technical stuff, but I agree that sometimes they do talk too much. Like, just limit the talking to the technical stuff during performance so I can know what's going on but also enjoy the artistry, and save the stuff about the skater's background, how they were doing in practice, etc, etc, for when we're watching the warm ups, or when you do all the replays later.
So *that's* how you spell Salchow! I'd always wondered, but couldn't spell it in order to google it. XD
Thanks. I am finding some of them by doing that.
More good news today - my co-worker from hell might be gone.
But drunk-texting is so fun to share!Huzzah! Now if only my crazy ex-coworker would stop drunk-texting me.
I'm not sure if there is a convention on that sort of thing. The only book I know that does it is Scott Westerfeld's Afterworlds, and that's done with alternating chapters: one with the novelist MC, one with the novel she's written. It's effectively two books in one. I can't really imagine it being done differently. It'd get confusing to have bits and pieces scattered around like "we're writing" "Now we're not." "writing again" "Nope, done."
Morning, Cantina. Random thought as I'm watching the Olympic women's freestyle figure skating that I recorded last night: I wish the announcers would at least make a quick mention of what music is being skated to. Sometimes they do, but they often don't, and of course, those are the moments when I recognize the music and I really like it, but I Just. Cannot. Place. It. And I'm sitting there enjoying the skating and the music, but I'm going nuts because I can't remember where the music came from. Gah!
My electric guitar is a Cort EVL-Z4. (If you Google Image search that, you should be able to see it in all its black glory, replete with silver pentagram inlays and an ornate cross on the headstock. ) Unsurprisingly given the guitar, the metal I was playing was mostly black-metal-ish, with a bit of brutal death metal in there for good measure. The less-good-sounding but more-controllable metal setting sounds closer to prog metal, but erring on the side of (weak) black metal.
ETA: I'm also rather pleased with myself right now. An electronica song I made just came up on my playlist, and I thought it was good! It's a song I haven't listened to in (probably) weeks, so to hear it sounding pretty good all of a sudden was rather nice.
Also, I'm ordering her gifts. I got her various sized baby clothes in various themes--Star Wars, Star Trek, LoTR, Dr. Who, Harry Potter (I'm starting this kid off right!). Any other suggestions?
Gah, I'm so frustrated... on someone else's behalf. I have a young writer friend I read for. She's gotten herself a really terrible beta reader. I wish she'd just done a first chapter swap, but this stranger has her whole book, and is returning it a chapter a week. Really, really unhelpful feedback. I've seen some. The beta is trying to change her writing style. One of her comments was "lma**off" during a romantic part. Come on! The beta is an 18yr-old, writing her first book too, there's no reason to be snobby. My friend is far too meek to get out of this, but it's literally destroying her writing passion. Every week she has to endure a knot in her stomach as the latest chapter comes back and she's starting to hate her book--all her favorite scenes are being forever branded with these unhelpful comments. She has good betas too. Ones that actually read her genre and are encouraging as well as critical. I'm pleading with her to get out of this beta arrangement, but she doesn't think there's a polite way to do so. She worries about looking petty because of the harshness of the feedback. But (as I told my friend) she's wasting the beta's time too, because most of it she doesn't understand. (This could go on awhile--the beta's only on chp 6.) It's not my problem and I've told my friend what I think... Yet it keeps going on and I worry about this experience taking away her confidence and passion. Ugh. I guess if she's really made to be a writer, she'll have to endure. I can't shield her from rejections and bad reviews. And maybe there'll be a few things in the feedback that ends up helping, if not now, someday.But, moral of the story: choose your betas wisely!
Man, that stinks. for your young friend. I've never experienced anything like that, but then I can also count the betas readers I've had on one hand. Gotta agree with Aggy, though. Polite or not, there has to be a point where you can say, "I'm not your punching bag, this beta relationship is over."Gah, I'm so frustrated... on someone else's behalf. I have a young writer friend I read for. She's gotten herself a really terrible beta reader. I wish she'd just done a first chapter swap, but this stranger has her whole book, and is returning it a chapter a week. Really, really unhelpful feedback. I've seen some. The beta is trying to change her writing style. One of her comments was "lma**off" during a romantic part. Come on! The beta is an 18yr-old, writing her first book too, there's no reason to be snobby. My friend is far too meek to get out of this, but it's literally destroying her writing passion. Every week she has to endure a knot in her stomach as the latest chapter comes back and she's starting to hate her book--all her favorite scenes are being forever branded with these unhelpful comments. She has good betas too. Ones that actually read her genre and are encouraging as well as critical. I'm pleading with her to get out of this beta arrangement, but she doesn't think there's a polite way to do so. She worries about looking petty because of the harshness of the feedback. But (as I told my friend) she's wasting the beta's time too, because most of it she doesn't understand. (This could go on awhile--the beta's only on chp 6.) It's not my problem and I've told my friend what I think... Yet it keeps going on and I worry about this experience taking away her confidence and passion. Ugh. I guess if she's really made to be a writer, she'll have to endure. I can't shield her from rejections and bad reviews. And maybe there'll be a few things in the feedback that ends up helping, if not now, someday.But, moral of the story: choose your betas wisely!
Dang, sounds like fun. What kind of turnout do you guys get at Roanoke? <-- perfect city name btw.
We've done comic con and wonder con, and usually have a blast, except for last year at comic con. It was just a crush of humanity, and struggled to keep a pocket of breathable air around us, let alone get from point a to point b. I think we'll just do wonder con from now on.They’re capped at 1500 by the fire marshal. My day two panels were Collaborating in a Shared Universe and Beyond Western Europe - Other World Cultures for Fantasy. I have one more today - Creating an Author Platform, and then I’m done for today.
Seriously running on fumes at the moment.