Saw
this on the bookends blog recently – agent Jessica Faust on what an offer of representation is like from the agent's point of view. Interesting! Especially these bits (bolding mine):
While still in the middle of reading, I’m researching the author. I’m not necessarily looking for anything in particular, but I do want to see which social media accounts they have, what they are saying, and maybe even their favorite food. Obviously, what I’m really interested in is any sort of publishing history.
(thought about you here,
Raggy and the agent who followed you on twitter…) (but – favorite food? yikes)
When I get on the call with an author I’m selling myself. Since I presumably really want this book and author, it’s important I sell my best self.
And then, once the call is made, I’ll wait. And yes, I’ll wait as impatiently as any author who is waiting to hear from an agent on a full request.
One of my active queries is technically a CNR, to,
litdawg – but I'm clinging to the fact that I queried him during Frankfurt (got an automatic reply that he wouldn't read his mail till a week later), so he might be at least a couple of weeks behind, so he might still answer me, so he might might might and, and, and :clutching at straws:
A couple of the others are approaching the CNR date, too. I should probably send out another batch of queries soon. Still hoping for the two festival fulls I have out, though – been over three months now, but probably no point in nudging yet? Six months is about the time to nudge on fulls, isn't it?
Crossing fingers for your dad
Raggy!
Too bad a scammer got their claws into him before – very understandable if that put him off trying again. Good for him to have a daughter like you who knows the biz and can help him out!
Let's hope PitMad will work for him now!
Hi,
goddessofgliese, welcome back!
Good to hear your surgery went well! And too bad Peter Knapp didn't like your story – here, have a rejection cake for that:
Maybe taking a little time away from the story will be good, yes, get some perspective before you start revising again. It's only one agent's opinion after all. Give it some time, and then you can check if you agree with him or not. Script sounds intriguing, and if you can't stop thinking about it, why not try getting a first draft of that done – and
then you can go back to your story and see how it feels? Good luck, whatever you choose to do.
Here's your cake, too,
noranne:
Bummer that they didn't want your story after all – but how great that they want you to submit directly to them with your next story! Congrats
Confirms what you already know right, you with well published short story and all – you're a great writer!
I'm with Raggy - it's not a given that it was the
ending they didn't connect with, rather that they didn't quite 'get' the characters. Could be anything your characters did/say/didn't do during the course of the story. Doesn't have to mean your story isn't good enough, either or that you need to revise it – it's only their opinion. Others may think differently…
I'm with you
JeanGenie - synopsises suck about as much as queries. These
tips and the template from Jericho Writers (the guys behind the Festival of Writing) helped me in my synopsis-writing struggle. I didn't follow the template slavishly in any way, but it gave me a frame of sorts to work with, and that helped. Also, don't overthink it or work too hard on it – it doesn't have to be perfect or stellar writing or anything. (I've heard that too,
Atlantic, that some agents don't even bother reading it, if they find the pages enticing enough. And yet we have to write it... sigh.)
Good to hear you're back to work and making good progress on your revisions,
pingle, even if you're hating it! (Don't I know that feeling – I think most of us have been there at one point or another) Go you!!
– And yes, good luck to everyone doing i #PitMad today! Here's me in the corner rooting for you all: