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Fink (in this source anyway) has the Father turn up to interrupt the
unconscious/real world of the demon, the mother and the child:
http://massthink.wordpress.com/2008...lic-function/?referer=sphere_related_content/
What does this suggest about representing intense moments in a narrative? Are they complex in symbolic terms or just scary in
terms of the Lacanian Real?
Or (and I find this dubious) can we have our cultural stuff any way we want it (to adopt Zizek's method in postulating a "Desert of the Real") and hope readers and views are not too confused about how intense or scary the representation of primoridal stuff is?
unconscious/real world of the demon, the mother and the child:
http://massthink.wordpress.com/2008...lic-function/?referer=sphere_related_content/
What does this suggest about representing intense moments in a narrative? Are they complex in symbolic terms or just scary in
terms of the Lacanian Real?
Or (and I find this dubious) can we have our cultural stuff any way we want it (to adopt Zizek's method in postulating a "Desert of the Real") and hope readers and views are not too confused about how intense or scary the representation of primoridal stuff is?
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