Yes, I meant "print on demand." Very helpful comment, thank you. Anyone else have experience with Winter Goose? I've now sent to several other small presses with books roughly similar to mine (literary fiction with a comic and "hip" urban edge). I'm now only looking for publishers with actual distributors listed on their websites. But if Winter Goose gets back to me first, I wonder if I can negotiate some hard copies sent to stores as part of my contract? Any other tips so much appreciated! (Amazing that you were also on national tour, mrsmig. Quite an adventure for my 4 year old! She is currently performing at the Kennedy Center!)
Ah, your daughter must be in
Miss Saigon - how exciting for her! I live in the DC area myself, but doubt I'll be able to see the show before it moves on after this weekend's performances.
I had a look at Winter Goose's most recent book on Amazon, and I have to say I'm seeing a couple of red flags. First, it released last July and has just one review, which indicates that the publisher's promotional efforts may have been marginal at best. Second, the book doesn't appear to have any sales rankings after six months' availability (to be fair, that might be an Amazon issue). Third, there's a fairly glaring error in the very first paragraph of the book ("...her slurred speech sounds as though she had
imbued a bottle of cheap gin..."), which points to a lack of editing on the publisher's part.
I'm also wondering if they've given you a projected release date. Judging from their website, this is not a fast-moving publisher (they have two books listed as "upcoming," with no release date shown for either). From contract signing to actually having your book in your hands can take months or longer, so it may be that your plan of doing signings and appearances while on tour may be premature. If this is of real importance to you, you should discuss the publishing timeline in detail and get some hard dates before signing with this press.
ETA: Winter Goose is, indeed, a POD press (they state that in their "
About Us" section), and seem to prefer digital over print as part of their environmentally-conscious mission statement. Another red flag in that same section is the recurring emphasis on the press and its authors as "family." You see this "family" model a lot with small, under-capitalized presses - while it's a term designed to make writers feel comfortable and loved, what it usually translates to is an expectation that the author will excuse the shortcomings of the publisher, especially in the marketing and promotions departments, because "we're family." Think hard about what you want from your publisher - do you want warm fuzzies, or do you want your book available in stores, provided to reviewers well in advance of release, and promoted like crazy so you and the publisher will benefit from its sales?