i definitely was hearing rumbling on twitter about publishing at large craving lighter stories as the pandemic continued, but i always took that with a grain of salt because i feel like people (including readers and editors) are not universally coping with the pandemic in the same way and are not universally seeking out the same kinds of stories to get through it. i still believe that, but i think i now understand better how Market Is God, meaning even if an editor really likes the story, they still might not buy it if it’s outside of the general zeitgeist (ie lighter fare.) but that’s just been my experience and again i do think there were several different hurdles that my manuscript had to surmount (and didn’t,) not just that it was dark/edgy. i know other people are selling just fine!
to your question, APM, i’m not sure how much i can say specifically. i wouldn’t characterize any of it as bad feedback—it was a mix of positive feedback, crit that i did or did not agree with (which is good to receive, so i won’t call it bad), and general apologies that the story was going to be “too hard to sell” in the current climate. reasons for the latter i think included that the novel was grittier contemporary with mature content that was definitely envelope-pushing (with regard to sex, sexuality, drugs, bigotry, and mental health) and that the characters, including the protagonist and the most prominent second string character, were not very nice to each other and did bad stuff/responded messily. i thought that most of that was just being true to real life, but there you go! again i think it was just maybe too many hard-sell factors piled up against us. (i said to my agent “kids can kill each other on-page in the hunger games but my protagonist can’t [redacted] her [redacted]??”)