Maxim
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- Jul 1, 2010
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There's nothing wrong with driving the point again for final emphasis, but I still think that directing is important. You prime the reader. You tell them that the meal will be delicious and then they read the rest through that lens.
You keep using the food example in your own context because it seemingly works well for your point, but what about point about transitions? What about the nervous analogy. It's easy to describe food as tasting good, so yeah, it's a good example for when showing might work on its own under certain contexts, but in most cases direction is useful.
I just spent several posts describing what exactly telling does accomplish. It makes for clear writing and ease of transition. That is a good thing and should be done in general. Tell them what's happening and back it up unless it is peripheral to the plot. But beyond that, it isn't all about sensory perception. Sometimes judgments are important, sometimes you need to tell the reader how they are supposed to feel about something because the judgment is more important than the description. Let them imagine the rest. When describing a character let them fill in the pieces that help them relate.
A good story is more about forming an emotional connection than about imagining the scenery exactly the way the author envisioned it. To form that emotional connection the reader has to put themselves into the situation and imagine what they would feel. They need to be part of the creation. Directing helps them to do that, to suspend their preconceived perceptions and imagine the description through the lens you have told them to imagine it through without necessarily always bogging them down with all the description that otherwise might be necessary without first directing them.
You keep using the food example in your own context because it seemingly works well for your point, but what about point about transitions? What about the nervous analogy. It's easy to describe food as tasting good, so yeah, it's a good example for when showing might work on its own under certain contexts, but in most cases direction is useful.
I just spent several posts describing what exactly telling does accomplish. It makes for clear writing and ease of transition. That is a good thing and should be done in general. Tell them what's happening and back it up unless it is peripheral to the plot. But beyond that, it isn't all about sensory perception. Sometimes judgments are important, sometimes you need to tell the reader how they are supposed to feel about something because the judgment is more important than the description. Let them imagine the rest. When describing a character let them fill in the pieces that help them relate.
A good story is more about forming an emotional connection than about imagining the scenery exactly the way the author envisioned it. To form that emotional connection the reader has to put themselves into the situation and imagine what they would feel. They need to be part of the creation. Directing helps them to do that, to suspend their preconceived perceptions and imagine the description through the lens you have told them to imagine it through without necessarily always bogging them down with all the description that otherwise might be necessary without first directing them.