Day 13 was... well, to be fair, it WAS the end of a project, you know, and I wasn't about to start a new project or anything, so it was only 656 words. But then I felt weird, so in the last minutes of the day (after swearing I'd hold off starting the new project) I quickly drafted about 550 on the new project just to keep the day from looking too grim.
Anyway, I kinda sorta closed out killer trees way sooner than expected. And I mean way sooner. I'd thought I had at least another day and a half left, but I'd kinda resolved everything. I even managed to work in a callback to an earlier scene with the ending.
Interestingly, I only had one # the whole project (for "self-confident" at a moment when I couldn't remember "self-conscious" -- weird how that happens sometimes -- which was an easy fix).
Offhand, my revision will likely:
-Either remove or expand the role of a male professor who only marginally appears then vanishes (rather than explicitly being killed). Right now he mostly serves to bulk out the cast and because he ties into a name pun.
-Expand the dialogue/interaction with a female professor who had a lot of characterization early on, but takes more of a backseat (possibly not necessary since the earlier scene already has a payoff and she has a minor role)
-Maybe expand the dialogue interaction with a female professor who plays a substantial role later on, but has only a nominal introduction
-Switch a female character who I chose to survive an injury (after initially making it look like she died) back to having died from that injury, because she's not seen again later anyway. Part of the problem is I took her gun away because it didn't make sense only her phone would be stolen. (Which already changed the CoD for another character.)
-Do more to foreshadow a person who disappeared prior to the story (who gets found). I'd meant to work in more references.
-Add more internal consistency with how how the trees are discussed. There should be relatively few characters who know one name for a type of tree.
-Possibly increase the confrontation near the end
-Probably do more to explain the nature of the puppeteer and the house
-May need to simplify and streamline some of the conflicts. Otherwise there's not enough time spend building up a red herring.
-Character consistency with the teens. Although some of the variation can be justified by the characters changing over the story, I need to make sure some of the changes don't seem too jarring or move too far away from the underlying personality (although some of it also happens off-page because two get separated)
The draft's word count wound up being 67k (or 66,612), which isn't a terrible place for YA.
Anyway, I'd planned on not starting circus right away, but that's gone out the window. I figure getting a little bit done beats getting nothing done... even if some of this winds up being a complete rewrite.