How Can I Tell If It's Plausible?

In fiction, "probable" is totally defined within the context of the story and you're ability to sell it through your writing.

I give you permission to ignore less than sympathetic family members totally.

If it's truely implausible it might make a great speculative fiction story!

Write the story and see if it works.

Tell us your premise and let us have a go at it.

dpaterso said:

Although if your characters are vampires or werewolves, forget it. They're totally implausible and never get published or made into films.

-Derek

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I came in here to say something to this affect.

When writing fiction, I would think that you don't have to make everything absolutely believable.

Like someone else said, if you can make it work within the rules you define within your own story, then it'll work fine. Most of us read to escape reality in an entertaining way, so you aren't going to be hung for writing some off the wall stuff.

I just saw on the news today, where a group of third grade students were caught conspiring to capture their teacher. They were caught with a knife, duct tape, rope and a few other implement. Upon questioning, they had a plausible plan to capture and restrain their teacher. (not sure what their plan was after that). Just as I finished shaking my head at this story, the next story was about fifth grade students who spiked their teacher's drink with Tylenol, aparently enough to make her sick.

So what's plausible?

If you want to know if something is plausible, you think about an event in your story and compare it to real life. If it's not something you see everyday, then it's not plausible.

Example: Mary Sue's

Another thing to remember is that sometimes talking about things in a story out of context might make them sound strange, especially if you're talking to someone who isn't really interested or sympathetic. Whatever doubt you're feeling might be coming from the conversation, not the story ideas themselves.

Family is great for many things, but novel-critiquing is not always one of them.

The question of plausibility applies only to your story. Really, how likely is the Da Vinci Code?

(not that it's a great literary achievement, but just as an example.)

althrasher said:

Family is great for many things, but novel-critiquing is not always one of them.

The question of plausibility applies only to your story. Really, how likely is the Da Vinci Code?

(not that it's a great literary achievement, but just as an example.)

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I have that book, but never read it. I heard it was bad.

BlueLucario said:

I have that book, but never read it. I heard it was bad.

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*shrugs* Depends on what you like. I enjoyed reading it, even though part of me knew it was poorly written with no characterization. It's just breakneck action, which is good sometimes. Mind candy.

*back to your regularly scheduled thread...*

Someone once pointed out that with enough care, you can make a reader believe anything except that which violates character.

For example, spaceships and ghosts, perfectly believable in the right hands. But perfectly unbelievable would be Gladstone slapping Queen Victoria on the back, offering her a cigar, then telling her a dirty story.

BlueLucario said:

If it's not something you see everyday, then it's not plausible.

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Well not entirely true. I don't see bears everyday but it seems plausible that on other continents they have large mammals.

BlueLucario said:

If you want to know if something is plausible, you think about an event in your story and compare it to real life. If it's not something you see everyday, then it's not plausible.

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Uh, Blue, you're writing a story with magic in it. By your own definition, your story would be implausible. By that definition, stories about magic, vampires, werewolves, genies, dragons, etc. wouldn't exist. The story has to be plausible within its own boundaries.

Thrillers often take implausible stories and turn them into rocking action stories. In one of Clive Cussler's books (Sahara), the story has a subplot that the death of Lincoln didn't happen at Ford's Theater and was covered up. Instead, in the book, he was on a Confederate ironclad that got stuck in the Sahara desert. The author lays in all the groundwork so that this storyline works.

Is there a way I can tell if something is truly implausible, or will I need to ask for third-party opinions?

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I think just make sure your character's motivations for doing things in the story are solid, and keep them realistic in the boundaries of the story. Remember there are people out there who don't find the characters in a romance realistic, but those aren't the audience for a romance.

IdiotsRUs said:

Well not entirely true. I don't see bears everyday but it seems plausible that on other continents they have large mammals.

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I don't mean that literally. (You guys sound like me sometimes.)

I mean something that may never happen in real life. I can't explain it. Sorry.

If I wrote stories about some of my friends, people would say I was a total liar. The point is, life can truly be absurd and stranger than fiction, so nothing is too implausible. But in fiction, everything has to work within the context of the story, and it has to be logically explainable. Even if it's an improbable stunt (Dan Brown does it a lot in his novels), you have to at least try to explain and make it remotely plausible. If you're writing fantasy, the characters and the plot still have to abide by some rules.

BlueLucario said:

I don't mean that literally. (You guys sound like me sometimes.)

I mean something that may never happen in real life. I can't explain it. Sorry.

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What, I can't have a wizard? I'm pretty sure that most people can't turn other people into turnips in real life. But they can in my world.

Like Linda says, as long as it's plausible in the story, it's fine.

A work of fiction is set in a fictional world where you are able to define the rules and boundaries, as such a good writer is able to make the implausible - plausible.

I share your woes as I am experiencing a similar dilemma, however it is easy to overcome when you become focused: you must establish the characters credibility in the context of the fictional world-view, norms and structures rather than fit the characters around the reality your audience experiences.

As an author you have an artistic license, abuse it.

IdiotsRUs said:

What, I can't have a wizard? I'm pretty sure that most people can't turn other people into turnips in real life. But they can in my world.

Like Linda says, as long as it's plausible in the story, it's fine.

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Here's the word I'm looking for, Illogical. If it is something that cannot be scientifically explained, like. If a gun's capacity is 8 rounds, how come it only shot 12?

(When I yell something out like this in class, I get yelled at.)

Linda Adams said:

Thrillers often take implausible stories and turn them into rocking action stories.

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Right. Any time you think what you're writing is implausible, do what I did: keep thinking Jurassic Park. How implausible does it sound to locate dinosaur blood in prehistoric mosquitos, extract the blood, and clone entire dinosaurs from a DNA sample?

Sounds implausible to me. My scientist-sister says it's impossible.

But it made a heck of a great book, didn't it? And an even better movie.

How implausible is it to use a machine to catch a ghost? I don't know, but I found out in under 500 pages.

Turns out it was quite plausible, in my fictional world.

I think just make sure your character's motivations for doing things in the story are solid, and keep them realistic in the boundaries of the story.

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Exactly. Good motivations=good story.



allen

I remember when I first heard the description of Stephen King's, "Christine". I couldn't believe the man had written a book about a possessed car.
It sounded totally ridiculous, but he made it work beautifully.

BlueLucario said:

I don't mean that literally. (You guys sound like me sometimes.)

I mean something that may never happen in real life. I can't explain it. Sorry.

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A couple months ago my aunt chased my grandmother around the house with my newly-cremated grandfather's ashes. Aunt wanted Grandma to say goodbye and was prepared to force her even though she wasn't ready. No way could I write that in fiction, no one would believe me. People would say that would never happen, could never happen. But it did - I say write what works, because sometimes the line between fiction and truth is just plain wrong.