William Blake Bradbury
I've been working on a short story for a long time and I find myself leaning toward long passages of introspection mixed with equally extensive passages of verbal exchanges. The story is about the relationship between a potentially-homosexual asexual and an omnivorously-sexual bi. I'd be more than happy to post an example of the dialogue in the Share section (I haven't posted anything in three months, amazingly and blessedly, depending on how you look at it). The first scene is an intricate conversation about asexuality on a bus for the mentally-handicapped. Characters rarely get a chance to converse, to interact in a story. There must be introspection, yes, but can't there also be places for interesting, joyously rambling, independent movie-esque dialogues? Thanks for any thoughts in advance. Much love:kiss