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From a recent essay review (about Joan Acocella) by Joyce Carol Oates.
. . . Acocella's essay "Blocked," on the subject of "writer's block": a phenomenon seemingly related to the early Romantic exalting of poetry as "something externally, and magically, conferred" and the exaggerated self-consciousness of the writer as a high priest of art driven to forge an ever-new language in opposition to the vague and cliché-ridden nature of most speech. The "golden age of artistic inhibition" was the period following World War II when Freudian psychoanalysis became popular in intellectual and literary circles and talk of the Great American Novel aroused expectations impossible for most writers to fulfill. William Barrett, an editor of Partisan Review, published an essay titled "Writers and Madness" which suggested that the modern writer was by definition an "estranged neurotic."
Any comments by the "estranged neurotics" out there?
. . . Acocella's essay "Blocked," on the subject of "writer's block": a phenomenon seemingly related to the early Romantic exalting of poetry as "something externally, and magically, conferred" and the exaggerated self-consciousness of the writer as a high priest of art driven to forge an ever-new language in opposition to the vague and cliché-ridden nature of most speech. The "golden age of artistic inhibition" was the period following World War II when Freudian psychoanalysis became popular in intellectual and literary circles and talk of the Great American Novel aroused expectations impossible for most writers to fulfill. William Barrett, an editor of Partisan Review, published an essay titled "Writers and Madness" which suggested that the modern writer was by definition an "estranged neurotic."
Any comments by the "estranged neurotics" out there?