I've ended up with the world that has a very sharp dichotomy drawn through it; one part of it is primative, the other technologically advanced. I draw the main characters from both parts of this world; but now I have an interesting problem.
I open the story on the primative end of the world--and it reads like a fantasy. Of course, it is fantasy, except I feel like I'm lying to the reader--presenting the world in terms the primative character can understand, and then in chapter two, jumping to a world we'll easily relate to. Ok, well, a world that sci fi readers will easily relate to.
The characters will meet up relatively soon in the story--and not in a nice way--but until that point, I'm worried that slinging the reader across the world might not be a good idea.
Is it better to switch perspectives, back and forth, until the characters meet? Or to follow the primative character--drop hints that the world isn't quite how she's seeing it--until she meets the non-primative character, and switch perspective there?
I can't stay in the primative character's head the whole time, because otherwise all of the story following the other character will seem like Dues ex Machina--and likewise vice versa.
...or can I?
hrrmm...
Hm? Oh. Don't mind me. I'm just thinking into the keyboard.
I open the story on the primative end of the world--and it reads like a fantasy. Of course, it is fantasy, except I feel like I'm lying to the reader--presenting the world in terms the primative character can understand, and then in chapter two, jumping to a world we'll easily relate to. Ok, well, a world that sci fi readers will easily relate to.
The characters will meet up relatively soon in the story--and not in a nice way--but until that point, I'm worried that slinging the reader across the world might not be a good idea.
Is it better to switch perspectives, back and forth, until the characters meet? Or to follow the primative character--drop hints that the world isn't quite how she's seeing it--until she meets the non-primative character, and switch perspective there?
I can't stay in the primative character's head the whole time, because otherwise all of the story following the other character will seem like Dues ex Machina--and likewise vice versa.
...or can I?
hrrmm...
Hm? Oh. Don't mind me. I'm just thinking into the keyboard.