New author joins group, WIP energy crisis thriller

Hellow Fellow Forum Members,

I just joined this forum to find out about the writing scene for first timers. Ive recently decided to move forward with writing this novel I have in mind, and Im looking for somewhere to discuss the processes im going through.

The novel is inspired by current positions on energy, global warming, and the environment. The story amps up conflicts of interests envisioning an international espionage plot with very high stakes at a global level.

And throughout the story, a vision is shared that sees an optimistic future of the US and the world where our energy needs can be fulfilled, the conflict with the middle east mediated, the enviroment protected, and our economy continue to develope.

Im currently working out a plot outline and on my way to writing the first chapter. Ive not written any fiction before, or anything paid for that matter, but Ive written persuasive letters and reports to complete courses and get jobs.

On my attempt to write a draft, I think the only option for me is to just hole myself up in my den and get to writing. But if im struggling, or for revisions Im wondering what kind of editing help is available.

Well, that is more of just an introduction than any specific request, but any comments are welcome.

tommy gun

Hey all,

Thanks for the support. The moderator Good Word set me up right away with a very productive thread, Writing with Uncle Jim. It takes a very close look at the writing processes of long fiction, the nature and expectations of commercial fiction, and the requirements and qualities of publishable vs. unpublishable works. Many dilemas of beginners are addressed by that wise man, Jim.

But as the thread on his board has over 200 pages of posts, some of the information is buried.

If anyone knows where I could find an analysis on plot structure, could you respond. I am looking for other options such as "start a long arc for the main plot. then add a smaller arc for a secondary plot, and substitute the climax for the first plot." This is supposedly a classic example of a plot structure that surprises the reader, yet delivers what is promised. And I didnt know if others had more like it that i could choose from.

As for my story, I have a rich outline of the 10 interests involved, although some are probably going to be combined into single characters. And the plot revolves around several climactic scenes that are firmly on my list, but not so firmly in the right location, due to my interest in helping the climax be the most eye opening as possible.

As far as the story goes, a favorite character is the president, who is dealing with economic stability vs. future technologies, and who takes energy independence to be an issue of national security.

Another interesting component is an exhibition in Iceland where a completed, energy self-sufficient, economy is showcased. The electrical needs of residential, commercial, and industrial consumers are all met by renewable sources, completely replacing fossil fuels. Geothermal power plants were built to take advantage of the cracks in the earth's crust to provide 80% and wind power built off the coast provides the remaining 20%.

tommy gun

subplots and sub-subplots

Ok, so Im back. I have written nearly half the scenes I want to include in my novel. The characters are definitely getting some feet on them. And there is a clear sense of direction towards a set of climaxes I chose in my outline. But I am having difficulty choosing the order of some of the subplot developments.

The main character is off and running from the first chapter, and is sent on a mission to uncover the truths behind an assassination. He follows clues and escapes attacks on a path to stop a string of sabotages. And just as he is about to stop a major explosion, an even bigger threat is uncovered.

Ive winnowed the story down to the main character, his plight, and the course of the main storyline. But in order to make the story complete, I need to include several minor characters who have significant roles in aligning perspectives as good or bad, and whos actions serve as motivation for other characters.

I know that its ok to have a storyline, with scenes from a subplot interspersed throughout the story as it builds up behind the scenes; I have read many books with them. But I find that I would like 4 subplots, all interrelating and causing trouble for the hero.

My story has a sort of a flat shape on a story board, where there are multiple interrelations between the characters' subplots, rather than a linear story line that follows events in a cause and effect manor.

Any ideas?

Thanks for your response Linda.

But I think i was unclear about one of my statements. The point that my story seemed flat should be reworded. Rather than a long chain of events in the course of the plotline, there are several plotlines that interconnect, shortening the length, but increasing the girth.

The villains motives depend on many concurrent forces. There may be 4 subplots that combine in order to solidify the conflict for the hero.