Historical Novel Society

pdr

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Just to note that the American branch of the Historical Novel Society Conference next year will be having 8 min slots to allow writers to pitch to publishers' editors. As the conference is restricted to 300 people, (deliberate policy for a better conference,) if you have a book that may be ready for pitching I would join up asap and get the information.

They also run an annual short story competition with good prizes and publication in an anthology. It's run by the Irish publishers Fish. So go to www.fishpublishing.com

Hurry up though. The deadline is September 15th 2006.

http://www.absolutewrite.com/forums/editpost.php?do=editpost&p=652288
 

Puma

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Thanks for the post, pdr. Out of curiosity, where is the conference being held? Puma
 

Puma

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Yes it does look interesting. Thanks for the link to their website, Jen. Puma
 

pdr

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Thank you everyone.

Especially thanks to Jen. Sorry, I've actually been tutoring writers all weekend so only just seen the posts Sunday evening Japan time.
 

pdr

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HNS Conference.

I'll post all the Conference guest names and the editors, publishers, and writers of interest as soon as they are allowed general release.

I think we'll get preferential treatment!
 

pdr

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HNS Conference Author Guest list.

The HNS conference in Albany, June 2007 will have two major authors as guests of honour:

Bernard Cornwell
and
Diana Gabaldon.

Several agents and editors are expected but not all have confirmed their places. More news later.

The aim of the conference is to cover many aspects of Historical Fiction, aspects of interest to both writers and readers of the genre. It's fun too!

Saturday night is planned as revue night, allowing attendees to show off their talent in a HF-related manner.

Start saving up now.
 

pdr

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The HNS Short story competition.

Just over a month until the HNS annual short story competiont run by the Irish publishing company Fish Publishing closes.

It's a good competition and success in it does mean something to publishers of historical fiction.

The short short comp sounds good too.

www.fishpublishing.com
 

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General question -- Is the Historical Novel Society worth joining? I've had a few nonfiction articles published, and I would like to get into writing historical fiction.
 

pdr

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It depends...

on what you are looking for, Brian.

If you want out find out about the latest historical fiction releases then their journal, 'HNS Review', is a great help.

If you want to learn about what other historical writers are doing, with their tips and hints, then the Review and the biannual magazine, 'Solander' are well worth reading. If you want to find out who is looking for what among the publishers then 'Solander' can help.

There is an e-zine you can sign up for, it keeps you in touch with the trends and new releases. It also helps you learn about the other members' activities.

There is an on-line forum you can join to discuss novels, writers, and trends.

The annual conference is excellent, and you can make contact with other historical writers.

Their short story competition carries weight with editors, as does publication of your short story in 'Solander'.

The body of members contains many experts who are happy to help you with research topics.

Go check out the website and be prepared to give to the HNS in the way of letters to the journals, comments for the e-zine and helping other members with research on a topic you know about. You'll get more out of the HNS doing that.
 

pdr

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Further Conference News

Conference Registration opens November 1.

Please watch the HNS website for updates on the programming and other details.

Guests of honour are Bernard Cornwell and Diana Gabaldon

These are the editors and agents who have confirmed that they are coming.

Editors
Hope Dellon, St. Martin's Press;
Allison McCabe, Crown;
and Jackie Swift, McBooks Press.

Agents
Andrea Somberg, Harvey Klinger, Inc.
Jessica Regel, Jean V. Naggar Literary Agency.
Also Irene Goodman, Irene Goodman Agency, who will deliver a keynote speech.
There will be appointments available with these individuals, to be set up when you register.

The Saturday night revue is going ahead, though planning is in the early stages. It will feature conference attendees showcasing their talent.

For proposed programming, please see http://www.historicalnovelsociety.org/albany/proposals.htm
Please remember that the programme is still unconfirmed - all is dependent on participants agreeing to come!
 
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pdr

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HNS Conference

Another editor has confirmed:

Peter Joseph, Thomas Dunne Books (subsidiary of St. Martin's Press).

That means more chances to pitch your work!

Editors
Hope Dellon, St. Martin's Press;
Allison McCabe, Crown;
Jackie Swift, McBooks Press.
and Peter Joseph, Thomas Dunne Books (St Martin's Press)
 

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I haven't seen pitchfests like this amount to sales before, at least in the screenwriting ones I've gone to. I'd like to think this will be different, but I don't know. In my experience, the editors who are at this event are there because they're being paid to be there, not because they need more material.

That said... if you have the idea of the century, and have written the hell out of it, and this is how they stumble on it....

Kaching!


(are there kachings in historical writing? lol)
 

pdr

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Just to add...

that one of the things in favour of the HNS Conference in the US is that it is limited to 300 participants. It's small. And like the New Zealand RWNZ (Romance Writers) conference it has strict rules so that the editors and agents are happy to come because they know that:

1. They won't be approached by hopefuls with a pitch anywhere except in the official room. (No badgering in lifts or loos!)

2. The number of writers is small. There are as many keen readers and historians as there are writers present.

3. If it's like the UK Conferences it's a helluva good time for people who like historical fiction.

4. For some reason there are far fewer 'lunatic fringe' writers who write historical fiction. (This comment comes from a well respected editor)

5. There is always the chance that they will find a good new writer.
 

pdr

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A reminder.

Bumped this thread to remind everyone that the conference bookings open in three weeks time.

If I were to be in Canada during June I would be aiming to travel to Albany, my manuscript as polished as possible for those pitching sessions.
 

pdr

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Conference Details

Please read the website timetable:
http://www.historicalnovelsociety.org/albany/conference.htm

Our author guests of honor are Bernard Cornwell, bestselling author of the Sharpe series, and Diana Gabaldon, bestselling author of the Outlander series.
Registration fees include entrance to all daytime panels and workshops, the Friday night dinner (with Bernard Cornwell as after-dinner speaker), Saturday buffet lunch (with Irene Goodman as keynote), and Saturday and Sunday continental breakfast. The optional Saturday evening banquet (additional charge), new for 2007, will include an after-dinner talk from Diana Gabaldon, followed by a historical talent revue. We are also offering an optional Friday tour of historic Albany.
 

pdr

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Historical Authors promotional opportunity.

Promotional Opportunities
Ad rates for the conference program are available. In addition, promotional materials (flyers, books, bookmarks, galleys, etc.) for distribution to attendees may be sent to us in advance. Single copies of books are also welcome and will be used as door prizes or as gifts for our volunteers. If you or your publisher has sufficient materials to distribute to all attendees, please allow for 300 copies/items. Items should be sent to: Carol Anne Germain, HNS Conference, 12 Second St, Albany, NY 12210. (For large shipments, please contact Carol Anne in advance so she'll know to expect them.) Items must arrive by June 1st.
 

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speakers and panellists

Please read the website timetable:
http://www.historicalnovelsociety.or...conference.htm

SPEAKERS and PANELISTS
SUZANNE ADAIR is the nom de plume for Suzanne Williams, a native Floridian who currently lives with her family in North Carolina. In second grade, she wrote her first fiction for fun after the eye of a hurricane passed over her home, and she grew up intrigued by wild weather, stories of suspense and high adventure, Spanish St. Augustine, and the South's role in the Revolutionary War. She has traveled extensively and lived in England for half a year. After visiting the ruins of colonial-era Ft. Frederica on St. Simon's Island, Georgia, she began writing Paper Woman. She enjoys participating in living history to commemorate events from the Southern Theater of the Revolutionary War – a hobby that helps her depict colonial life in writing. www.suzanneadair.com

CORDELIA FRANCES BIDDLE is the author of The Conjurer, a novel set in 1842 Philadelphia. Thomas Dunne Books of St. Martin’s Press is the publisher. The initial “Martha Beale mystery” details life in Cordelia’s hometown during a period of national and local foment. It was inspired by her fascination with two ancestors: Nicholas Biddle, president of the Second Bank of the United States, and Francis Drexel, whose bank helped fund the US government during the American Civil War. Cordelia’s research into the mid-Victorian era was greatly aided by The Library Company of Philadelphia (founded by Benjamin Franklin) and The Athenaeum of Philadelphia, whose collections are treasure troves of primary resources. Her hours there were journeys through time. In her former career, she was a stage and daytime drama actress in New York. More recently, she and her husband, Steve Zettler, became Crossword Mystery maven, Nero Blanc; twelve suspense novels are in that series. Unlike The Conjurer, all are in the “cozy” vein. Cordelia is also the author of the historical novel Beneath The Wind (Simon & Schuster), and co-author of Murder at San Simeon (Scribner) and Caring For Your Cherished Possessions (Crown). Her website is www.CordeliaFrancesBiddle.com. She loves hearing from fans!

jAY DIXON is an Englishwoman, freelance editor and independent scholar who is currently working on the history of the Regency novel. She published The Romance Fiction of Mills & Boon [Harlequin] 1909-1990s (UCL Press) in 1999.

KATHY LYNN EMERSON writes two historical mystery series and one contemporary mystery series and occasionally ventures into non-fiction. In the Face Down series, featuring Susanna, Lady Appleton, 16th-century gentlewoman, herbalist, and sleuth, the most recent entry is Face Down Beside St. Anne’s Well (2006). The next book in the series, Face Down O’er the Border, will be out in September 2007. The Diana Spaulding 1888 Mysteries feature a late 19th-century American journalist. No Mortal Reason (April, 2007) follows Deadlier than the Pen and Fatal as a Fallen Woman and is set in Liberty, New York, where Kathy grew up. She has just completed work on How to Write Killer Historical Mysteries: the Art and Adventure of Sleuthing through the Past (Spring 2008). As Kaitlyn Dunnett she pens the contemporary Liss MacCrimmon Mysteries (Kilt Dead, August 2007). Kathy lives in Maine with her husband and assorted cats. http://www.kathylynnemerson.com

KATHLEEN ERNST is an educator, historical novelist, and social historian. Her historical fiction for children and young adults includes seven historical mysteries set between 1732 and 1936, and five novels set during the American Civil War. These titles have earned three Arthur Tofte Juvenile Fiction Awards, the Flora MacDonald Award, a WILLA Finalist Award, an Edgar Award nomination, and three Agatha Award nominations. Her latest book is Hearts of Stone (Dutton, 2006). Other titles include Midnight in Lonesome Hollow, Secrets in the Hills, and Danger at the Zoo from American Girl, and Ghosts of Vicksburg, Retreat from Gettysburg, The Bravest Girl in Sharpsburg, and The Night Riders of Harpers Ferry from White Mane Kids. Kathleen also authored a non-fiction adult work, Too Afraid to Cry: Maryland Civilians in the Antietam Campaign, which was an alternate selection of the History Book Club. She has a Masters Degree in History Education and Writing from Antioch University, where her self-designed program focused on non-traditional methods of teaching and learning history – with a special emphasis on historical fiction, of course! She served for twelve years as a Curator of Education and Collections with the State Historical Society of Wisconsin, Historic Sites Division. www.distaff.net

MELINDA HAMMOND (Linda Hooper) was born in the West Country and now lives with her husband in Yorkshire, on the edge of the Pennines. With the family now (almost) flown the nest she has more time to write the historical novels that are her obsession. Linda left school at sixteen to work in a cigarette factory but soon moved on, gaining office experience in companies as varied as stockbrokers, marine engineers, insurance brokers, biscuit manufacturers and even a quarrying company. Her twelfth book, The Belles Dames Club, has just been accepted by Robert Hale, and she has three e-books available with Belgrave House. http://www.melindahammond.com

MARY FREMONT SCHOENECKER drew inspiration to write poems and stories about American history while growing up in the Revolutionary War village of Schuylerville (Old Saratoga), New York. She earned her B.S. at SUNY College, Oswego, an M.S. at the University at Albany, and an Ed.D. at Nova Southeastern University in Florida. Dr. Schoenecker taught in New York State public schools and spent the last sixteen years of her career as Associate Professor of Education at SUNY College, Oneonta, NY. She is a member of Romance Writers of America and Sarasota Fiction Writers. Published in non-fiction since 1991, her love of history found its place in a weekly column, “Reflections,” for a small press in Saratoga Springs, NY, and in feature articles in regional magazines in Florida. Her first young adult novel was chosen as a publisher’s component of a history proposal for a NEH grant. True characters, diary excerpts and authentic letters enrich her debut historical novel, a Civil War epic, Four Summers Waiting, published by Five Star in 2006. Mary’s workshop, “Historical Fiction – From Research to Voice,” is a popular one. She lives with her husband, Tom, in Florida. When not speaking, reading or writing, Mary enjoys dancing, golf, and the Gulf beaches.

In Finest Kind, the latest of LEA WAIT's historical novels, a family moves to Maine after the Panic of 1837, so the father can work in a lumber mill. Jake, age 13, must prepare his family for the winter – and ensure the family secret they brought with them from Boston is not revealed. Kirkus Reviews said it is “story that will linger in the hearts of readers.” Lea’s historicals have been lauded for their accurate use of historical detail, and honored by listings on student choice award lists in Maine, New Hampshire, Rhode Island, West Virginia, Kansas, Missouri, South Carolina, Tennessee, South Dakota, Arkansas and Florida. Stopping to Home was named a “notable children’s book of 2001” by Smithsonian Magazine and is on the Bank Street College’s “best of the best” list. Seaward Born, also a Bank Street College “notable book,” is an International Reading Association’s teachers’ choice. Wintering Well was called “a treasure waiting to be found” by Kirkus Reviews, was her third Bank Street College “notable book” and is the Pennsylvania State Librarians’ Young Adult Top Forty List. Lea is also the author of Scribner’s contemporary award-winning Shadows Antique Print Mystery series for adults. Her website is http://www.leawait.com.
 

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List of Editors and Agents attending.

EDITORS AND AGENTS

Irene Goodman will be our Saturday lunch keynote speaker. Her agenting career began over twenty-five years ago, when, as an editorial assistant, she defied her boss at a publishing company and walked a check request into the president’s office. She hasn’t looked back since. Established in her own agency in 1978, she is particularly interested in women’s voices, historical fiction, thrillers, graphic novels, mysteries, and literary fiction. Her non-fiction passions include narrative history, education, social commentary and issues, memoir, cooking, animals, 19th century American authors, Anglophilia, Francophilia, and Judaica. Especially adept at career building, she works with authors at all levels, from New York Times best sellers to talented newcomers. She is known for holding “power summits”, in which she meets with an author and the editor, publisher, marketing director, publicist, and the author’s personal publicist, to focus intently on the author’s career and specific plans for continued success. She loves to take authors with good careers and turn them into best sellers with great careers. Her clients include New York Times bestsellers Linda Lael Miller, Sharyn McCrumb, and Katherine Stone, USA Today bestsellers Lori Handeland, Susan Donovan, Cheryl Holt, and Celeste Bradley, graphic novelist Barbara Slate, memoirist Hannah Nyala, historical fiction authors Amanda Elyot, Diane Haeger, Elsa Watson, Carrie Bebris, Julie Kaewert and John Cooney, and literary playwright and author Meir Ribalow. Other authors with whom she has worked include Debbie Macomber, Joan Johnston, and Deborah Smith.

ATTENDING EDITORS:

Hope Dellon is an executive editor at St. Martin’s Press in New York. Her parents, who met while pursuing advanced degrees in history, did their best to pass their love of the subject along to their children through lively discussions at the dinner table and enthusiastic visits to small-town historical societies on family vacations. This unfortunately backfired with Hope, who avoided the formal study of history as much as she could. She did, however, find herself drawn to novels that seemed to go beyond historical facts to bring earlier eras to life. After graduating from Yale with a B.A. and M.A. in English literature, she joined St. Martin’s in 1975. She has been privileged to work with many wonderful storytellers, including Bernard Cornwell, Margaret George, Anne Perry, and Brenda Rickman Vantrease, who have taught her most of what she knows about history to this day. Her main areas of interest in historical fiction include mainstream novels and historical mysteries/thrillers.

Peter Joseph, Associate Editor at Thomas Dunne Books (St. Martin’s Press) in New York, is interested in a wide variety of both fiction and nonfiction. His fiction list includes thrillers, mysteries, historical novels and literary fiction, while his nonfiction list includes history, biography/autobiography, narrative nonfiction, travel, humor, and pop culture. Some recent historical novels include Beautiful Dreamer, by Christopher Bigsby, The Sidewalk Artist, by Gina Buonaguro and Janice Kirk, and Critique of Criminal Reason, by Michael Gregorio. His editorial interest in historical novels includes mainstream and most subgenres, but no fantasy or romance. Peter moonlights as Departments Editor for the online literary magazine, LOST, which can be found at www.lostmag.com. He lives in Brooklyn.

Senior Editor Allison McCabe joined the Crown Publishing Group (Random House) in New York in 2005 to expand Crown’s very successful historical fiction program. Before joining Crown, she was at Penguin Group (USA) where she acquired and edited both fiction and nonfiction. Prior to that, Allison was an editor at HarperCollins, where she worked with New York Times bestselling authors Susan Isaacs, Jeffrey Archer, Anne Rivers Siddons, Tony Hillerman, Simon Winchester, Jerry Oppenheimer, and Sister Wendy Beckett. At Crown, in addition to historical novels, she is acquiring commercial fiction, memoirs, historical biographies, and quirky nonfiction. Upcoming nonfiction projects include Privilege and Scandal, a biography of Harriet Spencer, ancestor to Diana, Princess of Wales, and sister to Georgiana, Duchess of Devonshire. Her editorial interest in historical novels is mainstream only. No subgenres.

Jackie Swift has been an editor at McBooks Press in Ithaca, New York since 2001. Before that she attended graduate school in creative writing; taught literature, composition, and creative writing; and worked as a freelance journalist, writer, and editor. Her goal as a freelancer was to explore as much of the world as possible while doing research for thoughtful articles on environmental, social, and cultural issues, very often presented with the historical background to make sense of the modern situation. A lover of history from an early age, she no longer has cable TV because she spent too much time watching the History Channel and A&E historical mini-series. As an editor at McBooks, Jackie has been fortunate to work with many first-time authors of historical fiction, as well as to oversee the American publication of British authors such as Alexander Kent and Julian Stockwin. At McBooks the emphasis is on action-oriented historical fiction that appeals primarily to men, with a strong secondary appeal to women, set in any time period. Recent acquisitions include novels of Ancient Rome, Colonial America, and WWII Europe.

ATTENDING AGENTS:

Dan Mandel has been a successful literary agent with Sanford J. Greenburger Associates in New York City for over ten years. His list includes books by academics, experienced authors, and first-time novelists writing a wide-range of commercial and literary fiction. His historical fiction and nonfiction clients include Cara Haycak (Red Palms), Michael Abrams (Birdmen, Batmen, and Skyflyers: Wingsuits and the Pioneers Who Flew in Them, Fell in Them, and Perfected Them), and Lamar Herrin (Romancing Spain). He represents both contemporary and historical fiction and nonfiction writers and is open to mainstream historical fiction as well as historical mysteries and thrillers. He is a graduate of Cornell University.

With over ten years of publishing experience, Kirsten Manges spent the last eight years prior to opening her own agency with Curtis Brown, Ltd. There, she cultivated a strong stable of writers in the tradition of one of the oldest and most highly regarded literary agencies, while developing a firm understanding of the many steps involved in building an author’s career. Now with her own agency, Kirsten continues to aggressively and energetically represent both longstanding relationships and new writers. Her interest in historical fiction runs the gamut, with the exception of strict genre romance and fantasy. A graduate of Oberlin College, she is a member of the AAR and lives in NYC with her husband and cats.

Jessica Regel has been with the Jean V. Naggar Literary Agency in New York for five years. She agents her own list of children’s and adult books while also working in the subsidiary rights department, concentrating on film rights and handling permissions and children’s magazine submissions. Jessica is interested in mainstream historical fiction for adults as well as middle grade and young adult, including all subgenres: any story with a great voice and original plot. At the moment, she is on a mission to find a narrative nonfiction book on social or historical issues targeted toward young adults (12-18)--think The Kite Runner or Random Family for a younger demographic. She received her BA degree in English Literature from Hunter College.


Andrea Somberg joined Harvey Klinger Inc. in the spring of 2005. Previously she was an agent at Vigliano Associates and the Don Maass Agency. She handles a wide range of projects, both fiction and non-fiction, including literary, commercial, young adult, memoir, pop-culture, how-to, self-help, humor, interior design, cookbooks, and health and fitness. Recent titles include Bruce Benderson's memoir and winner of the Prixe de Flore, The Romanian (Tarcher), Tammar Stein's Light Years (Knopf Childrens - nominated for Best Book for Young Adult 2006 by ALA), Justine Musk's Blood Angel, Mitchell Bartoy's noir mystery, The Devil's Own Ragdoll (St. Martin's), Paula Jolin's In the Name of God (Roaring Brook, fc), and Paula Quinn's historical romances (Hachette/Warner).
 

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pdr said:
They also run an annual short story competition with good prizes and publication in an anthology. It's run by the Irish publishers Fish. So go to www.fishpublishing.com

Hurry up though. The deadline is September 15th 2006.

OUCH! I think this must be the most expensive contest fee I've ever seen. 40 pound Sterling. About $58 Cdn or $51 US.
Yikes.

I guess that cuts back on the competition a bit.... LOL

Sometimes I think I should start a contest business myself... Must be very profitable.
 

pdr

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Pounds, really?

Must check but I entered and paid in Euros. I'm sure it was Euros.

Rushes to check.

Comes back chuckling. Yes, if you're not used to the pound sign then the euro sign, (which I cannot bring up in this message, sorry about that!) is very like the £ sign. It's 20 euros for entry and 40 for entry plus critique.

Goodness me, you had me worried there, I thought I would not have recommended such an expensive competition. Phew!
 

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PDR, did you get any results from the contest? How did you do?