Looking back at looking back at Wilde

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William Haskins

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Thursday marked the 160th birthday of Oscar Wilde. To celebrate, TNR republished a classic essay from their archives by George Woodcock, who pondered the writer’s enduring appeal:
http://dish.andrewsullivan.com/2014/10/18/oh-baby-hes-a-wilde-one/

from the 1954 article:

A century after his birth, and more than half a century after his death, Wilde continues to enjoy a reputation that can hardly be justified by his mere literary achievement. For, if we consider his works at all seriously, it soon becomes evident that few of them can bear comparison with the best work of other writers in his time. The Importance of Being Earnest and The Ballad of Reading Gaol, some of the fairy stories and perhaps Salomé, parts of Intentions and The Soul of Man under Socialism—these are doubtless enough to ensure permanence as minor English classic, but they can hardly justify the reputation Wilde retains or the controversy that centers around him. It is evidently something more than his books alone that makes it impossible to think of the ‘nineties without Wilde or to write the literary history of the past century without paying tribute to his influence.

Wilde’s legend, indeed, owes its longevity partly to the dramatic memory of his fall from popular fame in 1895 and his subsequent death in exile, and this memory has been sustained by the controversy over his personality that had continued almost unabated over the fifty-four years since his death (as recently as 1952, St. John Ervine could write a study of Wilde that was distorted by a bitter attack on his homosexuality and his Irish nationality.) But other writers have been imprisoned, or have been known homosexuals, without drawing the kind of attention that has been focused for so many years upon Wilde. And we must see him as something more than the sensational victim of Victorian mores if we are to explain the way in which interests and controversy have continued to center around his name.

Perhaps we can only explain this phenomenon fully (a) by considering Wilde’s actual works and seeing what induces people to read them despite their imperfections and (b) by analyzing the impression Wilde made upon his contemporaries. The second point should perhaps be considered first, since the fact that Wilde’s trial and condemnation created such a lasting sensation arose largely from the attitude which people had already adopted towards him.
http://www.newrepublic.com/article/119872/after-century-after-his-birth-oscar-wilde-still-present
 

Wilde_at_heart

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Most of his still-oft-quoted quips are tweetable/easy to remember/internet-meme-friendly. For example: Quotation is a serviceable substitute for wit.
 

William Haskins

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also:

“Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.”
 

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Wilde was a bigger-than-life kind of person for his time, a guy pretty "out there". He was much like Truman Capote in many respects, not disincluding his sexual orientation. Unfortunately for Wilde, his was a time in which "shenanigans" of that sort were considered the vilest form of criminality, and his life and career were shattered on account of that.

But Capote also produced a pretty meager body of writing, compared with most of his important literary contemporaries. And for much the same reason as Wilde, mesuspects: Both were more interested in living up to the image they projected than in producing a lot of literary work. Both were celebs, before that slangy truncation became a common word. It's a seduction that has ruined many, and continues to do so.

I'm curious as to why Woodcock didn't mention The Picture of Dorian Gray among his Wilde citations. Surely that's the single Oscar Wilde work most remembered and most read today.

caw
 

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...

I'm curious as to why Woodcock didn't mention The Picture of Dorian Gray among his Wilde citations. Surely that's the single Oscar Wilde work most remembered and most read today.

caw


certainly most-quoted; I was googling Wilde quotes awhile back and I think close to a third of them were from Lord Henry
 

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Thanks for posting this, William - interesting idea to consider the changes in fashion in terms of what's considered classic - alternatively, pointing out that revisionism isn't a recent invention.

I wonder how the writer viewed James Joyce. And I wonder, from a relatively uninformed viewpoint, whether a writer's perceived place in the pantheon depends on what a reader looks in literature. Wilde's plots, for example, might be a bit florid for some, but the music of his words is superb. (YMMV, naturally.) He focuses on wit and character.

Joyce, by contrast, might paint scenes around which one infers characters. Some of his best-known works involved testing the limits and boundaries of written language. Ulysses is just about universally hailed as a milestone work. But is it, from front to back, a gripping read - or even readable?

But, after introducing my kids to Bill and Ted's Excellent Adventure last weekend, I can only wonder at what future generations will consider classic. Who among us will be Wyld Stallyns?
 
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