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- Jun 7, 2013
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Hugh Howey has some great advice on his blog, directed towards the trade industry.
http://www.hughhowey.com/dont-anyone-put-me-in-charge/
http://www.hughhowey.com/dont-anyone-put-me-in-charge/
This means something, I’m just not sure what. I think it means that a sustained and profitable career as a science fiction author is more likely, these days, to have its origin in self-publishing. I don’t think traditional publishers can foster the sort of release schedule an author needs to really break out in a big way in the popular genres. It should be noted that an author can rank on this list with a single bestselling title, as with Rysa Walker, who has a title in the top 25. So a massive new release could crack this list. Right now, we aren’t seeing that from the big houses.
Part of the problem is that the major publishers ignore the genres that sell the best. This is a head-scratcher, and it nearly caused a bald spot when I was working in a bookstore. I knew where the demand was, and I wasn’t seeing it in the catalogs. Readers wanted romance, science fiction, mystery/thrillers, and young adult. We had catalogs full of literary fiction. Just the sort of thing acquiring editors are looking for and hoping people will read more of, but not what customers were asking me for.
I don’t think it should come as a shock that indies are killing it in these underserved genres. The supply simply can’t keep up with reader demand. And this list hints at something else: It might be that publishers need to re-think how best to launch a new writing career. One book a year probably won’t cut it, maybe never will again. Look at what Random House did with E.L. James last year: All three books came out and buttressed each other. If they would have spread those out, the novelty may have worn off before readers got to books 2 and 3.