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- Jun 5, 2005
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On break today (I take weekends off, since I write M-F.) pdr and Irysangel brought up an interesting topic over on the Harlequin critique thread, and I think it might be worth exploring further.
What do YOU consider to be a first draft? What should it contain? See, I write in final form from the outset, but my co-author writes her books in multiple drafts. We work at about the same speed overall, but the process is quite different. Here's what I've noticed her first drafts contain:
1. Full plot
2. Fully drawn lead characters
3. All subplots
4. Final dialogue.
5. Large movements (walking, running, etc.)
But they're bare bones stuff. There will be long stretches of "talking heads" or bare dialogue with no movement, descriptions, etc.
Now, the second draft expands the word count and smoothes the edges. This adds:
1. Small movements (body language)
2. Description of surrounding scenery (visual)
3. Expansion of back story (where necessary)
4. Expansion of subcharacters
Subsequent drafts tweak wording and add:
1. Sensory detail (smells, sounds)
2. Fine detail.
At what point should a book be given to a beta reader or critique partner/group? How does it work for you?
What do YOU consider to be a first draft? What should it contain? See, I write in final form from the outset, but my co-author writes her books in multiple drafts. We work at about the same speed overall, but the process is quite different. Here's what I've noticed her first drafts contain:
1. Full plot
2. Fully drawn lead characters
3. All subplots
4. Final dialogue.
5. Large movements (walking, running, etc.)
But they're bare bones stuff. There will be long stretches of "talking heads" or bare dialogue with no movement, descriptions, etc.
Now, the second draft expands the word count and smoothes the edges. This adds:
1. Small movements (body language)
2. Description of surrounding scenery (visual)
3. Expansion of back story (where necessary)
4. Expansion of subcharacters
Subsequent drafts tweak wording and add:
1. Sensory detail (smells, sounds)
2. Fine detail.
At what point should a book be given to a beta reader or critique partner/group? How does it work for you?