Now I could've told the story of the collapsing deck chairs, or the fart in the German restroom, or the time in the cable car, or the Hoover Dam lift. I could've even mentioned the 'Just keep walking' technique, or the 'ear drinking' incident, or countless other funnier and more telling stories -- but this is the one that came to mind.
Time: Mid-Eighties
Place: The Dales
The peak: Pen-y-ghent
Me and the old man are hiking to the top. I don't know why we're doing it -- I hate hiking and my old man hates heights, but here we are. We've been up since daybreak and now, halfway up, just before the killer ridge, my little legs are aching. The bastard ridge is only a few hundred metres ahead and the sun, despite it being Yorkshire and England and summer, is burning down like God herself is shining a super-charged spotlight on this moment in time.
'I can't go on,' I say.
'I'm not leaving you behind,' the old man says.
'Go on without me,' I say. 'You can make it.'
'I won't leave you.' I don't notice the fear in his voice -- I can't notice it; I'm only a kid.
'I'm done for,' I say.
The old man looks to the killer ridge and back to me. I don't know what he's thinking, but he looks like Captain Kirk, Hawkeye Pierce, Reggie Perrin and everyone I ever wanted to be .
'I'll do it for you, son,' he says.
I watch him walk--legs moving like he can't stop them--his daddly frame getting smaller and smaller, higher and higher, until he gets to the start of the killer ridge.
He's just a little red dot in the distance now. A bright red cagoul worn just in case it rains even though it must be 25 degrees. I see him start out onto the ridge, my kid self sits there on the path, alone.
People walk by me. A few look. Eventually one stops.
'Where's your mum, son?'
I don't answer. Been taught never to talk to strangers.
'Oh my god!'
It's the stranger talking, she's looking up to the killer ridge and my eyes go there too.
'That man!'
There, on the killer ridge, clinging to the hillside, a red cagoul like a dot in a painting I saw in the Tate that time he took me to London.
'What's he doing?' says the stranger.
'He's just ...' begins another hiker. 'Laying there.'
I look to the little dot of red laying on its back, bravely holding the mountain up, blocking the traffic up the killer ridge to the top.
The stranger looks at the dot a while; it doesn't move. People move past it, skirting round the edge of it. Moving on. There is no great panic on a ridge under the blue Yorkshire sky.
'He must be ok,' says the hiker, and, problem solved, he moves on.
The stranger, a women with an unfamiliar accent, stays. She looks to the red dot and then to me. The spell is broken.
She says, 'where's your kin?'
Kin, I think, what a funny word.
She says, 'where's your family?'
And I point to that little red dot laid out on the mountinside and say, 'That ... is my Dad.'
Later, my old man overcomes his vertigo and walks under his own steam to where I'm sitting. He says something like, 'I didn't make it.'
I say something like, 'you did alright to me.'
We trudge back down the softer slopes of the hill, across the fields and all the way back to the beaten up Vauxhaull Viva and by the time we get there it's all become a funny story, a joke, a tale of the time my Dad got scared on the mountain.
And it was like that, only it wasn't like that at all.