http://www.guardian.co.uk/books/2012/jan/12/amanda-hocking-self-publishing
The speed of her ascent has astonished Hocking more than anyone. She was so elated to receive her first cheque from Amazon, for $15.75, that she didn't cash it and still has it pinned up on a noticeboard above her desk. "It went from zero to 60 overnight," she says. "Everybody was buying my books and it was overwhelming."
In internet-savvy circles she has been embraced as a figurehead of the digital publishing revolution that is seen as blowing up the traditional book world – or "legacy publishing" as its detractors call it – and replacing it with the ebook, where direct contact between author and reader, free of the mediation of agent and publishing house, is but a few clicks away. There is certainly something to that argument. The arrival of Hocking onto the Kindle bestseller lists in barely over a year is symptomatic of a profound shift in the book world that has happened contiguously. Her rise has occurred at precisely the moment that self-publishing itself turned from poor second cousin of the printed book into a serious multi-million dollar industry. Two years ago self-publishing was itself denigrated as "vanity publishing" – the last resort of the talentless. Not any more.
But Hocking's new-found stature as self-publishing vanguardista is not something she welcomes. "People built me up as a two-dimensional icon for something I was not. Self-publishing is great, but I don't want to be an icon for it, or anything else. I would rather people talk about the books than how I publish them."
She also resents how her abrupt success has been interpreted as a sign that digital self-publishing is a new way to get rich quick. Sure, Hocking has got rich, quickly. But what about the nine years before she began posting her books when she wrote 17 novels and had every one rejected? And what about the hours and hours that she's spent since April 2010 dealing with technical glitches on Kindle, creating her own book covers, editing her own copy, writing a blog, going on Twitter and Facebook to spread the word, responding to emails and tweets from her army of readers? Just the editing process alone has been a source of deep frustration, because although she has employed own freelance editors and invited her readers to alert her to spelling and grammatical errors, she thinks her ebooks are riddled with mistakes. "It drove me nuts, because I tried really hard to get things right and I just couldn't. It's exhausting, and hard to do. And it starts to wear on you emotionally. I know that sounds weird and whiny, but it's true."