Thanks for your advice.
You don't know how much I value your advice. At some point, I've thought about asking someone here on the boards to view parts of the story, but didn't want to dump on anyone, or take advantage of their kindness. I can afford to pay someone, plus I have some friends who have links with editors/authors, and the only thing that is stopping me from contacting them, is that I decided earlier this week to incorporate the elements that I loved from the later story. And I'll explain it a little bit.
In the initial story, "suspense" was paramount. I didn't want people to know the nature of "evil" up front, or what was happening. I wanted it to be confusing on purpose.
This Lent to the idea that evil is often subtle, vague, and doesn't jump out at and say, "Hey, I'm evil!" Discovery was a part of the plot-line. The story gets darker as you go.
Now, if you read the beginning of the story, you wouldn't even know it was a mystery, or fantasy, unless you found it in the fantasy section of the bookstore. Why? It's a great write, and knew that if people would take the risk, they'd find it a many layered deep story that starts out fairly whimsical. Well, a publisher wants to grab then right up front. And since I don't have a name, I understand why.
The first of the central characters is as innocent as Frodo. His life isn't about understanding the evils of the world, but the adventures of the world.
Well, life happens, and he is thrust into the story.
Everyone, six readers in all that read this opening, loved it, and all of them fell in love with the characters. Well, they know me, so they'll take my word that this is an Epic Fantasy from the get go.
My concern was that since I have to sell agents, publishers, etc, metaphorically, I felt that perhaps it was wisest to use a method similar to the prelude to the movie LOTR, and introducing evil first, even as a snippet.
My first thought was- introduce tiny snippets through an after the fact letter, warning the next generation not to let down their guard, and without telling the story, hinting what they'll find. (But that is a risk, since convention says, "Start with action")
Once people are hooked, I can start any way I'd like, because they'd know the goods were there.
So, considering the hoops one has to jump to get into the business, I've decided on a third solution.
I'll move the letter into an appendix in one of the books. I'm pushing chapter one back, which will add increased tension. Because you are now seeing a powerful evil, and doing this creates a new tension, because the protagonists journey is now an immediate risk, whereas before it was somewhat whimsical.
And now, I will put a face upon evil in the first chapter, which is nothing but movement after movement. My only concern with this approach, is that it changes the entire nature of the story.
I have always had an ability to personify evil, and in this case an evil alliance. But in doing so, I'm concerned that I've done something I didn't intend, and that is to make some of the evil characters somewhat sympathetic, which I don't want to do. I don't want a "Gollum" who is redeemable. Yet, in the hierarchy of evil, you can almost feel sorry for the footworkers.
So, there is a drawback to the change. The second drawback, is that I've added names, which readers will want to see later. So, now when I reference the antagonists, they can't be faceless, which will require further rewrites. However, I am convinced that it is now immediately captivating from the first paragraph. If someone likes fantasy/sci-fi/horror/suspense, they should be immediately drawn in.
And then when they meet the protagonist, my gut feeling is that they now won't be able to wait to see how he fits in.
I have five Beta Readers- all of them avid readers. One a Tad Williams fan. One a Stephen King fan. Two of them are Tolkien fans. Another doesn't read fiction/fantasy, but likes deep writing. They are all very intelligent people.