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As writers, you should know about the project we did today at the bookshop where I work. It's done regularly at every bookshop I know of--and it's changing.
We call it the "Dog Pull List."
Sometimes books that were expected to be successes turn out to be duds. We call them "dogs." Our bookstore can return the dogs to their publishers for credit against new purchases. In these tight times for brick & mortar shops, that happens faster and faster.
Of course,
1) those are often the ones that were purchased in large quantities; and
2) these authors might sell lots of e-books,
but nevertheless, I'm sending back massive quantities of books by authors you're watching on TV or hearing in interviews on the radio, about this book that I'm sending back.
I can promise you that our shop won't order as many copies of the next book by a "bestselling" author whose last title had to be returned. While they're not shipping paper back & forth, those e-marketers have to have a similar way of "spotlighting" books. The book market engine has cycles--and they're getting shorter. Everyone HAS to move away from stagnant books fast--or they'll go under.
The simple fact is that not as many young people read for pleasure.
The book-buying market is shrinking. Sure it's nice to think that some folks will go back and buy digital copies of books that they own already on paper, but truly it's a different phenomena from the music industry or the movie industry.
Fewer young people read for pleasure.
They still watch movies, just in a new format.
They still listen to music, in a different format.
They don't read books, well, not the majority of them...and those of us who do read have less time for reading since we're playing Playstation, Wii, or The Social Network on our iPads.
What does a shrinking literary "pie" ultimately mean to new authors? How can we become exceptions to the slacking sales norm? (Like Charlaine Harris or Robert Jordan?) Wow, a Stefenie Meyer was on my pull list today--not that anyone could accuse her of wimping out on pie.
I personally loaded up a whole lot of Franzen "dogs" a while back, so you can't just say, "Write a good book." There's more to this challenge and we as authors have to stay on top of it.
As I rolled my 4ft-long, six-shelf cart of "dogs" - some NY Times bestselling "dogs - to the back room and placed a sign on them that said "Dog Pulls," I thought:
"This is reality."
Time to trump it with a well-executed dream?
We call it the "Dog Pull List."
Sometimes books that were expected to be successes turn out to be duds. We call them "dogs." Our bookstore can return the dogs to their publishers for credit against new purchases. In these tight times for brick & mortar shops, that happens faster and faster.
Today, as in the last few times I did the "Dog Pull List," I was at times pulling books directly off the NY Times "Bestseller" table--and adding them to my cart of books to be returned.
You read correctly, the NY Times Bestsellers are sometimes being returned to the publisher while they're still on the NY Times Bestseller List.
Of course,
1) those are often the ones that were purchased in large quantities; and
2) these authors might sell lots of e-books,
but nevertheless, I'm sending back massive quantities of books by authors you're watching on TV or hearing in interviews on the radio, about this book that I'm sending back.
I can promise you that our shop won't order as many copies of the next book by a "bestselling" author whose last title had to be returned. While they're not shipping paper back & forth, those e-marketers have to have a similar way of "spotlighting" books. The book market engine has cycles--and they're getting shorter. Everyone HAS to move away from stagnant books fast--or they'll go under.
The simple fact is that not as many young people read for pleasure.
The book-buying market is shrinking. Sure it's nice to think that some folks will go back and buy digital copies of books that they own already on paper, but truly it's a different phenomena from the music industry or the movie industry.
Fewer young people read for pleasure.
They still watch movies, just in a new format.
They still listen to music, in a different format.
They don't read books, well, not the majority of them...and those of us who do read have less time for reading since we're playing Playstation, Wii, or The Social Network on our iPads.
What does a shrinking literary "pie" ultimately mean to new authors? How can we become exceptions to the slacking sales norm? (Like Charlaine Harris or Robert Jordan?) Wow, a Stefenie Meyer was on my pull list today--not that anyone could accuse her of wimping out on pie.
I personally loaded up a whole lot of Franzen "dogs" a while back, so you can't just say, "Write a good book." There's more to this challenge and we as authors have to stay on top of it.
As I rolled my 4ft-long, six-shelf cart of "dogs" - some NY Times bestselling "dogs - to the back room and placed a sign on them that said "Dog Pulls," I thought:
"This is reality."
Time to trump it with a well-executed dream?
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