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Hiya guys. Yes, that's right. Kaitie is writing a book with a romantic sub plot. And she could use some tips and advice, if y'all've got any. Ooh, see that? She also just used the elusive double contraction! Booyah!
But anyway, in all seriousness, the romance element itself doesn't particularly worry me. And it's going to be more romantic comedy than anything. What's kind of stumping me at the moment is that, in theory, you need to have a desire to see the characters together, right?
Well, this book is going to be a sequel to the one I'm currently working on. That means that a lot of the setup has already happened. My MC starts out kind of dreading being around this woman. She's a mind-reader and has a tendency to make people uncomfortable because of it. Particularly considering she plays up her sexuality to get a reaction from people. They start to work together, though, and he sees more of who she is and what makes her tick, and starts to really understand why she's the way she is. And more than that, starts realizing he actually gives a damn about her.
She's someone who uses her ability to push people away and keep them from getting close to her to keep from being hurt, but by the end of the first book you see her actually opening up and being very real and human with the MC, who is about the only person she's ever like this with.
I think it's clearly heading in that direction in the first book, but the problem is that there just isn't any time to get there. It has all the setup and you at least can see the MC starting to go for her (and hopefully it's obvious that she'd be willing to go for it, too. Well, to anyone but the MC that is).
I know how they end up together and a couple of the specific incidents leading up to it, but what I'm not certain on is how to deal with the fact that most of the setup has already occurred.
I'm thinking of having a scene early on where his best friend is telling him that he's falling for her and it's stupid because he's going to just get himself hurt, and he's basically denying it. I haven't decided if he denies it and then by the end is like, "Okay, but he's right" or if he just stays in denial. I think he gets how he feels at least to an extent, he just doesn't even consider it a real option because he doesn't think she would ever go for him.
I could also put in a scene near the beginning, either of them doing something cute together (like cutting his foster daughter's hair or something) or a scene with her coming back after a really awful day and getting into what's practically a fight with him because she just keeps things inside and he's trying to get her to tell him what's going on. I lean toward the latter.
Wow, this is long, sorry about that! But yeah, basically, would something like just a scene or two like this be okay? The story really doesn't stand alone that well in general, but I'd like it to work even if you didn't know the characters.
Any advice? Tips? Examples?
But anyway, in all seriousness, the romance element itself doesn't particularly worry me. And it's going to be more romantic comedy than anything. What's kind of stumping me at the moment is that, in theory, you need to have a desire to see the characters together, right?
Well, this book is going to be a sequel to the one I'm currently working on. That means that a lot of the setup has already happened. My MC starts out kind of dreading being around this woman. She's a mind-reader and has a tendency to make people uncomfortable because of it. Particularly considering she plays up her sexuality to get a reaction from people. They start to work together, though, and he sees more of who she is and what makes her tick, and starts to really understand why she's the way she is. And more than that, starts realizing he actually gives a damn about her.
She's someone who uses her ability to push people away and keep them from getting close to her to keep from being hurt, but by the end of the first book you see her actually opening up and being very real and human with the MC, who is about the only person she's ever like this with.
I think it's clearly heading in that direction in the first book, but the problem is that there just isn't any time to get there. It has all the setup and you at least can see the MC starting to go for her (and hopefully it's obvious that she'd be willing to go for it, too. Well, to anyone but the MC that is).
I know how they end up together and a couple of the specific incidents leading up to it, but what I'm not certain on is how to deal with the fact that most of the setup has already occurred.
I'm thinking of having a scene early on where his best friend is telling him that he's falling for her and it's stupid because he's going to just get himself hurt, and he's basically denying it. I haven't decided if he denies it and then by the end is like, "Okay, but he's right" or if he just stays in denial. I think he gets how he feels at least to an extent, he just doesn't even consider it a real option because he doesn't think she would ever go for him.
I could also put in a scene near the beginning, either of them doing something cute together (like cutting his foster daughter's hair or something) or a scene with her coming back after a really awful day and getting into what's practically a fight with him because she just keeps things inside and he's trying to get her to tell him what's going on. I lean toward the latter.
Wow, this is long, sorry about that! But yeah, basically, would something like just a scene or two like this be okay? The story really doesn't stand alone that well in general, but I'd like it to work even if you didn't know the characters.
Any advice? Tips? Examples?